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Monday - Petroc Trelawny

Petroc Trelawny presents Radio 3's classical breakfast show, featuring listener requests.

Email 3breakfast@bbc.co.uk.

2 hours, 30 minutes

Music Played

  • George Frideric Handel

    Where'er you walk (Semele)

    Singer: Andreas Scholl. Orchestra: Orchestra of the Age of Enlightenment. Conductor: Sir Roger Norrington.
    • Handel/Gluck/Mozart: Heroes: Andreas Scholl.
    • Decca.
    • 3.
  • Wolfgang Amadeus Mozart

    Piano Concerto No.15 in B flat K450 – 3rd mvt: Allegro

    Performer: Robert Levin. Orchestra: Academy of Ancient Music. Conductor: Christopher Hogwood.
    • Decca.
  • Johann Strauss II

    Rosen aus dem Suden - waltz arr. Schoenberg for harmonium, piano and string 4tet

    Music Arranger: Arnold Schoenberg. Ensemble: Solistes de l'Opera National de Lyon.
    • Schoenberg: Kaiserwalzer and other Transcriptions: Soliste de l'Opera National d.
    • Erato.
    • 5.
  • Johann Sebastian Bach

    Cello Suite No. 5 BWV 1011 - IV. sarabande

    Performer: Pierre Fournier.
    • J. S. Bach: 6 Cello Suites BWV 1007-1012.
    • Deutsche Grammophon.
    • 16.
  • John Foulds

    Sicilian Aubade

    Performer: Cynthia Fleming. Orchestra: BBC Concert Orchestra. Conductor: Ronald Corp.
    • J Foulds, Keltic Suite: BBC Concert Orchestra/Corp.
    • Epoch.
    • 5.
  • Ned Rorem

    Early in the morning

    Performer: Malcolm Martineau. Singer: Susan Graham.
    • The Art of Susan Graham.
    • Erato.
    • 3.
  • Franz Schubert

    Rondo in A major, D.951

    Performer: Paul Lewis. Performer: Steven Osborne.
    • Franz Schubert Piano Duets; Steven Osborne / Paul Lewis.
    • Hyperion.
    • 4.
  • François Couperin

    Les baricades misterieuses

    Music Arranger: Thomas Adès. Ensemble: The Composers Ensemble. Conductor: Thomas Adès.
    • EMI.
  • Guy Woolfenden

    Bohemian Dances - Shepherds and Shepherdesses

    Ensemble: Birmingham Symphonic Winds.
    • Private recording.
  • Ludwig van Beethoven

    Symphony no. 6 (Op. 68) in F major "Pastoral" 1st mvt, Erwachen heiterer Gefuhle

    Orchestra: Orchestre Révolutionnaire et Romantique. Conductor: Sir John Eliot Gardiner.
    • Beethoven: The Symphonies, John Eliot Gardiner.
    • Archiv Produktion.
    • 5.
  • Erik Satie

    La Diva de "l'Empire"

    Singer: Elly Ameling. Performer: Rudolf Jansen.
    • Philips.
  • György Ligeti

    Etude No.10, The Sorcerer's Apprentice; Etude No.4, Fanfares

    Performer: Yuja Wang.
    • DG.
  • Pyotr Ilyich Tchaikovsky

    The Nutcracker, Op. 71: Act II - 'Chocolate', Spanish Dance

    Orchestra: London Symphony Orchestra. Conductor: Antal Doráti.
    • Mercury Living Presence.
  • Ottorino Respighi

    Gli Uccelli [The birds] - suite, no.1; Preludio (Allegro moderato)

    Orchestra: Orpheus Chamber Orchestra.
    • Respighi: Ancient Airs and Dances: Orpheus Chamber Orchestra.
    • Deutsche Grammophon.
    • 1.
  • Felix Mendelssohn

    Lieder ohne Worte - book 1 (Op.19), no.6; Venetianisches Gondellied in G minor

    Performer: Howard Shelley.
    • Mendelssohn: The Complete Solo Piano Music, Vol. 1: Howard Shelley.
    • Hyperion.
    • 18.
  • Antonio Vivaldi

    Concerto in G minor for flute, strings and continuo, R439 ('La notte')

    Performer: Bruno Cavallo. Ensemble: Soloists of the Philharmonic Orchestra of La Scala. Conductor: Riccardo Muti.
    • EMI.
  • William Croft

    O God our help in ages past

    Choir: London Philharmonic Choir. Orchestra: London Symphony Orchestra. Conductor: Edward Elgar.
    • SOMM.
    • 14.
  • Cole Porter

    High society (Overture)

    Orchestra: John Wilson Orchestra. Conductor: John Wilson.
    • Cole Porter in Hollywood.
    • WARNER CLASSICS.
    • 9.
  • Emahoy Tsegué-Maryam Guèbrou

    The Garden of Gethesemanie

    • Éthiopiques.
    • BudaMusique.
    • 12.
  • Guillaume de Machaut

    Esperance qui m’asseure

    Ensemble: Orlando Consort.
    • HYPERION.
    • 5.
  • Antonín Dvořák

    The Noonday Witch, Op.108

    Orchestra: Bavarian Radio Symphony Orchestra. Conductor: Rafael Kubelík.
    • DG.

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