Orchestral and choral arrangements
Find simplified orchestral and choral parts for Ten Pieces III below.
View or download instrumental parts and scores as PDFs.

- Instrumental parts are listed by ability level for each piece but have been designed to work together to enable mixed-ability groups to perform as one
- The pieces have been arranged for the following ability levels: Beginner/pre-Grade 1, intermediate/Grades 1-3 (ABRSM) and Grades 4-5 (ABRSM)
- You can use the arrangements to develop creative responses and put on performances - find out how to upload your pupils' work to the Ten Pieces showcase
You can also download orchestral arrangements from the first two years of the project, Ten Pieces I and II, below.
Kerry Andrew: No Place Like
Arrangements
- Primary school version - for children's voices. Includes performances notes and composition tips
- Full score - for children's voices plus SATB voices. Includes performance notes
Please get in touch with the Ten Pieces team if there are minor adjustments you would like to make for your ensemble.
You can also download the No Place Like piano backing tracks as MP3s - the tracks are split into two so you can add your own soundscape of home town sounds in the middle:
To save to your computer: PC - right-click and save, Mac - ctrl-click and save.
Mason Bates
Arrangements
Please note that due to the difficulty level of the music, arrangements are only available for Sprite, which has been arranged at intermediate/Grade 1-3 and Grade 4-5 ability levels.
All parts have been designed to work together to enable mixed-ability groups to perform together. See more information about the parts below.
Intermediate/Grade 1-3:
- Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | Tuba | Bass in Bb (tuba)
- Piano
- Download all of the intermediate parts in one .zip file
- Intermediate full score
Grade 4-5:
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | 2nd Flute | Clarinet in Bb | Alto saxophone | Oboe |Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | Tuba | Bass in Bb (tuba)
- Glockenspiel | Percussion
- Piano
- Download all of the Grade 4-5 parts in one .zip file
- Grade 4-5 full score
Other scores:
- Full score ordered by ability
- Full score ordered by instrument
- Condensed to half the number of staves (score in C)
Please get in touch with the Ten Pieces team if there are minor adjustments you would like to make for your ensemble.
Notes from the arranger
By Iain Farrington
All parts have been designed to work together to enable mixed-ability groups to perform together. A certain amount of simplification has been required to adapt the pieces for mixed-ability. Some pieces have been cut to allow a 3-5 minute general duration and to remove especially difficult passages of music. A successful rendering of each piece would require the essential melodic material and bass line which are often in the Grades 4/5 parts, especially in the piano.
There are scores for each difficulty level plus three other scores for each piece:
- Grouped according to ability
- Grouped according to instrument type
- 'Short score' in C, grouped according to ability
There are three ability levels – beginner, intermediate (Grades 1-3) and Grades 4-5.
- Flute parts can be played by the violins
- Oboe parts can be played by the flutes and violins
- Trumpet parts (in Bb) can be played by the clarinets.
- Violin parts can be played by the flutes (except when in the lowest register)
- The 'percussion' part is a beginner part and can be played on any drum. It adds a simple rhythm layer to each piece. Timpani and full percussion parts are for intermediate or Grades 4/5
Please note:
Sprite: This arrangement is for intermediate and Grade 4/5 only, owing to the complexity of the piece. There is a cut from bar 37 to bar 65 in the original.
Joseph Bologne, Chevalier de Saint-Georges: Symphony No. 1 in G major – Allegro
Arrangements
All parts have been designed to work together to enable mixed-ability groups to perform together. See more information about the parts below.
Beginner/pre-Grade 1:
- Violin | Cello | Guitar | Ukulele
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium
- Percussion
- Piano
- Download all of the beginner parts in one .zip file
- Beginner full score
Intermediate/Grade 1-3:
- Violin | Viola | Cello | Double bass | Guitar
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | Tuba
- Timpani | Glockenspiel
- Piano
- Download all of the intermediate parts in one .zip file
- Intermediate full score
Grade 4-5:
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | 2nd Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | 2nd Euphonium | Tuba | Bass in Bb (tuna)
- Timpani
- Piano
- Download all of the Grade 4-5 parts in one .zip file
- Grade 4-5 full score
Other scores:
- Full score ordered by ability
- Full score ordered by instrument
- Condensed to half the number of staves (score in C)
Please get in touch with the Ten Pieces team if there are minor adjustments you would like to make for your ensemble.
Notes from the arranger
By Iain Farrington
All parts have been designed to work together to enable mixed-ability groups to perform together. A certain amount of simplification has been required to adapt the pieces for mixed-ability. Some pieces have been cut to allow a 3-5 minute general duration and to remove especially difficult passages of music. A successful rendering of each piece would require the essential melodic material and bass line which are often in the Grades 4/5 parts, especially in the piano.
There are scores for each difficulty level plus three other scores for each piece:
- Grouped according to ability
- Grouped according to instrument type
- 'Short score' in C, grouped according to ability
There are three ability levels – beginner, intermediate (Grades 1-3) and Grades 4-5.
- Flute parts can be played by the violins
- Oboe parts can be played by the flutes and violins
- Trumpet parts (in Bb) can be played by the clarinets
- Violin parts can be played by the flutes (except when in the lowest register)
- The 'percussion' part is a beginner part and can be played on any drum. It adds a simple rhythm layer to each piece. Timpani and full percussion parts are for intermediate or Grades 4/5
Please note:
Symphony No. 1 in G major – Allegro: Note values have been halved (4/4 rather than 2/2) to allow counting in crotchets rather than minims. There is a cut from bar 50 to bar 189 in the original.
Copland: Rodeo – Hoe-Down
Arrangements
All parts have been designed to work together to enable mixed-ability groups to perform together. See more information about the parts below.
Beginner/pre-Grade 1:
- Violin | Cello | Guitar | Ukulele
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium
- Percussion
- Piano
- Download all of the beginner parts in one .zip file
- Beginner full score
Intermediate/Grade 1-3:
- Violin | Viola | Cello | Double bass | Guitar
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | Tuba
- Timpani | Snare drum/Triangle/Bass drum/Cymbals/Wood block | Glockenspiel
- Piano
- Download all of the intermediate parts in one .zip file
- Intermediate full score
Grade 4-5:
- 1st Violin | 2nd Violin | Viola | Cello | Double bass |
- Flute | 2nd Flute | Clarinet in Bb | Oboe | Alto saxophone | Bassoon |
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | 1st Euphonium | 2nd Euphonium | Tuba | Bass in Bb (tuba)
- Timpani
- Piano
- Download all of the Grade 4-5 parts in one .zip file
- Grade 4-5 full score
Other scores:
- Full score ordered by ability
- Full score ordered by instrument
- Condensed to half the number of staves (score in C)
Please get in touch with the Ten Pieces team if there are minor adjustments you would like to make for your ensemble.
Notes from the arranger
By Iain Farrington
All parts have been designed to work together to enable mixed-ability groups to perform together. A certain amount of simplification has been required to adapt the pieces for mixed-ability. Some pieces have been cut to allow a 3-5 minute general duration and to remove especially difficult passages of music. A successful rendering of each piece would require the essential melodic material and bass line which are often in the Grades 4/5 parts, especially in the piano.
There are scores for each difficulty level plus three other scores for each piece:
- Grouped according to ability
- Grouped according to instrument type
- 'Short score' in C, grouped according to ability
There are three ability levels – beginner, intermediate (Grades 1-3) and Grades 4-5.
- Flute parts can be played by the violins
- Oboe parts can be played by the flutes and violins
- Trumpet parts (in Bb) can be played by the clarinets
- Violin parts can be played by the flutes (except when in the lowest register)
- The 'percussion' part is a beginner part and can be played on any drum. It adds a simple rhythm layer to each piece. Timpani and full percussion parts are for intermediate or Grades 4/5
DvoÅ™ák: Symphony No. 9 in E minor, 'From the New World’ – Largo
Arrangements
All parts have been designed to work together to enable mixed-ability groups to perform together.
Beginner/pre-Grade 1:
- Violin | Cello
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium
- Piano
- Download all of the beginner parts in one .zip file
- Beginner full score
Intermediate/Grade 1-3:
- Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | Tuba
- Timpani
- Piano
- Download all of the intermediate parts in one .zip file
- Intermediate full score
Grade 4-5:
- 1st Violin | 2nd Violin | Viola | 1st Cello | 2nd Cello | Double bass
- Flute | 2nd Flute | Clarinet in Bb | Alto saxophone | Oboe | Cor anglais | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | 2nd Euphonium | Tuba | Bass in Bb (tuba)
- Timpani
- Piano
- Download all of the Grade 4-5 parts in one .zip file
- Grade 4-5 full score
Other scores:
- Full score ordered by ability
- Full score ordered by instrument
- Condensed to half the number of staves (score in C)
Please get in touch with the Ten Pieces team if there are minor adjustments you would like to make for your ensemble.
Notes from the arranger
By Iain Farrington
All parts have been designed to enable mixed-ability groups to perform together. A certain amount of simplification has been required to adapt the pieces for mixed-ability. Some pieces have been cut to allow a 3-5 minute general duration and to remove especially difficult passages of music. A successful rendering of each piece would require the essential melodic material and bass line which are often in the Grades 4/5 parts, especially in the piano.
