Dundee's V&A Museum of Design, one of the most eye-catching public buildings of recent years, will finally open on Saturday.
It is a remarkable coup for Dundee, the small city on the east coast of Scotland, best known for the Beano and marmalade.
The V&A is the world's leading museum of art and design and has been in London for well over a century without ever branching out across the UK.
So it might seem odd for it to set up in Dundee, a city of just 150,000 people with a troubled history of industrial decline and social problems.
But Dundee insists it is on the up and embracing design and creativity.
It is a far cry from 25 years ago when the city's Timex factory shut down after one of the most acrimonious strikes of the 1990s.
It was an “army” of women that made the Timex tick.
At its height the company employed about 6,000 people in Dundee and 80% were women, who mainly worked on the assembly line putting together mechanical wristwatches.
Timex took on a highly-skilled female workforce as the once-dominant jute industry lost out to man-made fibres.
Jute, an industry that defined Dundee for years, was at the bottom end of the textile league, used for things like ropes, sacks and carpet-backing.
Wages were relatively low and the workforce was largely female.
So much so that in the early part of the 20th Century, Dundee was often known as a “she town”.
It was a place where women were the breadwinners and the unemployed men who stayed at home were “kettle boilers”, says Abertay University reseracher Mona Bozdog
In the Timex boom years, thousands of women worked on the watch-making production line but they continued the traditions of the jute mill by organising social clubs and outings.
There are tales of women being able to arrange everything from a haircut to the week's meat delivery all from their seat at the assembly line.
Bozdog calls it “playfulness”, a rebellious resistance to the boredom and regimentation of the work.
“That's why Timex was amazing,” Bozdog says.
“I can visualise thousands of women, all in their uniforms, walking up Timex Brae every morning and hearing their heels and the chatter.”
But by the early 1990s there were only a few hundred workers left at Timex.
Watch-making had stopped a decade earlier and at the time of the final dispute the workers were relying on making printed circuit boards for IBM computers.
But a drop in demand led to the bosses planning to lay-off 130 staff just before Christmas in 1992.
The workers came out on strike.
The strikers were mainly women but thousands of activists and supporters turned up from all over the UK to fight their cause.
So it was that Timex's Harrison Road factory became the scene of some of the most bitter picket-line protests since the miners' strike a decade earlier.
The dispute was played out in front of the TV cameras and attracted attention from around the world.
The women walked out in January but they were planning to go back when they found themselves locked out of the factory.
They were told they needed to accept a wage cut, reduced union representation and an end to a range of benefits.
When they refused, all 343 striking workers were sacked.
The dispute got even uglier when Timex began to bus in replacement workers.
For the next six months there were angry scenes outside the factory as protesters clashed with police.
MPs and others accused militant activists of 'rent-a-mob' tactics as supporters were bussed in to join the picket.
The dispute ended suddenly in August 1993 when the management announced the immediate final closure of the factory.
It brought to an end 47 years of Timex in Dundee.
The highly-skilled workforce had shrunk throughout the 1970s as tastes in watches changed and in the early 1980s it diversified.
This ushered in a brief era when Timex played a major role in bringing the home computer to the mass market in the UK.
It inspired a generation of youngsters, especially in Dundee, and laid the foundation for a new industry in the city - computer games.
Britain's foremost home computing pioneer is sometimes considered a bit of a joke these days.
The failure of Clive Sinclair's C5 electric trike moved him from visionary to eccentric in the eyes of the public.
But there is no denying it was Sinclair's ZX Spectrum that brought digital technology to the UK masses.
Its iconic rubber-keyed design made it a comparatively cheap and cheerful machine, which heralded a golden age of game development.
These were the days of Chuckie Egg and Jet Set Willy, Manic Miner and Daley Thompson's Decathlon.
It also unleashed an era of whizz kids and bedroom coders, with a disproportionate number in Dundee, the city where it was made.
Sinclair chose the Timex factory to make his latest computer because it needed the work after watch-making stopped and he needed a skilled workforce.
For a short period, it was a huge success, with Timex producing a computer every four seconds.
