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Searching for Paradise - 2018 Proms Special

Exploring sacred music and how it transports us to the divine.

Humanity has used music to commune with the sacred for as long as we have been human: from the caves of Chauvet, tens of thousands of years ago, to the churches, temples, and synagogues of today, we have sung and hymned and played our connection with our God(s).
Something else has happened in modern Western society: as organised religion has waned, a cult of music has developed, in which we don't just use music to worship, but worship music and musicians as carriers of a divine spark. With the help of Keith Howard, Emeritus Professor of Music at SOAS and The Reverend Lucy Winkett, Tom explores how music has sounded the sacred and itself become sacred. In association with Prom 73 2018

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29 minutes

Why do we call it 'classical' music?

Why do we call it 'classical' music?

Tom Service poses a very simple question (with a not-so-simple answer).

Six of the world's most extreme voices

Six of the world's most extreme voices

From babies to Mongolian throat singers: whose voice is the most extreme of all?

How did the number 12 revolutionise music?

How did the number 12 revolutionise music?

How Schoenberg opened a new cosmos for composers and listeners to explore.

Why are we all addicted to bass?

Why are we all addicted to bass?

Bass is everywhere, but why do we enjoy it? Join Tom Service on a journey of discovery.

Watch the animations

Watch the animations

Join Tom Service on a musical journey through beginnings, repetition and bass lines.

When does noise become music?

When does noise become music?

We like to think we can separate “noise” from “music”, but is it that simple?

Podcast