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A Woman's Place

Examining the novel from three unique perspectives. This episode shows the way that women writers, women readers and women's lives have been central to the novel.

Ever since Samuel Richardson's novel Pamela, published in 1740, the novel has been a predominantly female literary form, offering far more opportunities to women writers than any other and consistently turning a powerful lens on the full range and depth of women's lives. Yet novels that explore women's stories, characters and emotions have often been attacked as frivolous – and sometimes by women themselves. But they are only frivolous to people for whom love, sex, friendship, family and one's own prospects in life are trivial matters. And there have been plenty of very serious female novelists too, from George Eliot and Middlemarch to Virginia Woolf and Orlando.

Women's rights have always been at the heart of the novel. Margaret Atwood's The Handmaid’s Tale has long been a famous rallying cry for feminism. The battle for women's suffrage is the subject of the propagandist novel No Surrender, written by Constance Maud in 1911. Works like this were forgotten until imprints like Virago republished them in the 1970s. Their Eyes Were Watching God by Zora Neale Hurston is another case in point - now seen as an icon of African-American women's writing, its reprinting was promoted by one of the most significant novelists of the last few decades, Alice Walker, author of the lacerating The Color Purple. The episode brings the discussion right up to date with a novel from 2019 by a black British writer and about a black British woman, Candice Carty-Williams' Queenie.

Available now

59 minutes


Thu 28 Nov 2019 01:15

Music Played

Timings (where shown) are from the start of the programme in hours and minutes

  • 00:11

    Camille Saint‐Saëns

    Carnival of the Animals: The Aquarium

  • 00:15

    Leonard Bernstein, New York Philharmonic Orchestra

    Symphony No. 3 In A Minor, Op. 56 "Scottish" (Remastered): I. Andante Con Moto - Allegro Un Poco Agitato - Assai Animato

  • 00:22

    Charles Munch, Boston Symphony Orchestra

    Symphonie Fantastique, Op. 14: I. Reveries: Passions (Remastered)

  • 00:22

    The Cleveland Orchestra: Lorin Maazel

    Berlioz: Symphonie Fantastique Opus 14A: I Reveries, Passions

  • 00:34

    Iona Brown, Trevor Connah, Stephen Shingles, Kenneth Heath, Academy of St. Martin In The Fields, Sir Neville Marriner

    Vaughan Williams: Fantasia On A Theme By Thomas Tallis

  • 00:38

    Franzjosef Maier, Collegium Aureum

    Concerto Grosso In G Minor, Op. 6 No. 8, "Christmas Concerto": V. Allegro - Pastorale. Largo

  • 00:41

    Brian Eno

    Sky Saw

  • 00:59

    Leonard Bernstein, New York Philharmonic Orchestra

    Symphony No. 3 In F Major, Op. 90: III. Poco Allegretto

  • 00:59

    West Australian Symphony Orchestra, Asher Fisch

    Brahms: Symphony No. 3 In F Major, Op. 90 - 3. Poco Allegretto


Role Contributor
Narrator Nikki Amuka-Bird
Director Sarah Barclay
Executive Producer Franny Moyle
Production Company IWC Media