Nikolai Rimsky-Korsakov

Composer. Born 18 March 1844. Died 21 June 1908
Nikolai Rimsky-Korsakov
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1844-03-18
https://musicbrainz.org/artist/4cfe7051-f649-4d07-83b3-7a732abe7249
Nikolai Rimsky-Korsakov

Nikolai Rimsky-Korsakov Biography (BBC)

‘Fantasy first, self-discipline later’ might have been the motto of Nikolay Rimsky-Korsakov’s musical life, vividly described in his penetrating autobiography. The son of a noble family influenced by his much older brother to enter the St Petersburg Naval College in 1856, he took his first steps in composition four years later under the guidance of that influential doyen of Russian musical nationalism, Mily Balakirev. After an inspirational meeting, the 17-year-old naval cadet set off to sail the world and to work on the symphony Balakirev had encouraged him to write (part of it was completed off the English coast at Gravesend).

Back in St Petersburg, he contributed several significant scores as one of the group of composers gathered around Balakirev and known collectively as ‘The Mighty Handful’ (moguchaya kuchka) – chiefly the symphonic suite Antar, a tone poem about the legendary Novgorod minstrel Sadko that was to form the basis for his much later opera of that name, and his first opera, The Maid of Pskov (1868–72), much influenced by his close friend Musorgsky’s Boris Godunov.

What he later lamented in his autobiography as lacking in Balakirev’s teaching – ‘the technique of harmony and counterpoint, and an idea of musical forms’ – he learnt for himself from 1871 onwards as a professor at the St Petersburg Conservatory who always kept one step ahead of his students. For a while, the effect on his compositions was stultifying; but he was soon back on track with the freshest of his fairy-tale operas, May Night (1878–9) and The Snow Maiden (1880–81). His magical orchestration came to the fore in three concert-hall scores composed in the single season of 1887–8: Capriccio espagnol, the Russian Easter Festival Overture and the symphonic suite Sheherazade.

Parallel with his own fitful output at this time were his collegial efforts with fellow-composers from the group that had once, and so briefly, been ‘The Mighty Handful’ – working with Balakirev on scores by the father of Russian music, Glinka, and helping Borodin and Musorgsky with their long-term operatic projects.

Standing alone by the mid-1890s, he produced a steady stream of operas that range from the extended magic of Christmas Eve (1894–5) to the terse speech-melodies of Mozart and Salieri (1897). Collaboration with a poet well-versed in Russian folk tales, Vladimir Belsky, reached its peak in the deeply emotional fable The Legend of the Invisible City of Kitezh (1903–5).

By the time of his death in 1908, Rimsky-Korsakov was something of a hero to the Russian left, a reputation bolstered by his resignation from the directorship of the Conservatory in solidarity with students sympathetic to the 1905 uprising and by tsarist censorship of his final opera, The Golden Cockerel (1906–7). In musical terms he remained essentially conservative, but his carefully restricted experiments in harmony and orchestration had a lasting impact on 20th-century music – from Stravinsky, his last and unofficial pupil, through to Messiaen and beyond.

Profile © David Nice

Nikolai Rimsky-Korsakov Biography (Wikipedia)

Nikolai Andreyevich Rimsky-Korsakov (Russian: Николай Андреевич Римский-Корсаков, Nikoláy Andréyevich Rímskiy-Kórsakov, (listen); 18 March [O.S. 6 March] 1844 – 21 June [O.S. 8 June] 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy-tale and folk subjects.

Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow-composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.

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Nikolai Rimsky-Korsakov Tracks

Nikolai Rimsky-Korsakov
Mlada (Procession of the Nobles)
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Mlada (Procession of the Nobles)

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Nikolai Rimsky-Korsakov
The Story of the Kalendar Prince (Sheherazade)
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The Story of the Kalendar Prince (Sheherazade)
Nikolai Rimsky-Korsakov
Overture (May Night)
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Overture (May Night)
Nikolai Rimsky-Korsakov
Scheherazade - symphonic suite, Op.35
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Scheherazade - symphonic suite, Op.35
Nikolai Rimsky-Korsakov
Capriccio Espagnol (Op.34)
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Capriccio Espagnol (Op.34)
Nikolai Rimsky-Korsakov
Quintet in B flat major (3rd mvt)
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Quintet in B flat major (3rd mvt)
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op 34
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Capriccio espagnol, Op 34
Nikolai Rimsky-Korsakov
Overture to 'The Tsar's Bride'
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Overture to 'The Tsar's Bride'
Nikolai Rimsky-Korsakov
The Nymph, Op 56 No 1 (Two Songs)
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The Nymph, Op 56 No 1 (Two Songs)
Nikolai Rimsky-Korsakov
The Sea and Sinbad's Ship (Scheherazade)
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The Sea and Sinbad's Ship (Scheherazade)
Nikolai Rimsky-Korsakov
The tale of Tsar Saltan - suite Op 57
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The tale of Tsar Saltan - suite Op 57
Nikolai Rimsky-Korsakov
Scheherazade, Op 35 (The Sea and Sinbad's Ship)
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Scheherazade, Op 35 (The Sea and Sinbad's Ship)
Nikolai Rimsky-Korsakov
Sleep my beauty (cradle song from "May Night")
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Sleep my beauty (cradle song from "May Night")
Nikolai Rimsky-Korsakov
Allegro (Les Vendredis)
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Allegro (Les Vendredis)
Nikolai Rimsky-Korsakov
Antar - symphonic suite (Op.9) (aka. Symphony No 2 in F sharp major Op 9)
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Antar - symphonic suite (Op.9) (aka. Symphony No 2 in F sharp major Op 9)