There are scores for each difficulty level plus three other scores for each piece:
- Grouped according to ability
- Grouped according to instrument type
- 'Short score' in C, grouped according to ability
There are three ability levels – beginner, intermediate (Grades 1-3) and Grades 4-5.
- Flute parts can be played by the violins
- Oboe parts can be played by the flutes and violins
- Trumpet parts (in Bb) can be played by the clarinets
- Violin parts can be played by the flutes (except when in the lowest register)
- The 'percussion' part is a beginner part and can be played on any drum. It adds a simple rhythm layer to each piece. Timpani and full percussion parts are for intermediate or Grades 4/5
Please note:
Symphony No. 9 in E minor, 'From the New World’ – Largo: This has been transposed up a semitone into D major for ease of performance and to allow use of open strings. There is a cut from bar 42 to bar 119 in the original. The melody in the flute, oboe, clarinet, saxophone and trumpet parts in bars 7-18 and 36-39 can be played by a single instrument, or as many players as preferred.
Elgar: ‘Enigma’ Variations – Theme (Enigma), variations 11, 6 & 7
Arrangements
All parts have been designed to work together to enable mixed-ability groups to perform together. See more information about the parts below.
Please note: The theme plus variations are on the same PDF for the instrument parts. Individual full scores for the variations are available below.
Beginner/pre-Grade 1:
- Violin | Cello | Guitar | Ukulele
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium
- Percussion
- Piano
- Download all of the beginner parts in one .zip file
- Beginner full score
Intermediate/Grade 1-3:
- Violin | Viola | Cello | Double bass | Guitar
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | Tuba
- Timpani | Glockenspiel | Snare drum/Triangle/Bass drum/Cymbals
- Piano
- Download all of the intermediate parts in one .zip file
- Intermediate full score
Grade 4-5:
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | 2nd Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon | Bass in Bb
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | 2nd Euphonium | Tuba
- Timpani
- Piano
- Download all of the Grade 4-5 parts in one .zip file
- Grade 4-5 full score
Other scores for Theme (Enigma):
- Full score ordered by ability
- Full score ordered by instrument
- Condensed to half the number of staves (score in C)
Other scores for Variation 11 (G.R.S.):
- Full score ordered by ability
- Full score ordered by instrument
- Condensed to half the number of staves (score in C)
Other scores for Variation 7 (Troyte):
- Full score ordered by ability
- Full score ordered by instrument
- Condensed to half the number of staves (score in C)
Other scores for Variation 6 (Ysobel):
- Full score ordered by ability
- Full score ordered by instrument
- Condensed to half the number of staves (score in C)
Please get in touch with the Ten Pieces team if there are minor adjustments you would like to make for your ensemble.
Notes from the arranger
By Iain Farrington
All parts have been designed to enable mixed-ability groups to perform together. A certain amount of simplification has been required to adapt the pieces for mixed-ability. Some pieces have been cut to allow a 3-5 minute general duration and to remove especially difficult passages of music. A successful rendering of each piece would require the essential melodic material and bass line which are often in the Grades 4/5 parts, especially in the piano.
There are scores for each difficulty level plus three other scores for each piece:
- Grouped according to ability
- Grouped according to instrument type
- 'Short score' in C, grouped according to ability
There are three ability levels – beginner, intermediate (Grades 1-3) and Grades 4-5.
- Flute parts can be played by the violins
- Oboe parts can be played by the flutes and violins
- Trumpet parts (in Bb) can be played by the clarinets
- Violin parts can be played by the flutes (except when in the lowest register)
- The 'percussion' part is a beginner part and can be played on any drum. It adds a simple rhythm layer to each piece. Timpani and full percussion parts are for intermediate or Grades 4/5
Please note:
Variation 6 (Ysobel): Note values have been halved (3/4 rather 3/2) to allow counting in crotchets rather than minims.
Variation 7 (Troyte): Note values have been halved (4/4 rather than 2/2) to allow counting in crotchets rather than minims.
Orff: Carmina Burana – 'O fortuna’
Arrangements
Vocal arrangements for 'O fortuna' are available on request
You can also download the piano backing track MP3
To save to your computer: PC - right-click and save, Mac - ctrl-click and save.
Purcell: Abdelazer – Rondeau
Arrangements
All parts have been designed to work together to enable mixed-ability groups to perform together
Beginner/pre-Grade 1:
- Violin | Cello | Guitar | Ukulele
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn in Eb | Horn in F | Euphonium
- Percussion
- Piano
- Download all of the beginner parts in one .zip file
- Beginner full score
Intermediate/Grade 1-3:
- Violin | Viola | Cello | Double bass | Guitar
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn in Eb | Horn in F | Euphonium | Tuba
- Timpani
- Piano
- Download all of the intermediate parts in one .zip file
- Intermediate full score
Grade 4-5:
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | 2nd Flute | Clarinet in Bb | Oboe | Alto saxophone | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn in Eb | Horn in F | Euphonium | 2nd Euphonium | Tuba | Bass in Bb (tuba)
- Timpani | Glockenspiel
- Piano
- Download all of the Grade 4-5 parts in one .zip file
- Grade 4-5 full score
Other scores:
- Full score ordered by ability
- Full score ordered by instrument
- Condensed to half the number of staves (score in C)
Please get in touch with the Ten Pieces team if there are minor adjustments you would like to make for your ensemble.
Notes from the arranger
By Iain Farrington
All parts have been designed to work together to enable mixed-ability groups to perform together. A certain amount of simplification has been required to adapt the pieces for mixed-ability. Some pieces have been cut to allow a 3-5 minute general duration and to remove especially difficult passages of music. A successful rendering of each piece would require the essential melodic material and bass line which are often in the Grades 4/5 parts, especially in the piano.
There are scores for each difficulty level plus three other scores for each piece:
- Grouped according to ability
- Grouped according to instrument type
- 'Short score' in C, grouped according to ability
There are three ability levels – beginner, intermediate (Grades 1-3) and Grades 4-5.
- Flute parts can be played by the violins
- Oboe parts can be played by the flutes and violins
- Trumpet parts (in Bb) can be played by the clarinets
- Violin parts can be played by the flutes (except when in the lowest register)
- The 'percussion' part is a beginner part and can be played on any drum. It adds a simple rhythm layer to each piece. Timpani and full percussion parts are for intermediate or Grades 4/5
Sibelius: Finlandia
Arrangements
All parts have been designed to work together to enable mixed-ability groups to perform together. See more information about the parts below.
Beginner/pre-Grade 1:
- Violin | Cello | Guitar | Ukulele
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium
- Piano
- Download all of the beginner parts in one .zip file
- Beginner full score
Intermediate/Grade 1-3:
- Violin | Viola | Cello | Double bass | Guitar
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | Tuba
- Timpani | Triangle/Cymbals | Glockenspiel
- Piano
- Download all of the intermediate parts in one .zip file
- Intermediate full scores
Grade 4-5:
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | 2nd Flute | Clarinet in Bb | Alto Saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horns in F | Euphonium | 2nd Euphonium | Tuba | Bass in Bb (tuba)
- Timpani
- Piano
- Download all of the Grade 4-5 parts in one .zip file
- Grade 4-5 full score
Other scores:
- Full score ordered by ability
- Full score ordered by instrument
- Condensed to half the number of staves (score in C)
Please get in touch with the Ten Pieces team if there are minor adjustments you would like to make for your ensemble.
Notes from the arranger
By Iain Farrington
All parts have been designed to work together to enable mixed-ability groups to perform together. A certain amount of simplification has been required to adapt the pieces for mixed-ability. Some pieces have been cut to allow a 3-5 minute general duration and to remove especially difficult passages of music. A successful rendering of each piece would require the essential melodic material and bass line which are often in the Grades 4/5 parts, especially in the piano.
There are scores for each difficulty level plus three other scores for each piece:
- Grouped according to ability
- Grouped according to instrument type
- 'Short score' in C, grouped according to ability
There are three ability levels – beginner, intermediate (Grades 1-3) and Grades 4-5.
Flute parts can be played by the violins
- Oboe parts can be played by the flutes and violins
- Trumpet parts (in Bb) can be played by the clarinets
- Violin parts can be played by the flutes (except when in the lowest register)
- The 'percussion' part is a beginner part and can be played on any drum. It adds a simple rhythm layer to each piece. Timpani and full percussion parts are for intermediate or Grades 4/5
Please note:
Finlandia: This has been transposed down a semitone for ease of performance and to allow use of open strings. Note values have been halved in the first section until the Allegro at letter D (4/4 rather than 2/2) to allow counting in crotchets rather than minims. There are cuts from bars 39-50, 62-69, 78-81, 132-155 from the original.
Tchaikovsky: Russian Dance and Waltz of the Flowers from The Nutcracker
Arrangements
All parts have been designed to work together to enable mixed-ability groups to perform together. The parts scores for Tchaikovsky contain both pieces in one file.