Within about a year of the Spectrum's release, Sinclair Research was the first company in the world to sell a million home computers.
It is thought that the various versions sold about five million worldwide before they finally lost out to competitors.
The significance of the Spectrum is compared to the Commodore 64 in the USA in marking the start of the home computer gaming scene.
Abertay's Mona Bozdog, who coined the term Generation ZX for a research project, says the Timex Camperdown building is now a kitchen warehouse, with no sign that this legendary computer was made there.
She says: “It was built by these incredible, hard-working women, most of whom never realised what an impact they have made on Dundee’s video games development and education scene.”
But they did have an impact, and Dundee felt it more than most places.
According to Dundee computer games supremo Chris van der Kuyl, Spectrums found their way out of the back door of the Timex factory and into the hands of every kid in the city.
“In fact they probably had multiples,” he says.
The price of a new Spectrum 16K was about £125 (the equivalent of about £450 today).
But in Dundee, slightly damaged models were changing hands for much less.
“I joke about them going out of the back door for a tenner and a packet of Embassy Regal,” van der Kuyl says.
“They weren't nicking them I'm sure. It was ones that were going to get trashed.”
Van der Kuyl was at school during the Spectrum years but went on to form games company Vis Entertainment and more recently 4J Studios, which has achieved huge success developing Minecraft for consoles and handheld platforms.
He says the Spectrum was an important moment for the city but its success was shortlived.
However, it did have a legacy.
At the same time as the old hardware industry was coming to an end, former Timex worker Dave Jones and his DMA Design were showing the way to the future.
Grand Theft and Lemmings
The Dundee line of the subway map begins in 1982 with the Spectrum.
The next stop is video game Menace, written by Dave Jones, the grandfather of Dundee gaming.
He was the man behind Lemmings, the first mega-successful computer game to come out of the city.
It was released in 1991 and became so legendary in Dundee that it has its own statue.
Van der Kuyl says Lemmings “just exploded" for Dave Jones and his DMA Design.
He says: “They were still quite a cottage industry but suddenly, with Lemmings, they opened a headquarters on the technology park and started hiring people like crazy.
“Dave was driving around town in a Ferrari.”
Later, Jones would go on to develop one of the most successful games ever, Grand Theft Auto.
But his career began as one of those whizz kids with a Spectrum, who also happened to work at Timex.
“Dave Jones was one of the young technicians brought in as a debug technician for the ZX Spectrum,” says Charlie Malone.
Malone was a technician at Timex in the 1980s and is now a lecturer at Abertay University.
He says: “Dave very quickly established himself as being different. He was a geeky guy.
“He was way ahead of anyone else in terms of his potential and he went to college and then went on to become one of the greatest games developers of that era.”
For Jones, and for many others, it was only later that they could see a link between Timex and the games industry.
Jones and van der Kuyl desperately needed graduates with the new skills to work in the rapidly changing computer games market.
In 1997, their lobbying led to Dundee's Abertay University becoming the first in the world to offer degrees in computer gaming.
Despite only having had university status for three years, Abertay was soon attracting students with entrance qualifications that would have got them in to Cambridge.
“Kids were coming out of school and saying 'this is amazing and it's the only place in the world you can do it',” says van der Kuyl.
Dave Jones is still a huge figure in computer games, more recently moving into cloud computing technology.
But Rob Madden is proof that Dundee is still growing its own computing talent.
After studying at Abertay, he set up Hyper Luminal Games with a couple of other graduates.
He says: “Having grown up here I was aware that it was a gaming city.”
It hosts a broad range of games firms from tiny start-ups to major players such as Outplay and van der Kuyl's 4J Studios.
“There's so much you can draw on and everyone is really willing to speak to you,” Madden says.
“You can learn an awful lot.”
Madden's company does “work-for-hire”, such as designing training applications, but their big shot is a game called Big Crown: Showdown, which they have been developing for two years.
It is a “vast, frantic, online, multiplayer game” for eight to 12-year-olds, he says.
For Madden, the opening of the V&A can only help sustain the “real buzz” there is about the city and its regeneration.
