Charles‐François Gounod

French composer. Born 17 June 1818. Died 18 October 1893
Charles‐François Gounod
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1818-06-17
https://musicbrainz.org/artist/cd4636e1-06a3-41fc-848a-624b84bbb023
Charles‐François Gounod

Biography (BBC)

If Gounod had never written Faust, his fame would be less, but respect for him would be greater. Faust has so successfully held its place in the operatic repertoire that the breadth of its composer’s achievement has been largely sidelined. And the irony about Faust is that, while loved for its music, it has been less admired for its literary qualities. Because it singles out the love interest in Goethe’s version of the legend, the custom in German-speaking lands was once to call the work Margarete (after its heroine rather than its hero) and to think of its composer with condescension.

Consider instead a reputation centred on what many admirers call his masterpiece, the subtle, understated and intensely dramatic Mireille (1864), and on his delicately poised songs with piano; on his more conventional but brilliantly effective Roméo et Juliette (1867), and on the lyrical, at times imposing Messe solennelle de Sainte Cécile (1855); on the two high-spirited, finely scored symphonies (1855 and 1856) and the Petite symphonie for wind ensemble (1885). A French Mendelssohn with a better sense of drama, we might conclude. Gounod believed that success in a composing career must be won through opera, but that was a policy of realism. He worked in Paris when the openings in most other kinds of music were limited, and yet – like Berlioz and almost nobody else – he still made his mark across the board.

The church was a recurrent theme of his life. After his musical education, he studied to become a priest. Although composing won the struggle for his professional soul, he later spent a decade writing mainly religious music. For the first half of the 1870s he lived in England, where he ran the choir at the newly opened Royal Albert Hall and where he and his oratorios went down well – The Redemption (1882) and Mors et vita (1885) were later commissioned by festivals in Birmingham and Norwich. After returning to France, he went back to opera, though it was his existing works that stayed in the repertoire, as the new ones, such as Cinq mars (1877) and Polyeucte (1878), had a more equivocal reception.

His music always had its grandiose side, which was now tending to take over, though in the St Cecilia Mass it holds a satisfying balance with the intimate and tender expression that would give him his place in musical history. Even in Faust it is the latter aspect rather than the high drama that has kept the work alive, vindicating his once-derided approach. His lasting influence on French music ran through the operas of Bizet and Massenet to the sonatas of Poulenc, and was responsible for one unlikely masterpiece, Bizet’s youthful Symphony in C. Most listeners coming fresh to Gounod’s symphonies think they sound like Bizet’s, but the influence went the other way round, for Bizet had the job of arranging Gounod’s for piano duet and was promptly inspired to emulate them.

Profile © Robert Maycock, 2003




Tracks

Charles‐François Gounod
O Dieu! que de bijoux... Ah! je ris (Faust)
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O Dieu! que de bijoux... Ah! je ris (Faust)

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Charles‐François Gounod
Valse arr for orchestra (Faust)
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Valse arr for orchestra (Faust)
Charles‐François Gounod
Symphony No 1 in D major (1st mvt)
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Symphony No 1 in D major (1st mvt)
Charles‐François Gounod
O Dieu! que de bijoux... Ah! je ris (Faust)
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O Dieu! que de bijoux... Ah! je ris (Faust)
Charles‐François Gounod
O Dieu! Que de bijoux (Faust)
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O Dieu! Que de bijoux (Faust)
Charles‐François Gounod
Ah leve toi soleil (excerpt 'Romeo et Juliette')
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Ah leve toi soleil (excerpt 'Romeo et Juliette')
Charles‐François Gounod
Meditation sur le 1er prelude de Bach [Ave Maria]
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Meditation sur le 1er prelude de Bach [Ave Maria]
Charles‐François Gounod
Symphony No.2 in E flat: III. Scherzo
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Symphony No.2 in E flat: III. Scherzo
Charles‐François Gounod
Ah! Je veux vivre dans ce rêve (Roméo et Juliette)
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Ah! Je veux vivre dans ce rêve (Roméo et Juliette)
Charles‐François Gounod
Petite symphonie in B flat major
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Petite symphonie in B flat major
Charles‐François Gounod
Symphony no. 2 in E flat major (4th mvt)
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Symphony no. 2 in E flat major (4th mvt)
Charles‐François Gounod
O Nuit D'Amour
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O Nuit D'Amour
Charles‐François Gounod
Petite symphonie (2nd mvt)
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Petite symphonie (2nd mvt)
Charles‐François Gounod
Faust (Act 2, Waltz)
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Faust (Act 2, Waltz)
Charles‐François Gounod
Overture to Mireille
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Overture to Mireille