Beginner/pre-Grade 1:
- Violin | Cello | Guitar | Ukuele
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium
- Percussion
- Piano
- Download all of the beginner parts in one .zip file
- Beginner full score
Intermediate/Grade 1-3:
- Violin | Viola | Cello | Double bass | Guitar
- Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | Euphonium | Tuba
- Timpani | Triangle/tambourine | Glockenspiel
- Piano
- Download all of the intermediate parts in one .zip file
- Intermediate full score
Grade 4-5:
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- 1st Flute | 2nd Flute | Clarinet in Bb | Alto saxophone | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone in Bb | Tenor horn | Horn in F | 1st Euphonium | 2nd Euphonium | Tuba | Bass in B flat (tuba)
- Timpani
- Piano
- Download all of the Grade 4-5 parts in one .zip file
- Grade 4-5 full score
Other scores:
- Russian Dance - full score ordered by ability
- Russian Dance - full score ordered by instrument
- Russian Dance - condensed to half the number of staves (score in C)
- Waltz of the Flowers - full score ordered by ability
- Waltz of the Flowers - full score ordered by instrument
- Waltz of the Flowers - condensed to half the number of staves (score in C)
Please get in touch with the Ten Pieces team if there are minor adjustments you would like to make for your ensemble.
Notes from the arranger
By Iain Farrington
All parts have been designed to work together to enable mixed-ability groups to perform together. A certain amount of simplification has been required to adapt the pieces for mixed-ability. Some pieces have been cut to allow a 3-5 minute general duration and to remove especially difficult passages of music. A successful rendering of each piece would require the essential melodic material and bass line which are often in the Grades 4/5 parts, especially in the piano.
There are scores for each difficulty level plus three other scores for each piece:
- Grouped according to ability
- Grouped according to instrument type
- 'Short score' in C, grouped according to ability
There are three ability levels – beginner, intermediate (Grades 1-3) and Grades 4-5.
- Flute parts can be played by the violins
- Oboe parts can be played by the flutes and violins
- Trumpet parts (in Bb) can be played by the clarinets
- Violin parts can be played by the flutes (except when in the lowest register)
- The 'percussion' part is a beginner part and can be played on any drum. It adds a simple rhythm layer to each piece. Timpani and full percussion parts are for intermediate or Grades 4/5
The parts scores for Tchaikovsky contain both pieces in one file. Please note:
Russian Dance: The time signatures have been modified from 2/4 to 4/4. This is to allow fewer bars overall, making counting easier (especially with rests).
Waltz of the Flowers: There is a cut from bar 140 to bar 275 in the original.
Ten Pieces I and II
Eighteen pieces from the Ten Pieces I and II repertoire have been arranged for the following ability levels: Beginner/pre-Grade 1, Grades 1-3 (ABRSM) and Grades 4-5 (ABRSM).
Below you can view or download the full scores, instrument parts and piano accompaniment parts (as PDFs). Instrument parts are listed by ability level for each piece but have been designed to work together to enable mixed-ability groups to perform as one.
For some of the pieces you can also download backing tracks (as MP3s) to accompany players in rehearsal or performance, and read background notes and useful tips from the arrangers.
Adams: Short Ride in a Fast Machine
Arrangements
Beginner/pre-Grade 1
- Violin | Violoncello
- Flute | Clarinet in Bb | Oboe (or any mid-range C instrument) | Bassoon
- Trumpet in Bb | Trombone (or other bass C instrument | Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Wood block/claves/hand clap etc | Glockenspiel | Xylophone
- Piano
- Beginner score
Grade 1-3
- Violin | Violoncello
- Flute | Clarinet in Bb | Oboe (or any mid-range C instrument | Bassoon
- Trumpet in Bb | Trombone (or other bass C instrument) | Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Wood block/claves/hand clap etc | Glockenspiel | Xylophone
- Piano
- Intermediate score
Grade 4-5
- Violin | Viola | 2nd Violin (based on violas) | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | 2nd Trombone | Trombone (treble clef) | Horn in F
- Bass in Bb | Bass in Eb (treble clef)| Tenor horn/Alto sax in Eb | Euphonium/Baritone | Tuba
- Percussion (2 players: wood block, triangle, bass drum)
- Full score | Piano accompaniment
Combined score
Backing tracks to accompany your players
(PC: right click, Mac: ctrl-click to save)
© Copyright 1986 by Hendon Music, Inc. This arrangement © Copyright 2014 by Hendon Music, Inc. By permission of Boosey & Hawkes Music Publishers Ltd
Notes from the arrangers
Background notes from the arrangers
Notes on pre-Grade 1 and Grade 1-3 parts (Written by from Andrew Smith)
All the beginner and Grade 1-3 arrangements are short excerpts of the work named in the title and complement the Grade 4-5 arrangements. This enables you to involve players of different abilities in one ensemble, all performing the same piece.
Where as the Grade 4-5 arrangements are around 3 minutes each, the beginner parts are between 60-90secs, allowing for the stamina of a young musician who is used to playing pieces of similar duration.
The beginner and intermediate arrangements have been orchestrated for many different instruments, from flute to ukulele, however many different combinations of instruments can be used, even if your school has one or more that is not listen in the score!
The standard of playing for the beginner parts is based around the first few notes I'd expect the musician to learn, and basic semibreve, minim, crotchet, quaver rhythms. As much as possible, I have also tried to move to adjacent notes/strings, thus avoiding big leaps. The standard of playing for the intermediate parts is based around ABRSM Grade 1-3.
In most cases, the Grade 4-5 optional piano accompaniment parts will fill in any gaps, and will be useful for rehearsals or even in performance alongside an ensemble performing entire beginner and/or intermediate parts.
Notes on Grade 4-5 parts (Written by arranger Gareth Glyn)
All the arrangements present a short (3-minute) excerpt or abridgment of the work named in the title, and have been conceived in such a way that many different combinations of instruments can be successfully employed in playing them, even if your school hasn't got one or more of the instruments shown on the score.
The standard of playing necessary is about ABRSM Grades 4/5, though some parts may be marginally easier or trickier in places. Alternative notes have been provided for some more challenging situations.
In most cases, the optional piano accompaniment will fill any gaps, and may well be useful for rehearsals, though in most cases it would be best to do without it for performance, if possible.
Notes on orchestration
Below, in bold print, are the instruments named on the score, followed in bold print by other instruments which can play the same part.
Flutes - This line can also be played by violins. Because of the range of the flute, violinists attempting this line will find themselves playing in the higher positions. Violins also have their own dedicated part, so it's suggested that that part should have sufficient instruments on it before any are put on the flute line.
Oboes - Any mid-range C instruments (i.e. instruments which play the written pitch) can play from this stave. This would include violins, recorders and flutes (especially if there is a surplus, after having placed some on the dedicated flute line).
Clarinets in Bb - Other than soprano saxophones, which are highly unlikely to be found in a school orchestra, there are no obvious contenders to join the clarinets on this line. The writing, and the range, will generally be unsuitable for at-pitch Bb instruments such as the trumpet or cornet; and lower Bb instruments such as the euphonium shouldn't use this part as the sound will be muddied by the lower octave.
Bassoons - Cellos can play from this part (though in the first instance they should use their dedicated part).
Horns in F - This being a demanding instrument, rather rare in the school orchestra, it is generally doubled in the arrangements by the tenor horn in Eb, which has its own stave and part (see below).
Tenor Horns in Eb and alto saxophones - These play from the same part, which generally doubles the part of the F horn (see above). There is, if required, a part for 2nd Horn in F, which duplicates that of the Tenor Horn.
Trumpets in Bb - Their part can be played by cornets.
Trombones - The trombone part is available in two notations - bass clef at pitch and treble clef (brass band notation). The former part can also be used by cellos (though they have their own dedicated stave too); the latter by euphoniums and baritones (ditto).
Euphoniums and Baritones - Any spare trombones may be allotted this stave. A part in bass clef for this line is also provided; it's called '2nd trombone'.
Bass in Bb - The part for this instrument is also provided in bass clef, for the orchestral tuba. A separate part is provided for the smaller Eb bass; the music is identical in pitch, except for the odd occasion where an upwards octave transposition has been necessary.
Percussion - The name for this varies from piece to piece, but it is generally for any kind of large drum. If the part is called 'timpani', then of course those tuned drums should ideally be employed, but any percussive instrument will usually be quite effective. The percussion parts of all the pieces can be executed by one player, except for the Adams, which has a quick change in the middle; however, in this case, the instrument used at the start can just as well be used right through.
Violins - This part could be doubled by flutes or oboes if there are enough of them to go around. Players who aren't comfortable out of 1st position should consider an alternative (see below).
Violas - These aren't particularly prevalent in school orchestras, so a special violin part is provided. It's called 2nd violin, and is identical to the viola part except for passages which go below low G – these are either omitted in the special part or transposed upwards.
Cellos - Their part can be played by bassoons, though they should in the first instance be placed on their dedicated line.
Double Basses - Any other bass-clef C instrument (bassoons, cellos and the like) playing from this part will be doubling it an octave higher; this will do no harm at all, and often it would be better to have something on this line than nothing at all.