“I hope there is a lot more recognition of what Dundee has to offer in terms of talent and the things it can create,” he says.
“It's putting it on the map in terms of people thinking we are making cool stuff up here.”
On the waterfront
Twenty years ago, another unloved coastal city was suffering economically as its traditional industries disappeared.
Bilbao was also still under the shadow of years of conflict from groups such as the Basque separatist organisation ETA.
It gambled on a landmark waterfront redevelopment and transformed its fortunes.
Inaki Esteban, a reporter with El Correo newspaper in Bilbao, says there was originally opposition to a North American architect building the “foreign” Guggenheim museum in Northern Spain.
But Frank Gehry created one of the great buildings of the 20th Century and an equal of Frank Lloyd Wright’s original Guggenheim in New York.
It was his decision to place the titanium-clad building alongside the river on the site of a former shipyard.
Esteban says: “It changed the Basque country image. It changed the city's image.
“We became an international city within a couple of months.
“The feeling of the people changed because the success was immediate.”
He says: “The Guggenheim became a symbol for the regeneration of the city and for the regeneration of the soul of the city also, because we were in a depression.
“The Guggenheim changed all that.
“It became a venue for the city, for weddings, for festivals and for meeting people.
“It was a social place rather than a museum.”
Dundee is hoping for a similar effect.
Dundee has one of the UK's top art schools in the Duncan of Jordanstone College of Art & Design.
And in 1999, Dundee took its first step in making the arts central to the life of the city by opening the DCA (Dundee Contemporary Arts).
Next came the waterfront and the plan to regenerate it, with art and design at its heart.
But quite how Dundee got the V&A is hard to pin down.
There was no competition, no bidding process or shortlist.
Philip Long, the director of V&A Dundee, says the process was “much more organic than that”.
“There was a masterplan for the waterfront but it needed a 'spark',” according to Mike Galloway, director of planning at Dundee City Council.
“A plan involving a museum of design began to take shape, and the V&A saw something in it they liked and wanted to be a part of.”
The city already had links to the V&A through Duncan of Jordanstone and this helped bring it on board.
But Philip Long insists that the city chose the V&A not the other way round.
The original budget for the museum was half its eventual £80m but Japanese architect Kengo Kuma's design proved costly to bring to life.
The museum has been built out into the River Tay, with a 'prow' jutting over the water like a boat, recalling the shipbuilding heritage of the city.
The 63-year-old architect has also designed the New National Stadium for the 2020 Tokyo Olympics but this is his first building in the UK.
Kuma says the big idea was “to create a new living room for the city”.
The architect says the form of the museum was inspired by the cliffs on Scotland's north-eastern coastline.
The effect was achieved by cladding it in lines of pre-cast reconstituted stone panels that run horizontally around the curving concrete walls.
The 2,466 stone panels, which were made in moulds, weigh up to 3,000kg each and span up to 4m.
Dundonian writer AL Kennedy says: “It is the most successful grey I have seen in Dundee.”
Inside the museum, the Scottish design galleries are filled with more than 300 pieces brought north from the V&A in London as well as borrowed from other collections across Scotland.
The main feature will be Scottish designer Charles Rennie Mackintosh's Oak Room, which has not been seen in public for almost 50 years.
It was saved from demolition in 1971 and has been kept in a council storage unit ever since.
The restored Oak Room is given new heart-breaking prominence after Glasgow School of Art, Mackintosh's finest creation, was destroyed by fire in June.
While the art school is seen by experts as his finest achievement, many of the public view his tearooms as the place that defined the Mackintosh style.
The Oak Room was designed in 1907, when Mackintosh was at the height of his career and planning the final stages of his art school project.
It is the largest interior designed for Miss Cranston's Ingram Street tearoom.
But fashions changed and it was not used as a tearoom after the 1950s.
In 1971, the building was knocked down to make way for a hotel but the Oak Room was saved.
Each section was recorded and referenced before it was put in storage.
Plans and elevations of the rooms were drawn to show how everything fitted together.
