Main content
Sorry, this episode is not currently available

Final Years and Late Masterpieces

Donald Macleod focuses on Britten's final masterpieces, written in declining health, including the War Requiem and Phaedra.

His health in decline, Britten produces his final masterpieces.

From relatively humdrum origins in the coastal fishing port of Lowestoft, Benjamin Britten rose to become the pre-eminent British composer of his day, celebrated not just in his native land, but internationally. Although he initially saw himself as an outsider to the British musical establishment, he would rapidly transform music-making in Britain; introducing new sounds, and insisting on the highest standards of performance. By the time of his death in 1976, in the arms of his long-term companion Peter Pears, Britten was celebrated as a composer of operas, string quartets and song cycles, and of a War Requiem that touched the hearts of millions of listeners around the world.

By the late 1950s and the early 1960s Britten's pacifism was no longer a particularly eccentric position to hold. A supporter of the Peace Movement, Britten was delighted to be commissioned to write a piece to mark the opening of the rebuilt Coventry Cathedral. That piece, the War Requiem, would become one of the fastest selling classical records of all time! One inspiration throughout the 1960s was cellist Mstislav Rostropovich. Despite linguistic differences (they spoke in 'Aldeburgh Deutsch') they got on famously well, and among other things Britten composed a Cello Symphony in Rostropovich's honour.

Dogged by increasingly frail health, Britten struggled to complete his final opera, Death in Venice. And yet, despite increasingly insistent intimations of his own mortality, his last years witnessed an extraordinary burst of creativity, including a chamber cantata, Phaedra.

Donald concludes this week's look at the life and music of Benjamin Britten with the last two movements of one of the last pieces he completed: his third string quartet.

1 hour

Last on

Fri 22 Nov 2013 12:00

More episodes

Next

You are at the last episode

See all episodes from Composer of the Week

Music Played

  • Benjamin Britten

    Recitative and Passacaglia - Third Quartet

    Ensemble: Belcea Quartet.
    • EMI: 7243 557968.
  • Britten Quartet

    A Midsummer Night's Dream

    Singer: Alfred Deller. Orchestra: London Symphony Orchestra. Conductor: Benjamin Britten.
    • London: 425663-2.
    • 6.
  • Benjamin Britten

    Cello Symphony op 68

    Performer: Mstislav Leopoldovich Rostropovich. Composer: Benjamin Britten. Orchestra: English Chamber Orchestra.
    • London: 452 100-2.
  • Benjamin Britten

    Phaedra

    Orchestra: English Chamber Orchestra. Conductor: Steuart Bedford.
    • London:425666-2.
    • 1-3.
  • Benjamin Britten

    War Requiem - Agnus Dei and Let us Sleep

    Singer: Peter Pears. Singer: Galina Pavlovna Vishnevskaya.
    • Decca: 475 7511.
    • 1.
  • Benjamin Britten

    Songs from the Chinese

    Singer: Philip Langridge. Performer: Stephen Marchionda.
    • Chandos: Chan 10305.
    • 15.

Broadcast

Composers A to Z

Composers A to Z

Visit the extensive audio archive of Radio 3 programmes about Composers and their works.

Who knew? Five eye-opening stories from Composer of the Week

Who knew? Five eye-opening stories from Composer of the Week

The production team reflects on 5 of Donald Macleod’s best stories from the last 20 years

A man out of time – why Parry's music and ideas were at odds with his image...

A man out of time – why Parry's music and ideas were at odds with his image...

The composer of Jerusalem was very far from the conservative figure his image suggests.

Five reasons why we love Parry's Jerusalem

Five reasons why we love Parry's Jerusalem

What is the strange power of Jerusalem which makes strong men weep?

Composer Help Page

Composer Help Page

Find resources and contacts for composers from within the classical music industry.