Parisian magazine editor Andrew Gallix reflects on what Barthes meant by 'the death of the author'.
An encounter as a teenager with Roland Barthes and an orange moped inspired the magazine editor Andrew Gallix, who now teaches at the Sorbonne, with a fascination for the ideas of the great French theorist. In this week of essays celebrating the 100th anniversary of his birth, Andrew reflects on what Barthes meant by 'The Death of the Author'.
Across the week five authors write about Barthes' significance to them and discuss the influence the maverick cultural philosopher has had upon their own work. Over the week they create a picture of a literary figure whose writing was fun, accessible and is still deeply influential on the way we look at the world. Barthes's literary output was not only prolific, but also eclectic. During the course of his life his thinking influenced the development of theories of structuralism, semiotics, social theory, design, anthropology and post structuralism. A powerful blast of fresh air in post war cultural thought, his carefully argued, accessible and sometimes mischievous examinations of philosophical, cultural and social ideas continue to influence contemporary writers and thinkers.
An eclectic group of essayists celebrate the range of influence his writing has had. Andrew Hussey examines Barthes' impact in Europe in the 1960s. Other essayists over the week include design historian Penny Sparke, film journalist Nick James, the editor of 3 A.M. Magazine and teacher at the Sorbonne in Paris, Andrew Gallix, and cultural historian Michael Wood.
Producer: Frank Stirling at Unique.