Gaetano Donizetti
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1797-11-29
https://musicbrainz.org/artist/b8ecf204-6be8-4041-ab11-6d9971ea2711
Gaetano Donizetti

Gaetano Donizetti Biography (BBC)

Donizetti’s life bears a resemblance to the plot of one of his own operas: a humble birth and years of drudgery, all before the curtain rises. Then after the overture a dizzying ascent to greatness and a final fall into madness. (Although it’s syphilis, not romantic love, that drives this hero mad!)

Born in Bergamo, the son of a man who rose no higher than holding the door at the local pawnshop, Gaetano Donizetti was fortunate enough to find a patron in Simon Mayr, the Maestro di cappella at Bergamo Cathedral. It was Mayr who secured the young Donizetti’s first professional commission, Enrico di Borgogna given in Venice in November 1818. So began 12 years of apprenticeship, with the composer learning his craft first in the opera houses of northern Italy and then from 1822 in Naples, where six years later he was appointed director of the royal theatres.

At last came the first palpable hit, Anna Bolena, Donizetti’s 31st opera, given its premiere in Milan in 1830 and starring two of the most admired singers of the age, Guiditta Pasta and Giovanni Rubini as Anna and Percy. Within a decade Donizetti’s take on the Tudors had conquered Europe and crossed the Atlantic to New York and Rio de Janeiro.

Ever restless as he raced towards impossible deadlines, Donizetti composed 25 operas in the next eight years, including L’elisir d’amore, Lucrezia Borgia, Maria Stuarda, Roberto Devereux and Lucia di Lammermoor. A consummate craftsman with an ear for what audiences wanted, he shaped his music around his singers and kept the story simple. As he wrote to Jacopo Ferretti, his librettist for Torquato Tasso, ‘Success consists of doing little and making that little beautiful, and of not singing a lot and boring the audience.’ By inclination, perhaps, a radical, Donizetti never outpaced that audience, developing the operatic forms that he had inherited from Rossini rather than reinventing them.

Personal misfortune struck in the late 1830s: Donizetti lost his parents and then his wife Virginia died in childbirth. And weary of the heavy-handed censorship that insisted that royalty should be seen as immaculate, religion inviolable and that anything that might ‘induce loathing or disgust in the spectator’ shunned (the very things that a properly Romantic composer longed to stage), Donizetti decided to go to Paris, which prided itself on being the musical capital of the world. In 1838 the composer accepted an invitation from Rossini to write for the Théâtre-Italien. Marino Faliero, Donizetti’s first Parisian opera wasn’t quite the triumph he had hoped for, but in time he made the city his own. There were comedies – La fille du régiment and Don Pasquale – for the Opéra-Comique and the Théâtre-Italien, and at the Opéra de Paris Les martyrs and Dom Sébastien. In the meantime the composer had been appointed Hofkapellmeister to the Hapsburgs in Vienna.

When his health began to fail Donizetti’s friends diagnosed ‘overwork’. His nephew Andrea came to Paris in January 1846 and finding his uncle irrational and unpredictable agreed with the doctors that he should be placed in a secure institution. The following year Donizetti was taken back to Bergamo where he died on April the 1848. An autopsy reported that the composer who had composed 65 completed operas in 32 years had died of ‘cerebro-spinal syphilis’.

Profile © Christopher Cook

Gaetano Donizetti Biography (Wikipedia)

Domenico Gaetano Maria Donizetti (,,, (listen); 29 November 1797 – 8 April 1848) was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi.

Donizetti was born in Bergamo in Lombardy. Although he did not come from a musical background, at an early age he was taken under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship in a school which he had set up. There he received detailed training in the arts of fugue and counterpoint. Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.

Over the course of his career, Donizetti wrote almost 70 operas. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to that city and his residency there which lasted until the production of Caterina Cornaro in January 1844. In all, Naples presented 51 of Donizetti's operas.

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Gaetano Donizetti Tracks

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Gaetano Donizetti
Ah! mes amis...Pour mon âme quel destin! (La Fille du régiment)
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Ah! mes amis...Pour mon âme quel destin! (La Fille du régiment)
Gaetano Donizetti
La Fille du regiment - Amici miei, che allegro giorno
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La Fille du regiment - Amici miei, che allegro giorno
Gaetano Donizetti
Una furtiva lagrima (L'elisir d'amore)
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Una furtiva lagrima (L'elisir d'amore)
Gaetano Donizetti
Une Furtiva Lagrima
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Une Furtiva Lagrima
Gaetano Donizetti
Sinfonia for wind instruments in G minor
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Sinfonia for wind instruments in G minor

