Main content
Sorry, this episode is not currently available

Donald Macleod and Russian music expert Gerard McBurney survey Arensky's final years as he succumbed to tuberculosis.

Described by Tchaikovsky as a man of remarkable gifts - Leo Tolstoy said of him that among the new composers he is the best, he is simple and melodious. Celebrating 150 years since the composer's birth, Donald Macleod in conversation with Gerard McBurney, journey through this murky picture that is Arensky's life and music.

Arensky was now back in St Petersburg, as the Director of the Imperial Chapel Choir. One work he composed during this period, was his cantata The Fountain of Bakhchisaray. Zerema's aria from this work would go on to be a popular work for Arensky. However, during his tenure as Director, Arensky spent much time on vacation to southern resorts, usually for his health. He would soon resign from this position, and was awarded a very healthy pension.

Having now returned from Moscow, Arensky was certainly in ho hurry to reacquaint himself with his former teacher Rimsky-Korsakov. One friendship he did maintain for many years, was with the virtuoso pianist Siloti. Arensky would often feature himself on tour as a pianist with Siloti, and this also led to a number of compositions by Arensky for two pianos, including his fourth Suite.

At the age of 44, Arensky died of tuberculosis. The music of Rubenstein, Liszt and Chopin had fed straight into the music of Arensky, and he was the bridge between these older composers, and his own students especially Rachmaninov and Scriabin. His orchestral work a Fantasy on Russian Folksongs, not only demonstrates his lifelong interest in the piano, but also his international outlook and approach to composition.

1 hour

Last on

Fri 12 Aug 2011 18:00

More episodes

Next

You are at the last episode

See all episodes from Composer of the Week

Music Played

Adding a track to My Tracks will no longer be available from late March
  • Anton Stepanovich ARENSKY

    Vospominaniye [Recollection] Op.71

    Performer: Alexander BLOK - Piano Performer: Vassily SAVENKO - Baritone

    • HYPERION.
    • cda-67274.
  • Anton Stepanovich ARENSKY

    Bakhchisarayskiy fontan [The fountain of Bakhchisaray] Op.46 for solo voices, chorus and o

    Conductor: Alexander Melik PASHAYEV Performer: Irina ARKHIPOVA - Mezzo-soprano Performer: Bolshoi Theatre Orchestra

    • Westminster Gold.
    • WGS8300.
  • Anton Stepanovich ARENSKY

    Nal' i Damayanti - opera in 3 acts Op.47

    Conductor: Vassily SINAISKY Performer: BBC Philharmonic

    • CHANDOS.
    • CHAN-10024.
  • Anton Stepanovich ARENSKY

    Suite no. 4 Op.62 for 2 pianos

    Performer: Ian MUNRO - Piano Performer: Stephen COOMBS - Piano

    • Hyperion.
    • CDA66755.
  • Anton Stepanovich Arensky

    The day had ended, op 49 no 1

    Performer: Ludmilla IVANOVA - Piano Performer: Paata BURCHULADZE - Bass

    • Decca.
    • 4214172.
  • Anton Stepanovich ARENSKY

    Fantasia on a Russian folksong Op.48 for piano and orchestra

    Conductor: Dmitry YABLONSKY Performer: Konstantin SCHERBAKOV - Piano Performer: Russian Philharmonic Orchestra

    • NAXOS.
    • 8.-570526.

Broadcasts

Composers A to Z

Composers A to Z

Visit the extensive audio archive of Radio 3 programmes about Composers and their works.

A man out of time – why Parry's music and ideas were at odds with his image...

A man out of time – why Parry's music and ideas were at odds with his image...

The composer of Jerusalem was very far from the conservative figure his image suggests.

Five reasons why we love Parry's Jerusalem

Five reasons why we love Parry's Jerusalem

What is the strange power of Jerusalem which makes strong men weep?

Composer Help Page

Composer Help Page

Find resources and contacts for composers from within the classical music industry.