Bach: Toccata and Fugue in D minor
Arrangements
Beginner/pre-Grade 1
- Download full set of parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Ukulele | Acoustic guitar
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto Sax | Tenor horn | Euphonium/Baritone
- Bass drum | Triangle | Timpani | Cymbals | Glockenspiel
- Full score | Piano accompaniment
Grade 1-3
- Download full set of parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Bass drum | Triangle | Timpani | Cymbals | Glockenspiel
- Full score | Piano accompaniment
Grade 4-5
- Download full set of parts (.zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Bass drum | Triangle | Timpani | Cymbals
- Full score | Piano accompaniment
Combined score
Background notes on Bach arrangement
These parts have been arranged from Bach's original work for organ, and not from the Stokowski orchestration.
The piece has been cut to around half the length of the original (c. 5 minutes).
If you wish to perform this arrangement alongside the orchestration by Paul Klenovsky, the following bars will need to be CUT from the Klenovsky:
- Bar 24 to the end of the 3rd beat of bar 26;
- End of the 1st beat of 27 (using only the chord) to the 3rd beat of 35 (with semiquaver upbeat);
- 2nd beat of 47 to the end of bar 78;
- 3rd beat of 19 to the end of bar 90;
- Bars 99 – 120 inclusive;
- 3rd beat of bar 140 to everything in bar 143 except the final quaver
Original instrumentation
In case you're considering using parts from Paul Klenovsky’s orchestration together with these arrangements, you may find the composer's instrumentation helpful:
4.4.4.4 - 6.3.4.1 – Timp, 2hp, cel – strings
Beethoven: Symphony No. 5 (1st movement)
Arrangements
Beginner/pre-Grade 1
- Violin (open strings) | Cello/Double bass (open strings)
- Flute | Clarinet in Bb | Oboe (or any mid-range C instrument) | Bassoon
- Trumpet in Bb | Trombone (or other bass instrument in C) | Horn in F (F & Bb fingering)
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Bass (or any large) drum
- Piano beginner
- Transposed score
Grade 1-3
- Violin | Cello/Double bass
- Flute | Clarinet in Bb | Oboe (or any mid-range instrument in C) | Bassoon
- Trumpet in Bb | Trombone (or any bass instrument in C) | Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Bass (or any large) drum
- Piano
- Score
Grade 4-5
- Violin | 2nd Violin (based on viola) | Viola | Cello and bassoon | Double bass
- Flute | Clarinet in Bb | Oboe
- Trumpet in Bb | Trombone | Trombone (treble clef) | Horn in F | Tenor horn/Alto sax in Eb
- Euphonium/Baritone | Bass in Bb (treble clef) | Bass in Eb (treble clef)
- Timpani/low-pitched drum
- Full Grade 4-5 score | Piano accompaniment/reduction
Combined score
Backing tracks to accompany your players
(PC: right click, Mac: ctrl-click to save)
Notes from the arrangers
Notes on pre-Grade 1 and Grade 1-3 parts (Written by from Andrew Smith)
All the beginner and Grade 1-3 arrangements are short excerpts of the work named in the title and complement the Grade 4-5 arrangements. This enables you to involve players of different abilities in one ensemble, all performing the same piece.
Where as the Grade 4-5 arrangements are around 3 minutes each, the beginner parts are between 60-90 secs, allowing for the stamina of a young musician who is used to playing pieces of similar duration.
The beginner and intermediate arrangements have been orchestrated for many different instruments, from flute to ukulele, however many different combinations of instruments can be used, even if your school has one or more that is not listen in the score!
The standard of playing for the beginner parts is based around the first few notes I'd expect the musician to learn, and basic semibreve, minim, crotchet, quaver rhythms. As much as possible, I have also tried to move to adjacent notes/strings, thus avoiding big leaps. The standard of playing for the intermediate parts is based around ABRSM Grade 1-3.
In most cases, the Grade 4-5 optional piano accompaniment parts will fill in any gaps, and will be useful for rehearsals or even in performance alongside an ensemble performing entire beginner and/or intermediate parts.
Notes on Grade 4-5 parts (Written by arranger Gareth Glyn)
All the arrangements present a short (3-minute) excerpt or abridgment of the work named in the title, and have been conceived in such a way that many different combinations of instruments can be successfully employed in playing them, even if your school hasn't got one or more of the instruments shown on the score.
The standard of playing necessary is about ABRSM Grades 4/5, though some parts may be marginally easier or trickier in places. Alternative notes have been provided for some more challenging situations.
In most cases, the optional piano accompaniment will fill any gaps, and may well be useful for rehearsals, though in most cases it would be best to do without it for performance, if possible.
Notes on orchestration
Below, in bold print, are the instruments named on the score, followed in bold print by other instruments which can play the same part.
Flutes - This line can also be played by violins. Because of the range of the flute, violinists attempting this line will find themselves playing in the higher positions. Violins also have their own dedicated part, so it's suggested that that part should have sufficient instruments on it before any are put on the flute line.
Oboes - Any mid-range C instruments (i.e. instruments which play the written pitch) can play from this stave. This would include violins, recorders and flutes (especially if there is a surplus, after having placed some on the dedicated flute line).
Clarinets in Bb - Other than soprano saxophones, which are highly unlikely to be found in a school orchestra, there are no obvious contenders to join the clarinets on this line. The writing, and the range, will generally be unsuitable for at-pitch Bb instruments such as the trumpet or cornet; and lower Bb instruments such as the euphonium shouldn't use this part as the sound will be muddied by the lower octave.
Bassoons - Cellos can play from this part (though in the first instance they should use their dedicated part).
Horns in F - This being a demanding instrument, rather rare in the school orchestra, it is generally doubled in the arrangements by the tenor horn in Eb, which has its own stave and part (see below).
Tenor Horns in Eb and alto saxophones - These play from the same part, which generally doubles the part of the F horn (see above). There is, if required, a part for 2nd Horn in F, which duplicates that of the Tenor Horn.
Trumpets in Bb - Their part can be played by cornets.
Trombones - The trombone part is available in two notations - bass clef at pitch and treble clef (brass band notation). The former part can also be used by cellos (though they have their own dedicated stave too); the latter by euphoniums and baritones (ditto).
Euphoniums and Baritones - Any spare trombones may be allotted this stave. A part in bass clef for this line is also provided; it's called '2nd trombone'.
Bass in Bb - The part for this instrument is also provided in bass clef, for the orchestral tuba. A separate part is provided for the smaller Eb bass; the music is identical in pitch, except for the odd occasion where an upwards octave transposition has been necessary.
Percussion - The name for this varies from piece to piece, but it is generally for any kind of large drum. If the part is called 'timpani', then of course those tuned drums should ideally be employed, but any percussive instrument will usually be quite effective. The percussion parts of all the pieces can be executed by one player, except for the Adams, which has a quick change in the middle; however, in this case, the instrument used at the start can just as well be used right through.
Violins - This part could be doubled by flutes or oboes if there are enough of them to go around. Players who aren't comfortable out of 1st position should consider an alternative (see below).
Violas - These aren't particularly prevalent in school orchestras, so a special violin part is provided. It's called 2nd violin, and is identical to the viola part except for passages which go below low G – these are either omitted in the special part or transposed upwards.
Cellos - Their part can be played by bassoons, though they should in the first instance be placed on their dedicated line.
Double Basses - Any other bass-clef C instrument (bassoons, cellos and the like) playing from this part will be doubling it an octave higher; this will do no harm at all, and often it would be better to have something on this line than nothing at all.