Antar - symphonic suite (Op.9) (aka. Symphony No 2 in F sharp major Op 9)

Orchestra
National Polish Radio Symphony Orchestra
Conductor
Lukasz Borowicz
Luigi Denza
Neapolitan Song, Op 63
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Neapolitan Song, Op 63
Nikolai Rimsky-Korsakov
Scheherazade, Op 35
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Scheherazade, Op 35
Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan (Tsarina in a barrel at sea)
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The Tale of Tsar Saltan (Tsarina in a barrel at sea)
Nikolai Rimsky-Korsakov
Scheherazade, Op 35 (The Sea and Sinbad's Ship)
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Scheherazade, Op 35 (The Sea and Sinbad's Ship)
Nikolai Rimsky-Korsakov
Scheherazade, Op.35 (The Story of the Kalendar Prince)
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Scheherazade, Op.35 (The Story of the Kalendar Prince)
Nikolai Rimsky-Korsakov
The Sea and Sinbad's Ship (Scheherazade)
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The Sea and Sinbad's Ship (Scheherazade)
Nikolai Rimsky-Korsakov
The Young Prince and the Young Princess (Sheherazade, Op.35)
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The Young Prince and the Young Princess (Sheherazade, Op.35)
Nikolai Rimsky-Korsakov
Trombone Concerto in B flat major
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Trombone Concerto in B flat major
Nikolai Rimsky-Korsakov
The Flight of the Bumblebee (The Tale of Tsar Saltan)
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The Flight of the Bumblebee (The Tale of Tsar Saltan)
Nikolai Rimsky-Korsakov
Scheherezade, Op. 35
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Scheherezade, Op. 35
Modest Mussorgsky
Scherzo in B flat major
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Scherzo in B flat major
Nikolai Rimsky-Korsakov
Sheherazade, Op.35 (Festival at Baghdad)
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Sheherazade, Op.35 (Festival at Baghdad)

Sheherazade, Op.35 (Festival at Baghdad)

Composer
Nikolai Rimsky-Korsakov
Aleksandar Sedlar
Performer
Nemanja Radulović
Stephanie Fontanarosa
Ensemble
Last played on
Modest Mussorgsky
Dance of the Persian Slaves (Khovanshchina)
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Dance of the Persian Slaves (Khovanshchina)
Nikolai Rimsky-Korsakov
The Golden Cockerel Suite
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The Golden Cockerel Suite
Nikolai Rimsky-Korsakov
The Three Wonders (The Tale of Tsar Saltan Suite, Op 57)
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The Three Wonders (The Tale of Tsar Saltan Suite, Op 57)
Nikolai Rimsky-Korsakov
Sheherazade - symphonic suite Op.35
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Sheherazade - symphonic suite Op.35
Nikolai Rimsky-Korsakov
Polonaise (Pan Voyevoda Suite)
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Polonaise (Pan Voyevoda Suite)
Modest Mussorgsky
A Night on the bare mountain, ed. Rimsky-Korsakov
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A Night on the bare mountain, ed. Rimsky-Korsakov
Nikolai Rimsky-Korsakov
Sheherazade - symphonic suite (Op.35)
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Sheherazade - symphonic suite (Op.35)
Nikolai Rimsky-Korsakov
Sadko, Op 5
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Sadko, Op 5

Sadko, Op 5

Orchestra
State Symphony Orchestra of the Russian Federation
Nikolai Rimsky-Korsakov
Scheherazade - symphonic suite after 1001 Nights, Op 35
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Scheherazade - symphonic suite after 1001 Nights, Op 35
Nikolai Rimsky-Korsakov
Dance of the tumblers (Snow maiden - suite)
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Dance of the tumblers (Snow maiden - suite)
Nikolai Rimsky-Korsakov
Mlada (Procession of the Nobles)
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Mlada (Procession of the Nobles)
Nikolai Rimsky-Korsakov
Polonaise (Christmas Eve Suite)
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Polonaise (Christmas Eve Suite)
Nikolai Rimsky-Korsakov
The Tsar's Bride (Overture)
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The Tsar's Bride (Overture)
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op 34
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Capriccio espagnol, Op 34

Capriccio espagnol, Op 34

Orchestra
Baltic Sea Youth Philharmonic
Nikolai Rimsky-Korsakov
Suite from "The Tale of Tsar Saltan", Op 57
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Suite from "The Tale of Tsar Saltan", Op 57
Nikolai Rimsky-Korsakov
Concerto for trombone and military band in B flat major
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Concerto for trombone and military band in B flat major

Concerto for trombone and military band in B flat major

Performer
Tibor Winkler
Orchestra
Chamber Wind Orchestra
Conductor
Zdenek Machacek
Nikolai Rimsky-Korsakov
4 Songs Op.40
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4 Songs Op.40
Nikolai Rimsky-Korsakov
U Moya [By The Sea]
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U Moya [By The Sea]
Nikolai Rimsky-Korsakov
4 Songs Op.4
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4 Songs Op.4
Nikolai Rimsky-Korsakov
4 Songs Op.3
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4 Songs Op.3
Nikolai Rimsky-Korsakov
4 Songs Op.2
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4 Songs Op.2
Nikolai Rimsky-Korsakov
The Flight of the Bumble Bee
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The Flight of the Bumble Bee
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