Dizzy Gillespie
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1917-10-21
https://musicbrainz.org/artist/e9ba8ccb-505f-4e5c-b909-65998d0d35b5
Dizzy Gillespie

Dizzy Gillespie Biography (BBC)

When Dizzy Gillespie was in his prime in the mid-1940s, he pushed the technical limits of the trumpet further than any player before him, in terms of range, speed and agility. Linked to his pioneering work with Charlie Parker in developing the style of modern jazz known as bebop, he became as influential a figure on jazz as fellow trumpeters Louis Armstrong and Roy Eldridge had been before him, and he paved the way for his one-time protege Miles Davis to follow after him.

Gillespie was born in poverty in the Deep South, but won a music scholarship to Laurinburg Institute in North Carolina, where - although he was largely self-taught - he developed the beginnings of his famous technique. He moved to Frankie Fairfax's band in Philadelphia, and then joined Teddy Hill in New York, travelling to Europe with Hill in 1937. Two years later he joined Cab Calloway's band, and became featured trumpeter in the highest-earning black orchestra of the time.

He left after a fight with Calloway, and in between leading his own small groups, worked with Ella Fitzgerald, Benny Carter, Earl Hines and Billy Eckstine before forming a quintet with Charlie Parker in 1945 that made some of the first bebop discs. The same year Gillespie put together his first big band, and unlike Parker, devoted the rest of the 1940s to writing and playing some of the most demanding big band music of the era.

The large group broke up in 1950, but Gillespie still put together occasional big bands during the next four decades, including a group which toured internationally for the US State Department in the mid-1950s. With arranger Lalo Schifrin he also recorded some dramatic pieces for trumpet and big band including the suite Gillespiana. For the most part, he led his own quintet for forty years, bringing the sounds of bebop and his own joyous trumpet to audiences all over the world.

He toured incessantly and appeared at every major festival and club in the world, becoming an ambassador and father figure for jazz. His conversion to Ba'hai brought with it a spiritual calm, and he espoused the cause of peace and integration - nowhere better exemplified than in his final big band, the United Nation Orchestra, which brought together creative jazz players from every part of the world.

Dizzy Gillespie Biography (Wikipedia)

John Birks "Dizzy" Gillespie (October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, and singer.

Gillespie was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks, and his light-hearted personality provided some of bebop's most prominent symbols.

In the 1940s Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz.

He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman.

Scott Yanow wrote, "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time, Gillespie was such a complex player that his contemporaries ended up being similar to those of Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated [....] Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time".

This entry is from Wikipedia, the user-contributed encyclopedia. It may not have been reviewed by professional editors and is licensed under an Attribution-ShareAlike Creative Commons License. If you find the biography content factually incorrect or highly offensive you can edit this article at Wikipedia. Find out more about our use of this data.



Dizzy Gillespie Tracks

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Dizzy Gillespie
'Round About Midnight
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'Round About Midnight
Dizzy Gillespie
Con Alma
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Con Alma
Harry Warren
One sweet letter from you
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One sweet letter from you
Duke Ellington
Malletoba Spank
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Malletoba Spank
Dizzy Gillespie
Long, Long Summer
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Long, Long Summer
Dizzy Gillespie
I Remember Clifford
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I Remember Clifford
Dizzy Gillespie
Willow Weep For Me
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Willow Weep For Me
Dizzy Gillespie
Desafinado
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Desafinado
Dizzy Gillespie
Manteca
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Manteca
Dizzy Gillespie
Chega De Saudade
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Chega De Saudade
Dizzy Gillespie
Good Bait
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Good Bait
Dizzy Gillespie
Algo Bueno (Woody'n You)
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Algo Bueno (Woody'n You)
Dizzy Gillespie
On The Alamo
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On The Alamo
Dizzy Gillespie
Rio Pakistan Jazz
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Rio Pakistan Jazz
Dizzy Gillespie
Bang Bang
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Bang Bang
Dizzy Gillespie
Blue Mood
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Blue Mood
Dizzy Gillespie
Oop Bop Sh'Bam
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Oop Bop Sh'Bam
Dizzy Gillespie
Unicorn
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Unicorn
Dizzy Gillespie
All The Things You Are
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All The Things You Are
Dizzy Gillespie
I Know That You Know
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I Know That You Know
Dizzy Gillespie
Theme from the Cool World
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Theme from the Cool World
Dizzy Gillespie
And Then She Stopped
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And Then She Stopped
Dizzy Gillespie
Hot House
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Hot House
Dizzy Gillespie
Ow!
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Ow!

Ow!

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Dizzy Gillespie
Autumn Leaves
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Autumn Leaves
Dizzy Gillespie
Cubana Be
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Cubana Be
Dizzy Gillespie
The Champ
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The Champ
Dizzy Gillespie
Carioca
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Carioca
Dizzy Gillespie
A Night In Tunisia
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A Night In Tunisia
Dizzy Gillespie
A night in Tunisia
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A night in Tunisia
Dizzy Gillespie
Salt Peanuts
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Salt Peanuts
Dizzy Gillespie
One Bass Hit Part II
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One Bass Hit Part II
Dizzy Gillespie
School Days
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School Days
Dizzy Gillespie
Cool Breeze
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Cool Breeze
Dizzy Gillespie
On the Sunny Side of the Street
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On the Sunny Side of the Street
Dizzy Gillespie
Hey Pete
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Hey Pete
Dizzy Gillespie
Jessica's Day
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Jessica's Day
Max Roach
Salt Peanuts
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Salt Peanuts
Dizzy Gillespie
Swing Low, Sweet Cadillac
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Swing Low, Sweet Cadillac
Dizzy Gillespie
Groovin' High
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Groovin' High
Dizzy Gillespie
Oh! Lady Be Good
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Oh! Lady Be Good
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