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Session Sarah Savoy

Lopa Kothari is joined in the studio for a session by the cajun singer-songwriter - and chef - Sarah Savoy with her band from Louisiana. Accompanied by bass, accordion, fiddle and guitar she reflects on being "Cajun born, bred and dead", as well as what awaits us in the Fires of Hell.

1 hour, 30 minutes

Music Played

  • The Bombay Royale

    You Me Bullets Love

    • You Me Bullets Love.
    • Hopestreet Recordings.
  • Zucchero (ft. Bebe)

    Pana

    • La Sesion Cubana.
    • Decca.
  • Mad Manoush

    Train to New Orleans

    • Egemann Music.
  • Ses

    Unha Sombra de Min

    • Co Xenio Destrozado.
    • Fol Música.
  • The Fishermen's Friends

    Mary Anne

    • One and All.
    • Universal Island Records.
  • Scantu de Core

    Beggiu U Sole

    • Scantu de Core.
    • Scantu de Core.
  • The High Kings

    Gucci

    • Friends for Life.
    • Sony Music Classical.
  • Sarah Savoy and the Francadians in session

    • Sarah Savoy and the Francadians

      La valse de Grand Gueydan

    • Sarah Savoy and the Francadians

      Un beau matin dans Juin

  • Ondatrópica

    Chop'n'Quench

    • Promo EP.
    • Sound Way.
  • Gordie MacKeeman and his Rhythm Boys

    Hay Boys

    • Pickin' n Clickin'.
    • www.gordiemackeeman.com.
  • Ogi & the Stereodubs

    Talarico

    • Daora ? Underground sounds of Urban Brazil hip-hop, beats, afro & dub.
    • Mais Um Discos.
  • Ebo Taylor

    Love & Death

    • Love & Death.
    • Strut.
  • Otros Aires

    Big Man Dancing

    • Otros Aires 4.
    • Otrotono.
  • Sarah Savoy and the Francadians in session

    • Sarah Savoy and the Francadians

      Cajun Born

    • Sarah Savoy and the Francadians

      Les flammes d'enfer

  • Gilberto Gil

    Domingo no Parque (Ao vivo)

    • Concerto de Cordas & Machinas de Ritmo.
    • Biscoito Fino.
  • Laila Amezian

    Trihab

    • Triode.
    • Music & Words.
  • Abd Al-Hayy Hilmi

    Taqsim Layali Mawwal

    • Abd Al-Hayy Hilmi 1857-1912-An Anthology.
    • AMAR Productions.

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