Bernstein: 'Mambo' from Symphonic Dances from 'West Side Story'
Arrangements
Beginner/Pre-Grade 1
- Download all the full set of parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto Sax | Tenor horn | Euphonium/Baritone
- Timpani | Timbala | Bongo drum | Cowbell | Drum kit | Glockenspiel
- Full score | Piano accompaniment
Grade 1-3
- Download all the full set of parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Timpani | Timbala | Bongo drum | Cowbell | Drum kit | Glockenspiel
- Full score | Piano accompaniment
Grade 4-5
- Download all the full set of parts (.zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Timpani | Timbala | Tubas both keys | Drum kit | Bongo drum | Cowbell | Alternative 2-timps part
- Full score | Piano accompaniment
Combined score
Original instrumentation
In case you're considering using original parts together with these arrangements, you may find the composer's original instrumentation helpful:
2+p.2+c/a.2+Eb/c+b/c.+a/sx.2. – 4.3.3.1. – T – 7P – Pf - strings
Bizet: 'Habanera' and 'Toreador' from 'Carmen Suite No. 2'
'Habanera' arrangements
Beginner/pre-Grade 1
- Download full set of Habanera parts (.zip)
- Violin | Viola | Violoncello | Double bass | Acoustic guitar | Ukulele
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Bass drum | Tambourine | Glockenspiel | Triangle
- Full score | Piano accompaniment
Grade 1-3
- Download full set of Habanera parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Bass drum | Tambourine | Glockenspiel | Triangle
- Full score | Piano accompaniment
Grade 4-5
- Download full set of Habanera parts (.zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Tuba in Bb | Tuba in Eb | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Timpani | Bass drum | Cymbal | Tambourine | Triangle
- Full score | Piano/conductor
Combined score
Original instrumentation
In case you're considering using original parts together with these arrangements, you may find the composer's original instrumentation helpful:
2.2.2.2 – 4.2.3.1 – tmp+4, - strings
'Toreador Song' arrangements
Beginner/pre-Grade 1
- Download full set of Toreador Song parts (transposed key of G minor) (zip)
- Violin | Viola | Violoncello | Double bass | Acoustic Guitar | Ukulele
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto Sax | Tenor Horn | Euphonium/Baritone
- Timpani | Glockenspiel
- Full score | Piano Accompaniment
Grade 1-3
- Download full set of Toreador Song parts (transposed key of G Minor) (zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto Sax | Tenor Horn | Euphonium/Baritone
- Timpani | Glockenspiel
- Full score | Piano Accompaniment
Grade 4-5
- Download full set of Toreador Song (in G minor transposition) parts (zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Tuba in Bb | Tuba in Eb | Horn in F
- Bass in Bb | Alto Sax | Tenor Horn in Eb | Euphonium/Baritone
- Timpani
- Full score | Piano/conductor
Toreador Song is also available in the original key of F minor for Gd 4/5 players:
- Download full set of Toreador Song (in original key of F minor) parts (zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto Sax | Tenor Horn in Eb | Euphonium/Baritone
- Timpani
- Full score | Piano/conductor
Combined score
- Beginner, Grade 1-3 and Grade 4/5 parts in one (transposed key of G minor)
Original instrumentation
In case you're considering using original parts together with these arrangements, you may find the composer's original instrumentation helpful:
2.2.2.2 – 4.2.3.1 – tmp+3, - strings
Clyne: Night Ferry (Extract)
Arrangements
Grade 5+
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | 1st Clarinet in Bb | 2nd Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Bass drum | Cymbal | Timpani
- Full score | Piano accompaniment
Original instrumentation
In case you're considering using original parts together with these arrangements, you may find the composer's original instrumentation helpful:
3.3.3.3 – 4.3.3.1 – tmp+3, harp, pf, strings
Grieg: In the Hall Of The Mountain King
Arrangements
Beginner/pre-Grade 1
- Violin (open strings) | Cello/Double bass (open strings) | Acoustic guitar | Ukulele
- Flute | Clarinet in Bb | Oboe (or any mid-range C instrument) | Bassoon
- Trumpet in Bb | Trombone (or other bass C instrument) | Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Bass drum
- Piano beginner
- Score
Grade 1-3
- Violin | Cello/Double bass
- Flute | Clarinet in Bb | Oboe (or any mid-range C instrument) | Bassoon
- Trumpet in Bb | Trombone (or other bass C instrument) | Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Bass drum
- Piano
- Score
Grade 4-5
- Violin | 2nd Violin (based on viola) | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | 2nd Trombone | Trombone (treble clef) | Horn in F | 2nd Horn in F | Tuba
- Bass in Bb | Bass in Eb (treble clef) | Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Bass drum
- Full score | Piano accompaniment
Combined score
Backing tracks to accompany your players
(PC: right click, Mac: ctrl-click to save)
Notes from the arrangers
Notes on pre-Grade 1 and Grade 1-3 parts (Written by from Andrew Smith)
All the beginner and Grade 1-3 arrangements are short excerpts of the work named in the title and complement the Grade 4-5 arrangements. This enables you to involve players of different abilities in one ensemble, all performing the same piece.
Where as the Grade 4-5 arrangements are around 3 minutes each, the beginner parts are between 60-90 secs, allowing for the stamina of a young musician who is used to playing pieces of similar duration.
The beginner and intermediate arrangements have been orchestrated for many different instruments, from flute to ukulele, however many different combinations of instruments can be used, even if your school has one or more that is not listen in the score!
The standard of playing for the beginner parts is based around the first few notes I'd expect the musician to learn, and basic semibreve, minim, crotchet, quaver rhythms. As much as possible, I have also tried to move to adjacent notes/strings, thus avoiding big leaps. The standard of playing for the intermediate parts is based around ABRSM Grade 1-3.
In most cases, the Grade 4-5 optional piano accompaniment parts will fill in any gaps, and will be useful for rehearsals or even in performance alongside an ensemble performing entire beginner and/or intermediate parts.
Notes on Grade 4-5 parts (Written by arranger Gareth Glyn)
All the arrangements present a short (3-minute) excerpt or abridgment of the work named in the title, and have been conceived in such a way that many different combinations of instruments can be successfully employed in playing them, even if your school hasn't got one or more of the instruments shown on the score.
The standard of playing necessary is about ABRSM Grades 4/5, though some parts may be marginally easier or trickier in places. Alternative notes have been provided for some more challenging situations.
In most cases, the optional piano accompaniment will fill any gaps, and may well be useful for rehearsals, though in most cases it would be best to do without it for performance, if possible.
Notes on orchestration
Below, in bold print, are the instruments named on the score, followed in bold print by other instruments which can play the same part.
Flutes - This line can also be played by violins. Because of the range of the flute, violinists attempting this line will find themselves playing in the higher positions. Violins also have their own dedicated part, so it's suggested that that part should have sufficient instruments on it before any are put on the flute line.
Oboes - Any mid-range C instruments (i.e. instruments which play the written pitch) can play from this stave. This would include violins, recorders and flutes (especially if there is a surplus, after having placed some on the dedicated flute line).
Clarinets in Bb - Other than soprano saxophones, which are highly unlikely to be found in a school orchestra, there are no obvious contenders to join the clarinets on this line. The writing, and the range, will generally be unsuitable for at-pitch Bb instruments such as the trumpet or cornet; and lower Bb instruments such as the euphonium shouldn't use this part as the sound will be muddied by the lower octave.
Bassoons - Cellos can play from this part (though in the first instance they should use their dedicated part).
Horns in F - This being a demanding instrument, rather rare in the school orchestra, it is generally doubled in the arrangements by the tenor horn in Eb, which has its own stave and part (see below).
Tenor Horns in Eb and alto saxophones - These play from the same part, which generally doubles the part of the F horn (see above). There is, if required, a part for 2nd Horn in F, which duplicates that of the Tenor Horn.
Trumpets in Bb - Their part can be played by cornets.
Trombones - The trombone part is available in two notations - bass clef at pitch and treble clef (brass band notation). The former part can also be used by cellos (though they have their own dedicated stave too); the latter by euphoniums and baritones (ditto).
Euphoniums and Baritones - Any spare trombones may be allotted this stave. A part in bass clef for this line is also provided; it's called '2nd trombone'.
Bass in Bb - The part for this instrument is also provided in bass clef, for the orchestral tuba. A separate part is provided for the smaller Eb bass; the music is identical in pitch, except for the odd occasion where an upwards octave transposition has been necessary.
Percussion - The name for this varies from piece to piece, but it is generally for any kind of large drum. If the part is called 'timpani', then of course those tuned drums should ideally be employed, but any percussive instrument will usually be quite effective. The percussion parts of all the pieces can be executed by one player, except for the Adams, which has a quick change in the middle; however, in this case, the instrument used at the start can just as well be used right through.
Violins - This part could be doubled by flutes or oboes if there are enough of them to go around. Players who aren't comfortable out of 1st position should consider an alternative (see below).
Violas - These aren't particularly prevalent in school orchestras, so a special violin part is provided. It's called 2nd violin, and is identical to the viola part except for passages which go below low G – these are either omitted in the special part or transposed upwards.
Cellos - Their part can be played by bassoons, though they should in the first instance be placed on their dedicated line.
Double Basses - Any other bass-clef C instrument (bassoons, cellos and the like) playing from this part will be doubling it an octave higher; this will do no harm at all, and often it would be better to have something on this line than nothing at all.
Handel: Zadok The Priest
Arrangements
Various abilities:
- Two-part children's chorus (standard piano accompaniment)
- Two-part children's chorus (advanced piano accompaniment)
- Standard mixed SATB choir (standard accompaniment)
- Standard mixed SATB choir (advanced accompaniment)
- Advanced mixed SATB choir (standard accompaniment)
- Advanced mixed SATB choir (advanced accompaniment)
Notes from the arranger (Written by Gareth Glyn)
1. In the two-part children's arrangement, the lower voice is optional. This lower part is not identical to the alto part of the SATB arrangement (q.v.) since the idea is to keep both parts as accessible as possible.
2. The 'standard' SATB arrangement is suitable for secondary school singers.
3. The 'advanced' SATB arrangement is suitable for more experienced singers, including perhaps members of school staff.
4. All three arrangements can, of course, be sung simultaneously. In the event that a school wishes to add the Tenor/Bass voices to their existing Soprano/Alto (so using a combination of no. 1 and the lower voices of no. 2), then this will also work, though there will be a few chords which are 'emptier' – this would be unnoticed in accompanied performance.
5. The difference between the 'standard' and 'advanced' piano accompaniments are that the standard one omits as much fingering challenges as possible. The advanced one requires facility with such matters as runs in 3rds.
