Fats WallerBorn 21 May 1904. Died 15 December 1943
Fats Waller Biography (BBC)
A giant of a man in every way, Waller was the outstanding exponent of the Harlem 'stride' style of jazz piano, drawing together the innovations of Willie 'The Lion' Smith and James P. Johnson into a coherent style, and taking it to the boundaries of technical possibility. He was also a major influence on the pianists that followed, including Art Tatum.
As well as being a brilliant pianist, Waller was a witty and entertaining singer, a bandleader, a composer of hundreds of songs, and a pioneer of jazz broadcasting. He began his career in Harlem as a teenager, playing organ for silent movies at the Lincoln Theatre. In the early 1920s he went on the road with singer Katie Krippen, and having perfected the art of vaudeville accompaniment, he made discs with several other singers including Alberta Hunter.
He made his first solo recordings in 1922, and other musicians began to record his compositions from the following year. By the late 1920s he was in demand as a recording artist, as the composer of stage shows such as Keep Shufflin' and Hot Chocolates, and as a guest organist at theatres across the USA. In 1929 he cut his greatest piano solo records, including Handful of Keys, that are a masterly document of the Harlem stride style at its best.
During the Depression, as opportunities to record declined, Waller began to broadcast, singing on air and on disc, and eventually leading to the formation of his sextet the Rhythm, in 1934. He made hundreds of discs with this band, ranging from brilliant jazz to sentimental songs, as well as dozens of numbers that were so banal that they were redeemed only by Waller's brilliant artistry and wicked sense of humour.
Songs such as My Very Good Friend the Milkman and Your Feet's Too Big were among his many hits, the latter being made into a short movie. Waller's other films included Hooray For Love and most importantly Stormy Weather, in which he starred opposite Lena Horne and Cab Calloway. Waller came to Britain in 1938 and 1939, making many discs in England, including his exquisite London Suite for solo piano, some hard-swinging band numbers with his 'Continental Rhythm', and some delicate duets with singer Adelaide Hall.
His gargantuan appetites, and a chaotic personal life which involved prison spells for non-payment of alimony, eventually caught up with this larger-than-life character, and despite professing his intention to slow down and spend more time at home, he died from pneumonia on the train journey back from an arduous West Coast trip to spend Christmas with his family in New York.
Fats Waller Biography (Wikipedia)
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid the groundwork for modern jazz piano. His best-known compositions, "Ain't Misbehavin'" and "Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It's possible he composed many more popular songs and sold them to other performers when times were tough.
Waller started playing the piano at the age of six, and became a professional organist aged 15. By the age of 18 he was a recording artist. Waller's first recordings, "Muscle Shoals Blues" and "Birmingham Blues", were made in October 1922 for Okeh Records. That year, he also made his first player piano roll, "Got to Cool My Doggies Now". Waller's first published composition, "Squeeze Me", was published in 1924. He became one of the most popular performers of his era, touring internationally and achieving critical and commercial success in the United States and Europe. He died from pneumonia, aged 39.
Fats Waller Tracks