Stephen Johnson on the history and musical mechanics of Beethoven's Piano Concerto No. 5.
Stephen Johnson explores Beethoven's Third Symphony in E flat, the Eroica.
Howard Goodall and Suzy Klein discuss the Funeral March from Beethoven's Symphony No. 3.
Ivan Hewett examines a chord from Beethoven's Eroica Symphony.
Stephen Johnson explores the inner workings of Beethoven's Trio in E flat, Op 38.
Stephen Johnson explores Bruckner's Symphony No. 4.
Ivan Hewett explores the emotional characteristics of the musical key of E flat major.
Mark Elder explores Elgar's concert overture, In the South.
Stephen Johnson explores Elgar's Second Symphony.
Leonard Slatkin and the BBC Philharmonic look at the musical element harmony.
Frances Fyfield and team explore the handwritten manuscript of Haydn's Drum Roll Symphony.
Stephen Johnson unpicks Haydn's Symphonies No. 22 and No. 92.
Howard Goodall and Suzy Klein discuss the Finale from Haydn's Symphony No. 99.
Sara Mohr-Pietsch considers the background and music of two piano concertos.
Stephen Johnson examines the echoes of Mahler's songs in his later symphonies.
Exploring the impact that Mendelssohn's Octet has had on different people's lives.
Charles Hazlewood conducts the BBC NOW and soloists in Mozart's Sinfonia Concertante.
Charles Hazlewood and the Harmonieband focus on Mozart's Symphony No. 39 in E Flat.
Stephen Johnson explores Schumann's Piano Quintet.
Stephen Johnson explores one of Schumann's most joyous symphonies.
Stephen Johnson and Christian Poltera explore Shostakovich's First Cello Concerto.
Stephen Johnson explores the music and ideas behind Shostakovich's 9th Symphony.
Stephen Johnson explores Sibelius's Fifth Symphony in E flat.
Frances Fyfield is back in Washington DC to celebrate the national march of the USA.
Examining the power of Beethoven's fifth piano concerto, The Emperor.
Stephen Johnson explores the trumpet concerto, from Telemann to Haydn.
Stephen Johnson explores Sibelius' Fifth Symphony in E flat.
Children from Amersham Music Centre prepare to perform Tchaikovsky's 1812 Overture.