Overture to Mireille

Orchestra
Slovak Radio Symphony Orchestra Bratislava
Charles‐François Gounod
Petite symphonie in B flat major: II. Andante
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Petite symphonie in B flat major: II. Andante
Charles‐François Gounod
Waltz (Faust)
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Waltz (Faust)
Charles‐François Gounod
Valse from Faust arr for orchestra
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Valse from Faust arr for orchestra
Charles‐François Gounod
Alfred Hitchcock Theme - Funeral March for a Marionette
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Alfred Hitchcock Theme - Funeral March for a Marionette
Charles‐François Gounod
Symphony no. 2 in E flat major: IV. Finale
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Symphony no. 2 in E flat major: IV. Finale
Charles‐François Gounod
Funeral March of a Marionette
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Funeral March of a Marionette
Charles‐François Gounod
Romeo et Juliette - Act 1, no.3: Ah! Je veux...
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Romeo et Juliette - Act 1, no.3: Ah! Je veux...
Charles‐François Gounod
Symphony No 1 in D major (3rd mvt)
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Symphony No 1 in D major (3rd mvt)
Charles‐François Gounod
Faust Acts IV & V
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Faust Acts IV & V

Faust Acts IV & V

Singer
Orchestra
Madrid Teatro Real Orchestra
Conductor
Charles‐François Gounod
Faust Act III
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Faust Act III

Faust Act III

Performer
Madrid Teatro Real Orchestra
Singer
Conductor
Charles‐François Gounod
Symphony No 1 in D major (4th mvt)
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Symphony No 1 in D major (4th mvt)
Charles‐François Gounod
Suite concertante in A major (2nd mvt)
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Suite concertante in A major (2nd mvt)
Charles‐François Gounod
Petite symphonie for 9 wind instruments in B flat major, 4th mvt; Finale (Allegretto)
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Petite symphonie for 9 wind instruments in B flat major, 4th mvt; Finale (Allegretto)
Charles‐François Gounod
O Merveille
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O Merveille

O Merveille

Performer
Royal Philharmonic Orchestra and Chorus
National Philharmonic Orchestra
Roger Bourdin
Georges Nore
Roger Rico
Charles‐François Gounod
Par quel trouble profond (Cinq-Mars)
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Par quel trouble profond (Cinq-Mars)
Charles‐François Gounod
Mors Et Vita from Judex
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Mors Et Vita from Judex
Charles‐François Gounod
Waltz (Faust)
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Waltz (Faust)
Charles‐François Gounod
Le temps des roses
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Le temps des roses
Charles‐François Gounod
Faust's Aria "Salut, demeure chaste et pure" -- from Act III of Faust
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Faust's Aria "Salut, demeure chaste et pure" -- from Act III of Faust
Charles‐François Gounod
Je Veux Vivre
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Je Veux Vivre
Charles‐François Gounod
Judex from Mors Et Vita
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Judex from Mors Et Vita
Charles‐François Gounod
Faust, Act V
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Faust, Act V

Faust, Act V

Librettist
Michel Carre
Jules Barbier
Choir
Masters of Choral Singing Grand Chorus of Russian State TV and Radio Music
Orchestra
Tchaikovsky Symphony Orchestra
Conductor
Andrei Lebedev
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