Backing tracks to accompany your players
- Piano: intermediate | advanced
- Orchestra: unison | intermediate | advanced
(PC: right click, Mac: ctrl-click to save)
Haydn: Trumpet Concerto (3rd movement)
Arrangements
Beginner/pre-Grade 1
- Download all the full set of parts (.zip)
- Violin | Viola | Violoncello | Double bass | Acoustic guitar | Ukulele
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Timpani | Glockenspiel
- Full score | Piano accompaniment
Grade 1-3
- Download all the full set of parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Timpani | Glockenspiel
- Full score | Piano accompaniment
Grade 4-5
- Download all the full set of parts (.zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Timpani
- Full score | Piano accompaniment
Combined score
Backing tracks to accompany your players
Download these MP3s and slideshow for playing Haydn's famous melody:
- Phrase 1
- Phrase 2
- Backing track without melody
- Melody with accompaniment
- Slideshow with notated anchor notes for prompts
Background information
The Haydn Trumpet Concerto has been arranged for orchestra WITHOUT soloist and is transposed into the key of D major.
Ensembles that wish to play with a solo trumpet may wish to hire original parts as it should be manageable by an orchestra of around grade 5 standard and up.
The original orchestration is:
2.2.0.2 – 2.2.0.0 – tmp, strings
Gustav Holst: 'Mars' from 'The Planets'
Arrangements
Beginner/pre-Grade 1
- Violin | Violoncello
- Flute | Clarinet in Bb | Oboe (or any mid-range instrument in C) | Bassoon
- Trumpet in Bb | Trombone (or any other bass instrument in C | Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Bass drum (or any large drum)
- Piano
- Beginner score
Grade 1-3
- Violin | Violoncello
- Flute | Clarinet in Bb | Oboe (of any mid-range instrument in C) | Bassoon
- Trumpet in Bb | Trombone (or any other bass instrument in C) | Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Bass drum (or any large drum)
- Piano
- Intermediate score
Grade 4-5
- Violin | 2nd Violin (based on viola) | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | 2nd Trombone | Trombone (treble clef) | Horn in F | 2nd Horn in F | Tenor horn/Alto sax in Eb
- Bass in Bb | Bass in Eb (treble clef) | Euphonium/Baritone | Tuba
- Timpani
- Full score | Piano reduction/conductor
Combined score
Backing tracks to accompany your players
(PC: right click, Mac: ctrl-click to save)
Notes from the arrangers
Notes on pre-Grade 1 and Grade 1-3 parts (Written by from Andrew Smith)
All the beginner and Grade 1-3 arrangements are short excerpts of the work named in the title and complement the Grade 4-5 arrangements. This enables you to involve players of different abilities in one ensemble, all performing the same piece.
Where as the Grade 4-5 arrangements are around 3 minutes each, the beginner parts are between 60-90 secs, allowing for the stamina of a young musician who is used to playing pieces of similar duration.
The beginner and intermediate arrangements have been orchestrated for many different instruments, from flute to ukulele, however many different combinations of instruments can be used, even if your school has one or more that is not listen in the score!
The standard of playing for the beginner parts is based around the first few notes I'd expect the musician to learn, and basic semibreve, minim, crotchet, quaver rhythms. As much as possible, I have also tried to move to adjacent notes/strings, thus avoiding big leaps. The standard of playing for the intermediate parts is based around ABRSM Grade 1-3.
In most cases, the Grade 4-5 optional piano accompaniment parts will fill in any gaps, and will be useful for rehearsals or even in performance alongside an ensemble performing entire beginner and/or intermediate parts.
Notes on Grade 4-5 parts (Written by arranger Gareth Glyn)
All the arrangements present a short (3-minute) excerpt or abridgment of the work named in the title, and have been conceived in such a way that many different combinations of instruments can be successfully employed in playing them, even if your school hasn't got one or more of the instruments shown on the score.
The standard of playing necessary is about ABRSM Grades 4/5, though some parts may be marginally easier or trickier in places. Alternative notes have been provided for some more challenging situations.
In most cases, the optional piano accompaniment will fill any gaps, and may well be useful for rehearsals, though in most cases it would be best to do without it for performance, if possible.
Notes on orchestration
Below, in bold print, are the instruments named on the score, followed in bold print by other instruments which can play the same part.
Flutes - This line can also be played by violins. Because of the range of the flute, violinists attempting this line will find themselves playing in the higher positions. Violins also have their own dedicated part, so it's suggested that that part should have sufficient instruments on it before any are put on the flute line.
Oboes - Any mid-range C instruments (i.e. instruments which play the written pitch) can play from this stave. This would include violins, recorders and flutes (especially if there is a surplus, after having placed some on the dedicated flute line).
Clarinets in Bb - Other than soprano saxophones, which are highly unlikely to be found in a school orchestra, there are no obvious contenders to join the clarinets on this line. The writing, and the range, will generally be unsuitable for at-pitch Bb instruments such as the trumpet or cornet; and lower Bb instruments such as the euphonium shouldn't use this part as the sound will be muddied by the lower octave.
Bassoons - Cellos can play from this part (though in the first instance they should use their dedicated part).
Horns in F - This being a demanding instrument, rather rare in the school orchestra, it is generally doubled in the arrangements by the tenor horn in Eb, which has its own stave and part (see below).
Tenor Horns in Eb and alto saxophones - These play from the same part, which generally doubles the part of the F horn (see above). There is, if required, a part for 2nd Horn in F, which duplicates that of the Tenor Horn.
Trumpets in Bb - Their part can be played by cornets.
Trombones - The trombone part is available in two notations - bass clef at pitch and treble clef (brass band notation). The former part can also be used by cellos (though they have their own dedicated stave too); the latter by euphoniums and baritones (ditto).
Euphoniums and Baritones - Any spare trombones may be allotted this stave. A part in bass clef for this line is also provided; it's called '2nd trombone'.
Bass in Bb - The part for this instrument is also provided in bass clef, for the orchestral tuba. A separate part is provided for the smaller Eb bass; the music is identical in pitch, except for the odd occasion where an upwards octave transposition has been necessary.
Percussion - The name for this varies from piece to piece, but it is generally for any kind of large drum. If the part is called 'timpani', then of course those tuned drums should ideally be employed, but any percussive instrument will usually be quite effective. The percussion parts of all the pieces can be executed by one player, except for the Adams, which has a quick change in the middle; however, in this case, the instrument used at the start can just as well be used right through.
Violins - This part could be doubled by flutes or oboes if there are enough of them to go around. Players who aren't comfortable out of 1st position should consider an alternative (see below).
Violas - These aren't particularly prevalent in school orchestras, so a special violin part is provided. It's called 2nd violin, and is identical to the viola part except for passages which go below low G – these are either omitted in the special part or transposed upwards.
Cellos - Their part can be played by bassoons, though they should in the first instance be placed on their dedicated line.
Double Basses - Any other bass-clef C instrument (bassoons, cellos and the like) playing from this part will be doubling it an octave higher; this will do no harm at all, and often it would be better to have something on this line than nothing at all.
Mozart: Horn Concerto No. 4 (3rd movement)
Arrangements
Beginner/pre-Grade 1
- Violin | Violoncello/Double bass
- Flute | Clarinet in Bb | Oboe (or any mid-range instrument in C) | Bassoon
- Trumpet in Bb | Trombone (or any bass instrument in C) | Horn in F
- Tenor horn/Alto sax in Eb
- Percussion | Glockenspiel
- Piano
- Beginner score
Grade 1-3
- Violin | Violoncello/Double bass
- Flute | Clarinet in Bb | Oboe (or any mid-range instrument in C) | Bassoon
- Trumpet in Bb | Trombone (or any bass instrument in C) | Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Percussion | Glockenspiel
- Piano
- Intermediate score
Grade 4-5
- Violin | 2nd Violin (based on viola) | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Trombone (treble clef) | Horn in F | 2nd Horn in F | Tenor horn/Alto sax in Eb
- Euphonium/Baritone | Bass in Bb | Bass in Eb (treble clef) | Tuba
- Timpani
- Full score | Piano accompaniment/reduction/conductor
Combined score
Backing tracks to accompany your players
(PC: right click, Mac: ctrl-click to save)
Mussorgsky: A Night On The Bare Mountain
Arrangements
Beginner/pre-Grade 1
- Violin | Violoncello
- Flute | Clarinet in Bb | Oboe (or any mid-range instrument in C) | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Bass drum (or any large drum) | Glockenspiel | Snare drum | Xylophone
- Piano
- Pre-grade 1 score
Grade 1-3
- Violin | Violoncello
- Flute | Clarinet in Bb | Oboe (or any mid-range instrument in C) | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Tenor Horn/Alto sax in Eb | Euphonium/Baritone
- Bass drum (or any large drum) | Glockenspiel | Snare drum | Xylophone
- Piano
- Grade 1-2 score
Grade 4-5
- Violin | 2nd Violin (based on viola) | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | 2nd Trombone | Trombone (treble clef) | Horn in F | 2nd Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone | Bass in Bb | Bass in Eb (treble clef) | Tuba
- Bass drum
- Full score | Piano conductor/reduction/accompaniment
Combined score
Backing tracks to accompany your players
(PC: right click, Mac: ctrl-click to save)
Notes from the arrangers
Notes on pre-Grade 1 and Grade 1-3 parts (Written by from Andrew Smith)
All the beginner and Grade 1-3 arrangements are short excerpts of the work named in the title and complement the Grade 4-5 arrangements. This enables you to involve players of different abilities in one ensemble, all performing the same piece.
