10 Women Who Changed Sci-Fi
Credited with founding science fiction as a field, Shelley’s key contribution to the genre was Frankenstein; or, The Modern Prometheus. She completed the novel in 1817, when she was still a teenager, after she and her lover, Percy Bysshe Shelley, were challenged to produce a ghost story by their friend Lord Byron. The book’s terrifying insight - that we could make life and intelligence – continues to be one of science fiction’s enduring themes.
Ursula K Le Guin
Le Guin has been a significant player in the science fiction field since the 1960s and has nourished the sci-fi and fantasy genre with piercing visions of race, gender, ecology and politics. She has also been its heroic defender with a host of best-selling writers citing her as an inspiration.
With 11 Hugo Awards and seven Nebula Awards to her name, Willis has won more major science fiction and fantasy awards than any other writer. Her work is witty, varied, and often satirical. From her breakthrough story Fire Watch, which was awarded her first Hugo and Nebula awards, her fiction has often explored the great science fiction trope of time travel.
Octavia E Butler
If she didn’t exist, we would have to invent her. Butler’s work broadened the themes and vision of the genre as a whole, encompassing race, sex and power. A black woman writing in a genre dominated by white males, her work was most highly praised for the depth of its humanity. She was the first science fiction writer to receive a MacArthur Fellowship, sometimes known as the ‘Genuis Grant’. Indispensable.
Despite her small output – five novels, four short story collection and a novella – Russ’s achievement was huge. Noted for her contribution to feminist science fiction, Russ’s power also lies in her critique of the science fiction dream, particularly immortality among the stars.
James Tiptree, Jr.
In spite of the name, Tiptree wasn’t a man. She was, in fact, a spy who worked for the CIA. Tiptree was the penname Alice Bradley Sheldon used exclusively for her science fiction work, which she debuted in 1968. Explosively influential at the time, her short stories changed the field and there is now a literary prize named in her honour.
After the feminist 1970s and 1980s, cyberpunk announced that the boys were back in town – except that Cadigan was right at the core of the movement. Her 1991 novel, Synners, showed how people and computers could merge.
The first woman to win a Hugo, the first woman to win a Nebula, McCaffrey also enjoyed wide commercial success. The Ship Who Sang – a 1969 work encompassing five previously published stories - combined space and artificial personalities with utter originality.
Uncomfortable with the term she may be, but she is, at times, a science fiction writer. Her influence, and readership, spans far beyond the genre and the five-time Booker nominee (who won the prize in 2000) would feature any credible list of heavyweight late-20th Century authors. Written in 1986, The Handmaid’s Tale’s dystopian future dominated by religious extremists gets more prescient by the day.
Her trio of Ancilliary novels, published between 2013 and 2015 combine two main strands of science fiction – artificial people and travel in space. Winning a slew of awards, they have announced a major new talent whose next steps will be eagerly anticipated.