Sinfonia for wind instruments in G minor

Ensemble
Bratislavska Komorna Harmonia
Gaetano Donizetti
Alas, such longing freezes my heart (Pia de' Tolomei, Act 1)
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Alas, such longing freezes my heart (Pia de' Tolomei, Act 1)
Gaetano Donizetti
Ah! Mes Amis
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Ah! Mes Amis
Gaetano Donizetti
Me voglio fa' 'na casa
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Me voglio fa' 'na casa
Gaetano Donizetti
Una furtiva lagrima (L'elisir d'amore)
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Una furtiva lagrima (L'elisir d'amore)
Gaetano Donizetti
L'Elisir d'amore, Act I: Chiedi all'au (duet)
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L'Elisir d'amore, Act I: Chiedi all'au (duet)
Gaetano Donizetti
Me Voglio Fa' 'Na Casa
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Me Voglio Fa' 'Na Casa
Gaetano Donizetti
Cruda, funesta smania... La pietade in suo favore (Lucia di Lammermoor)
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Cruda, funesta smania... La pietade in suo favore (Lucia di Lammermoor)
Gaetano Donizetti
Cruda, funesta smania... La pietade in suo favorea (Lucia di Lammermoor)
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Cruda, funesta smania... La pietade in suo favorea (Lucia di Lammermoor)
Gaetano Donizetti
L'elisir d'amore: Una furtiva lagrima
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L'elisir d'amore: Una furtiva lagrima
Gaetano Donizetti
Le convenienze ed inconvenienze teatrali - Act 2
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Le convenienze ed inconvenienze teatrali - Act 2
Gaetano Donizetti
Una Furtiva Lagrima
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Una Furtiva Lagrima
Gaetano Donizetti
Il Paria - Ah che un raggio
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Il Paria - Ah che un raggio
Gaetano Donizetti
Il Paria - Parea che mentre l'alo
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Il Paria - Parea che mentre l'alo
Gaetano Donizetti
Don Pasquale, Act II Quinta Scena: Io? Io?
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Don Pasquale, Act II Quinta Scena: Io? Io?
Gaetano Donizetti
Don Pasquale: Overture
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Don Pasquale: Overture
Gaetano Donizetti
La Fille du regiment: "Ah, mes amis"
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La Fille du regiment: "Ah, mes amis"
Gaetano Donizetti
Duet (Poliuto)
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Duet (Poliuto)

Duet (Poliuto)

Music Arranger
Benedetto Carulli
Performer
Silvano Scanziani
Luigi Magistrelli
Luca Burini
Last played on
Gaetano Donizetti
L'Ange de Nisida: Et vous Mesdames (Don Casper; Chorus)
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L'Ange de Nisida: Et vous Mesdames (Don Casper; Chorus)
Gaetano Donizetti
L'Ange de Nisida: Prelude
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L'Ange de Nisida: Prelude
Gaetano Donizetti
Les Martyrs (Act 2: 'Sévère existe! ... Un Dieu sauveur')
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Les Martyrs (Act 2: 'Sévère existe! ... Un Dieu sauveur')
Gaetano Donizetti
Lu tradimiento
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Lu tradimiento
Gaetano Donizetti
Quoi! vous m'aimez? (La fille du Regiment)
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Quoi! vous m'aimez? (La fille du Regiment)
Gaetano Donizetti
Ah! mes amis (La fille du Regiment)
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Ah! mes amis (La fille du Regiment)
Gaetano Donizetti
Don Pasquale overture
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Don Pasquale overture
Gaetano Donizetti
Mon seul trésor (Les martyrs)
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Mon seul trésor (Les martyrs)
Gaetano Donizetti
Una furtiva lagrima (L'elisir d'amore)
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Una furtiva lagrima (L'elisir d'amore)
Gaetano Donizetti
Ah! Mes Amis (La Fille du Regiment)
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Ah! Mes Amis (La Fille du Regiment)

Ah! Mes Amis (La Fille du Regiment)

Orchestra
Giuseppe Verdi Orchestra of Milan
Gaetano Donizetti
Il dolce suono (Lucia di Lammermoor)
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Il dolce suono (Lucia di Lammermoor)
Gaetano Donizetti
Spargi d'amaro pianto (Lucia di Lammermoor)
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Spargi d'amaro pianto (Lucia di Lammermoor)
Gaetano Donizetti
Me voglio fa na casa
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Me voglio fa na casa
Gaetano Donizetti
Overture (La Fille du regiment)
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Overture (La Fille du regiment)
Gaetano Donizetti
Maria Stuarda: "Ah se un giorno da queste ritorte"
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Maria Stuarda: "Ah se un giorno da queste ritorte"
Gaetano Donizetti
Lucia di Lammermoor: Act III: Eccola! Oh, Giusto Cielo!... Il Dolce Suono
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Lucia di Lammermoor: Act III: Eccola! Oh, Giusto Cielo!... Il Dolce Suono
Gaetano Donizetti
L'amor funesto
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L'amor funesto
Gaetano Donizetti
Ardir! Ha forse il cielo mandato
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Ardir! Ha forse il cielo mandato

Ardir! Ha forse il cielo mandato

Performer
Luciano Pavarotti (Nemorino – tenor), Enzo Dara (Dr Dulcamara – basso buffo), The Metropolitan Opera Orchestra, James Levine (conductor)
Gaetano Donizetti
Voglio dire, lo stupendo elisir
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Voglio dire, lo stupendo elisir

Voglio dire, lo stupendo elisir

Performer
Luciano Pavarotti (Nemorino – tenor), Enzo Dara (Dr Dulcamara – basso buffo), The Metropolitan Opera Orchestra, James Levine (conductor)
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