Where as the Grade 4-5 arrangements are around 3 minutes each, the beginner parts are between 60-90 secs, allowing for the stamina of a young musician who is used to playing pieces of similar duration.
The beginner and intermediate arrangements have been orchestrated for many different instruments, from flute to ukulele, however many different combinations of instruments can be used, even if your school has one or more that is not listen in the score!
The standard of playing for the beginner parts is based around the first few notes I'd expect the musician to learn, and basic semibreve, minim, crotchet, quaver rhythms. As much as possible, I have also tried to move to adjacent notes/strings, thus avoiding big leaps. The standard of playing for the intermediate parts is based around ABRSM Grade 1-3.
In most cases, the Grade 4-5 optional piano accompaniment parts will fill in any gaps, and will be useful for rehearsals or even in performance alongside an ensemble performing entire beginner and/or intermediate parts.
Notes on Grade 4-5 parts (Written by arranger Gareth Glyn)
All the arrangements present a short (3-minute) excerpt or abridgment of the work named in the title, and have been conceived in such a way that many different combinations of instruments can be successfully employed in playing them, even if your school hasn't got one or more of the instruments shown on the score.
The standard of playing necessary is about ABRSM Grades 4/5, though some parts may be marginally easier or trickier in places. Alternative notes have been provided for some more challenging situations.
In most cases, the optional piano accompaniment will fill any gaps, and may well be useful for rehearsals, though in most cases it would be best to do without it for performance, if possible.
Notes on orchestration
Below, in bold print, are the instruments named on the score, followed in bold print by other instruments which can play the same part.
Flutes - This line can also be played by violins. Because of the range of the flute, violinists attempting this line will find themselves playing in the higher positions. Violins also have their own dedicated part, so it's suggested that that part should have sufficient instruments on it before any are put on the flute line.
Oboes - Any mid-range C instruments (i.e. instruments which play the written pitch) can play from this stave. This would include violins, recorders and flutes (especially if there is a surplus, after having placed some on the dedicated flute line).
Clarinets in Bb - Other than soprano saxophones, which are highly unlikely to be found in a school orchestra, there are no obvious contenders to join the clarinets on this line. The writing, and the range, will generally be unsuitable for at-pitch Bb instruments such as the trumpet or cornet; and lower Bb instruments such as the euphonium shouldn't use this part as the sound will be muddied by the lower octave.
Bassoons - Cellos can play from this part (though in the first instance they should use their dedicated part).
Horns in F - This being a demanding instrument, rather rare in the school orchestra, it is generally doubled in the arrangements by the tenor horn in Eb, which has its own stave and part (see below).
Tenor Horns in Eb and alto saxophones - These play from the same part, which generally doubles the part of the F horn (see above). There is, if required, a part for 2nd Horn in F, which duplicates that of the Tenor Horn.
Trumpets in Bb - Their part can be played by cornets.
Trombones - The trombone part is available in two notations - bass clef at pitch and treble clef (brass band notation). The former part can also be used by cellos (though they have their own dedicated stave too); the latter by euphoniums and baritones (ditto).
Euphoniums and Baritones - Any spare trombones may be allotted this stave. A part in bass clef for this line is also provided; it's called '2nd trombone'.
Bass in Bb - The part for this instrument is also provided in bass clef, for the orchestral tuba. A separate part is provided for the smaller Eb bass; the music is identical in pitch, except for the odd occasion where an upwards octave transposition has been necessary.
Percussion - The name for this varies from piece to piece, but it is generally for any kind of large drum. If the part is called 'timpani', then of course those tuned drums should ideally be employed, but any percussive instrument will usually be quite effective. The percussion parts of all the pieces can be executed by one player, except for the Adams, which has a quick change in the middle; however, in this case, the instrument used at the start can just as well be used right through.
Violins - This part could be doubled by flutes or oboes if there are enough of them to go around. Players who aren't comfortable out of 1st position should consider an alternative (see below).
Violas - These aren't particularly prevalent in school orchestras, so a special violin part is provided. It's called 2nd violin, and is identical to the viola part except for passages which go below low G – these are either omitted in the special part or transposed upwards.
Cellos - Their part can be played by bassoons, though they should in the first instance be placed on their dedicated line.
Double Basses - Any other bass-clef C instrument (bassoons, cellos and the like) playing from this part will be doubling it an octave higher; this will do no harm at all, and often it would be better to have something on this line than nothing at all.
Prokofiev: Concerto for Turntables and Orchestra (5th movement)
Arrangements
Beginner/pre-Grade 1
- Download all the full set of parts (.zip)
- Violin | Viola | Violoncello
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Bass drum | Bottle and shaker | Cymbal | Snare drum
- Simplified turntables (for use with app/tablet/laptop triggering samples in the section below)
- Full score | Piano accompaniment
Grade 1-3
- Download all the full set of parts (.zip)
- Violin | Viola | Violoncello | Double Bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Bass drum | Bottle and shaker | Cymbal | Snare drum
- Simplified turntables (for use with app/tablet/laptop triggering samples in the section below)
- Full score | Piano accompaniment
Grade 5
- Download all the full set of parts (.zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double Bass
- Flute | Clarinet in Bb | 2nd Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Bottle and shaker | Samba bass drum | Snare drum | Cymbal | Tom-tom
- Original turntable solo (for use with turntables using 'scratch sentence' - see below)
- Simplified turntable solo (for use with app/tablet/laptop triggering samples - see below)
- Full score | Piano accompaniment
Combined score
Original instrumentation
In case you're considering using original parts together with these arrangements, you may find the composer's original instrumentation helpful:
1+p+a/fl.2+c/a2+b/c.2+c/b. – 4.3.3.1. – 6P – H - strings
Shostakovich: Symphony No. 10 (2nd movement)
Arrangements (original key of B minor)
These parts are in the original key of B minor so can be played with hired parts
Beginner/pre-Grade 1 (original key of B minor)
- Download full set of original key parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Timpani | Glockenspiel | Triangle | Snare drum | Cymbal | Bass drum
- Full score | Piano accompaniment
Grade 1-3 (original key of B minor)
- Download full set of original key parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Timpani | Triangle | Glockenspiel | Snare drum | Cymbal | Bass drum
- Full score | Piano accompaniment
Grades 4-5 (original key of B minor)
- Download full set of original key parts (.zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | 1st Clarinet in Bb | 2nd Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Timpani | Triangle | Snare drum | Cymbal | Bass drum
- Full score | Piano/conductor
Combined score
Original instrumentation
In case you're considering using original parts together with these arrangements, you may find the composer's original instrumentation helpful:
3.3.3.3 – 4.3.3.1 – tmp+4, strings
Arrangements (transposed key of A minor)
These parts are in the transposed key of A minor
Beginner/pre-Grade 1 (transposed key of A minor)
- Download full set of transposed parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Timpani | Glockenspiel | Triangle | Snare drum | Cymbal | Bass drum
- Full score | Piano accompaniment
Grade 1-3 (transposed key of A minor)
- Download full set of transposed parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Timpani | Triangle | Glockenspiel | Snare drum | Cymbal | Bass drum
- Full score | Piano accompaniment
Grade 4-5 (transposed key of A minor)
- Download full set of transposed parts (.zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | 1st Clarinet in Bb | 2nd Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Timpani | Triangle | Snare drum | Cymbal | Bass drum
- Full score | Piano/conductor
Combined scores
Original instrumentation
In case you're considering using original parts together with these arrangements, you may find the composer's original instrumentation helpful:
3.3.3.3 – 4.3.3.1 – tmp+4, strings
Stravinsky: The Firebird – suite (1911) (Finale)
Arrangements
Beginner/pre-Grade 1
- Violin (open strings) | Cello/Double bass (open strings)
- Flute | Clarinet in Bb | Oboe (or any mid-range instrument in C) | Bassoon
- Trumpet in Bb | Horn in F (F and Bf fingering) | Trombone (or other bass instrument in C)
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Bass (or any large) drum | Glockenspiel
- Piano beginner
- Transposed score
Grade 1-3
- Violin | Cello/Double bass
- Flute | Clarinet in Bb | Oboe (or any mid-range instrument in C) | Bassoon
- Trumpet in Bb | Trombone (or any bass instrument in C) | Horn in F
- Tenor horn/Alto sax in Eb | Euphonium/Baritone
- Bass (or other large) drum
- Piano
- Score
Grade 4-5
- Violin | 2nd Violin (based on viola) | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone (bass clef) | Trombone (treble clef) | Horn in F | Tenor horn/Alto sax in Eb
- Euphonium/Baritone | Bass in Bb | Bass in Eb (treble clef) | Tuba
- Bass drum
- Full score | Piano accompaniment
Combined score
Backing tracks to accompany your players
(PC: right click, Mac: ctrl-click to save)
Copyright information
© 1911 SCHOTT MUSIC GMBH & CO. KG, MAINZ, GERMANY, WORLDWIDE RIGHTS EXCEPT FOR UNITED KINGDOM, IRELAND, AUSTRALIA, CANADA, SOUTH AFRICA AND ALL SO-CALLED REVERSIONARY RIGHTS TERRITORIES WHERE THE COPYRIGHT © 1996 IS HELD JOINTLY BY SCHOTT MUSIC GMBH & CO. KG, MAINZ, GERMANY AND CHESTER MUSIC LTD
Notes from the arrangers
Notes on pre-Grade 1 and Grade 1-3 parts (Written by from Andrew Smith)
All the beginner and Grade 1-3 arrangements are short excerpts of the work named in the title and complement the Grade 4-5 arrangements. This enables you to involve players of different abilities in one ensemble, all performing the same piece.