However, it still took a major restoration effort to get it fit for display in the V&A.
The museum's Philip Long says he hopes the design galleries will be a “revelation”.
Wellies, tiaras, a copy of the Beano and a 15th Century illuminated manuscript are among the items on display.
But perhaps the most important work of art is the building itself.
There is no doubt that the new V&A has brought a buzz to the place that brands itself “the city of discovery”.
In a studio in a converted jute mill, Samantha Paton runs her fashion brand Isolated Heroes.
She grew up in the area but went away to study textiles before her home city welcomed her back “with open arms”.
“It has been amazing to see the development of the city in the past five years,” Paton says.
Her neighbours make ceramics, jewellery and a whole range of crafts, including a woman who has got a weaving mill inside her studio.
“There are a lot of people from Dundee and the surrounding areas but interestingly this year there are people who have moved here from other places,” Paton says.
At first all her clothing was shipped abroad or within the UK but now Dundee is starting to buy into the brand, according to Paton.
And the arrival of the V&A can be nothing but “extremely positive", she says.
She says: “It is a draw for people to come to the city.
“Sometimes when I tell people we are based in Dundee it has a negative connotation but I think that has changed in the last few years and people are excited.”
Inside Spex Pistols, an independent store dedicated to all things eyewear, there is a mirror connected to a cloud-based facial recognition service.
It guesses your age and tries to play songs from when you were 14.
The mirror was developed with Dundee University and has been exhibited in the V&A in London.
The shop's owner, Richard Cook, says Dundee has always been a destination of interest for design-minded people.
He says: “There has always been a strong artistic culture woven through the fabric of Dundee.”
Richard thinks the arrival of the V&A is definitely positive for the city.
“There are hundreds of people who will say that they will be left out or that it’s not for them.
“But most people will at least be able to experience the renaissance feeling in Dundee.”
He says he's already seeing a big rise in tourists coming into his shop.
“It’s a beautiful city, in a lovely part of the world, but until now, we’ve been a world class secret.”
City of recovery
On the one hand, there is a genuine and positive mood in the city about the V&A and the global spotlight it has created.
However, Dundee has one of the highest drug death rates in Europe.
Per head of population, more people die from drug overdoses in Dundee than any other city in the UK.
Last year there were 57 drug deaths, one for every 2,600 people in the city. And the rate has been high for the past five years.
This is the “real dichotomy” in Dundee at the moment, according to Dave Barrie, who works for drug rehabilitation charity Addaction.
He says: “We are losing on average more than one person a week through fatal overdose and that’s a real person that’s lived a life and has a family.”
But Dundee is not alone, he says.
Places like Glasgow and Fife are also seeing a large rise and almost 1,000 people die of drugs each year in Scotland.
He links the problem to years of poverty, unemployment and lack of hope.
Along with Glasgow, Dundee was the council area with the lowest levels of employment (65.4%) last year.
However, Barrie is hopeful that the excitement and creativity in the city can help change its future.
“There is a real positive buzz and we are trying to replicate that within the recovery community,” he says.
“There is a lot of really good work going on.”
He says the global spotlight can be used to benefit the city.
“Dundee needs to become a city of recovery.”
Its urban redevelopment was described as “head-turning” by Lonely Planet.
The Wall Street Journal said it was “Scotland's coolest city” and fashion bible Vogue said Dundee was “buzzing”.
Dundee - cool, fashionable and a hot tourist destination?
“Is this some bizarre joke?” Dundonian writer, academic and stand-up comedian AL Kennedy told the BBC radio documentary Designing Dundee.
As someone who grew up in Dundee in the 1960s and 70s she finds it hard to believe people around the world are taking notice of the city.
She says Dundee is “historically beset by ugliness and brutalism”.
“And the things we see every day tell us whether we matter, whether we are loved, have power,” she says.
Kennedy says the arts can act “like rocket fuel” and be the key to all kinds of freedom for marginalised people.
V&A Dundee director Philip Long hopes so.
He says: “One of the things I hope it can do is to help Dundee find its voice and be proud of its achievements.”