Where as the Grade 4-5 arrangements are around 3 minutes each, the beginner parts are between 60-90 secs, allowing for the stamina of a young musician who is used to playing pieces of similar duration.
The beginner and intermediate arrangements have been orchestrated for many different instruments, from flute to ukulele, however many different combinations of instruments can be used, even if your school has one or more that is not listen in the score!
The standard of playing for the beginner parts is based around the first few notes I'd expect the musician to learn, and basic semibreve, minim, crotchet, quaver rhythms. As much as possible, I have also tried to move to adjacent notes/strings, thus avoiding big leaps. The standard of playing for the intermediate parts is based around ABRSM Grade 1-3.
In most cases, the Grade 4-5 optional piano accompaniment parts will fill in any gaps, and will be useful for rehearsals or even in performance alongside an ensemble performing entire beginner and/or intermediate parts.
Notes on Grade 4-5 parts (Written by arranger Gareth Glyn)
All the arrangements present a short (3-minute) excerpt or abridgment of the work named in the title, and have been conceived in such a way that many different combinations of instruments can be successfully employed in playing them, even if your school hasn't got one or more of the instruments shown on the score.
The standard of playing necessary is about ABRSM Grades 4/5, though some parts may be marginally easier or trickier in places. Alternative notes have been provided for some more challenging situations.
In most cases, the optional piano accompaniment will fill any gaps, and may well be useful for rehearsals, though in most cases it would be best to do without it for performance, if possible.
Notes on orchestration
Below, in bold print, are the instruments named on the score, followed in bold print by other instruments which can play the same part.
Flutes - This line can also be played by violins. Because of the range of the flute, violinists attempting this line will find themselves playing in the higher positions. Violins also have their own dedicated part, so it's suggested that that part should have sufficient instruments on it before any are put on the flute line.
Oboes - Any mid-range C instruments (i.e. instruments which play the written pitch) can play from this stave. This would include violins, recorders and flutes (especially if there is a surplus, after having placed some on the dedicated flute line).
Clarinets in Bb - Other than soprano saxophones, which are highly unlikely to be found in a school orchestra, there are no obvious contenders to join the clarinets on this line. The writing, and the range, will generally be unsuitable for at-pitch Bb instruments such as the trumpet or cornet; and lower Bb instruments such as the euphonium shouldn't use this part as the sound will be muddied by the lower octave.
Bassoons - Cellos can play from this part (though in the first instance they should use their dedicated part).
Horns in F - This being a demanding instrument, rather rare in the school orchestra, it is generally doubled in the arrangements by the tenor horn in Eb, which has its own stave and part (see below).
Tenor Horns in Eb and alto saxophones - These play from the same part, which generally doubles the part of the F horn (see above). There is, if required, a part for 2nd Horn in F, which duplicates that of the Tenor Horn.
Trumpets in Bb - Their part can be played by cornets.
Trombones - The trombone part is available in two notations - bass clef at pitch and treble clef (brass band notation). The former part can also be used by cellos (though they have their own dedicated stave too); the latter by euphoniums and baritones (ditto).
Euphoniums and Baritones - Any spare trombones may be allotted this stave. A part in bass clef for this line is also provided; it's called '2nd trombone'.
Bass in Bb - The part for this instrument is also provided in bass clef, for the orchestral tuba. A separate part is provided for the smaller Eb bass; the music is identical in pitch, except for the odd occasion where an upwards octave transposition has been necessary.
Percussion - The name for this varies from piece to piece, but it is generally for any kind of large drum. If the part is called 'timpani', then of course those tuned drums should ideally be employed, but any percussive instrument will usually be quite effective. The percussion parts of all the pieces can be executed by one player, except for the Adams, which has a quick change in the middle; however, in this case, the instrument used at the start can just as well be used right through.
Violins - This part could be doubled by flutes or oboes if there are enough of them to go around. Players who aren't comfortable out of 1st position should consider an alternative (see below).
Violas - These aren't particularly prevalent in school orchestras, so a special violin part is provided. It's called 2nd violin, and is identical to the viola part except for passages which go below low G – these are either omitted in the special part or transposed upwards.
Cellos - Their part can be played by bassoons, though they should in the first instance be placed on their dedicated line.
Double Basses - Any other bass-clef C instrument (bassoons, cellos and the like) playing from this part will be doubling it an octave higher; this will do no harm at all, and often it would be better to have something on this line than nothing at all.
Vaughan Williams: The Lark Ascending
Arrangements
Beginner/pre-Grade 1
- Download full set of parts (.zip)
- Violins | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Timpani | Glockenspiel
- Full score | Piano accompaniment
Grade 1-3
- Download full set of parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Timpani | Glockenspiel
- Full score | Piano accompaniment
Grade 4-5
- Download full set of parts (.zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Timpani
- Full score | Piano/conductor
Combined score
Original instrumentation
In case you're considering using original parts together with these arrangements, you may find the composer's original instrumentation helpful:
2.1.2.2 – 2.0.0.0 – 1perc, strings
Figurenotes
Figurenotes is specially designed to help people with learning support needs or physical disabilities to play, read and perform music in an exciting and successful way - find out more about Figurenotes
Verdi: 'Dies Irae' and 'Tuba Mirum' from 'Requiem'
Arrangements
- Download full set of beginner parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Bass drum | Glockenspiel
- Full score | Piano accompaniment | Vocal score (SA)
- Download full set of grade 1-3 parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Bass drum | Glockenspiel | Timpani
- Full score | Piano accompaniment | Vocal score (SA)
Grade 4-5
- Download full set of grade 4/5 parts (.zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Bass drum | Timpani
- Full score | Vocal score (SA) | Vocal score (SATB)
Combined score
Beginner, Grade 1-3 and Grade 4/5 parts:
Vocal parts
Original instrumentation
In case you're considering using original parts together with these arrangements, you may find the composer's original instrumentation helpful:
3.2.2.4 – 4.4 (+4).3.1 – tmp+1, strings
Wagner: 'Ride of the Valkyries' from 'Die Walküre'
Arrangements
- Download full set of beginner parts (.zip)
- Violin | Viola | Violoncello | Double bass | Acoustic Guitar
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Snare drum | Glockenspiel | Cymbal | Timpani | Triangle
- Full score | Piano accompaniment
Grade 1-3
- Download full set of grade 1-3 parts (.zip)
- Violin | Viola | Violoncello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Horn in F
- Bass in Bb | Alto sax | Tenor horn | Euphonium/Baritone
- Snare drum | Triangle | Glockenspiel | Cymbal | Timpani
- Full score | Piano accompaniment
Grade 4-5
- Download full set of grade 4/5 parts (.zip)
- 1st Violin | 2nd Violin | Viola | Cello | Double bass
- Flute | Clarinet in Bb | Oboe | Bassoon
- Trumpet in Bb | Trombone | Tuba in Bb | Tuba in Eb | Horn in F
- Bass in Bb | Alto sax | Tenor horn in Eb | Euphonium/Baritone
- Snare drum | Triangle | Cymbal | Timpani
- Full score | Piano
Combined score
Original instrumentation
In case you're considering using original parts together with these arrangements, you may find the composer's original instrumentation helpful:
4.4.4.3 – 8.3.4.1 – 2tmp+3, strings
Pycroft: Ten Pieces mash-up
Introduction
This mash up of the Ten Pieces was commissioned from Steve Pycroft and performed on BBC Radio 3's In Tune in October 2015. Ten Pieces, for ten players in ten minutes!
It is written for professional musicians.
Instrumentation
Flute | Clarinet in Bb | Trumpet in Bb
Keyboard (Organ and Piano sounds) and DJ app
Percussion: (Suggest a small drum kit set up with aux perc surrounding)
Suspended Cymbal/Snare Drum/Bass Drum/Triangle/Tambourine/Shakers (eggs)/Cowbell/Ride Cymbal
Violin 1 | Violin 2 | Viola | Cello | Double Bass
Note for keyboard player
The DJ samples are included in the .zip download. There are two files – DJ Left Channel and DJ Right Channel.
For performance, the player needs a DJ app on tablet or mobile device. Each audio file needs to be imported in to the left and right channels.
For the ad lib scratching, the player is free to go wild on the 'decks'!
Note for percussionist
It's probably easiest to have a mini drum kit with various aux percussion surrounding. The final section (after Mambo) is an extension of the Latin feel from Mambo, it would be good to have a full on kit groove here. In all 'groove' sections feel free to elaborate.