Camille Saint‐Saëns

Born 9 October 1835. Died 16 December 1921
Camille Saint‐Saëns
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1835-10-09
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Camille Saint‐Saëns

Camille Saint‐Saëns Biography (BBC)

Born less than a decade after the death of Beethoven, and still composing three years after that of Debussy, Saint-Saëns lived through the Romantic movement as a Classicist of boundless skill, energy and knowledge. His prolific output and his artistic beliefs held firm to timeless principles of beauty and form. As a result his music never seemed to grow old-fashioned (except to card-carrying Wagnerians) and by the end, when a generation of neo-Classicists - including Stravinsky and Poulenc - was on the rise and Saint-Saëns had turned to elegantly elliptical woodwind sonatas, it had started to sound contemporary all over again.

He had been a Parisian child prodigy, entering the Conservatoire at 13 to study organ and composition. His fluency stayed with him as his abilities flowered. An inquiring mind developed, taking in lasting interests from literature to astronomy. His five piano concertos show his characteristic qualities at their finest: suave melody and incisive articulation, orchestral clarity and colour, an often original use of conventional forms, and an expressive idiom that lives at the nerve-ends, generating unstoppable verve and, occasionally, great intensity, without lingering over the more profound moments.

These qualities fed into his operas, though here a greater capacity for spacious heart-searching would have been invaluable. New works of his were regularly staged, but his only lasting success was the relatively early Samson et Dalila, in which erotic obsession and dynamic action could carry the show. It was first produced (in 1877) not in opera-mad Paris, but by his friend Liszt in Weimar. The friendship bore fruit both ways, because Saint-Saëns adopted Liszt's genre of the symphonic poem and then used its methods of thematic transformation in his Third Symphony (the 'Organ', premiered in London in 1886), itself one of the founding masterpieces of a new French symphonic tradition. Ever he wit, he immediately used one of the most striking textures in his symphony for the 'Aquarium' of The Carnival of the Animals - though he banned public performance of the work in his lifetime.

Within the French musical world Saint-Saëns was an effective and - for all his later loathing of Debussy's music - a generally progressive influence. He was the driving force behind the Société Nationale de Musique, formed in 1871 to promote French instrumental music. The tragedy of his life was personal: emotional repression, a failed marriage and the early deaths of his two sons.

Profile © Robert Maycock

Camille Saint‐Saëns Biography (Wikipedia)

Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886).

Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas.

As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death.

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Camille Saint‐Saëns Performances & Interviews


Camille Saint‐Saëns Tracks

Camille Saint‐Saëns
Aquarium (Carnival of the Animals)
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Aquarium (Carnival of the Animals)

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Camille Saint‐Saëns
Africa for piano and orchestra
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Africa for piano and orchestra
Camille Saint‐Saëns
The Swan, from 'The Carnival of the Animals'
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The Swan, from 'The Carnival of the Animals'
Camille Saint‐Saëns
Les cloches de Las Palmas, Op 111 No 4
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Les cloches de Las Palmas, Op 111 No 4
Camille Saint‐Saëns
Caprice on Danish and Russian Airs
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Caprice on Danish and Russian Airs

Caprice on Danish and Russian Airs

Performer
Canada's National Arts Centre Wind Quintet
Stéphane Lemelin
Camille Saint‐Saëns
Piano Concerto No. 5 in F Major "Egyptian": III. Molto allegro
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Piano Concerto No. 5 in F Major "Egyptian": III. Molto allegro
Camille Saint‐Saëns
Sarabande et rigaudon, Op 93 (Rigaudon)
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Sarabande et rigaudon, Op 93 (Rigaudon)
Camille Saint‐Saëns
Danse macabre - symphonic poem (Op.40)
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Danse macabre - symphonic poem (Op.40)
Camille Saint‐Saëns
Symphony No.3 in C minor, Op.78 'Organ Symphony' (3rd mvt)
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Symphony No.3 in C minor, Op.78 'Organ Symphony' (3rd mvt)
Camille Saint‐Saëns
Tarantelle, Op 6
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Tarantelle, Op 6
Camille Saint‐Saëns
Samson et Dalila - Bacchanale
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Samson et Dalila - Bacchanale
Camille Saint‐Saëns
Sonata in G for bassoon and piano, Op 168
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Sonata in G for bassoon and piano, Op 168
Camille Saint‐Saëns
Le vent dans la plaine
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Le vent dans la plaine
Camille Saint‐Saëns
Africa Fantasie, Op 89
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Africa Fantasie, Op 89
Camille Saint‐Saëns
Fantaisie in E flat major for organ
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Fantaisie in E flat major for organ
Camille Saint‐Saëns
Danse Macabre
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Danse Macabre

Danse Macabre

Performer
Madeline Adkins
Orchestra
Last played on
Camille Saint‐Saëns
The Swan
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The Swan
Camille Saint‐Saëns
Phaëton, Op 39
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Phaëton, Op 39
Camille Saint‐Saëns
Havanaise, Op 83
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Havanaise, Op 83
Camille Saint‐Saëns
Cello Concerto No 1 (1st mvt)
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Cello Concerto No 1 (1st mvt)
Camille Saint‐Saëns
Introduction and Rondo capriccioso, Op 28
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Introduction and Rondo capriccioso, Op 28
Camille Saint‐Saëns
Fossils (Carnival of the Animals)
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Fossils (Carnival of the Animals)
Camille Saint‐Saëns
Concerto no. 3 in E flat major Op.29
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Concerto no. 3 in E flat major Op.29
Camille Saint‐Saëns
Les titans (Op.71 No.2)
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Les titans (Op.71 No.2)

Les titans (Op.71 No.2)

Ensemble
Lamentabile Consort
Singer
Jan Stromberg
Gunnar Andersson
Bertil Marcusson
Olle Skold
Camille Saint‐Saëns
Allegro appassionato Op.43
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Allegro appassionato Op.43
Camille Saint‐Saëns
Caprice d'après l'étude en forme de valse de Saint-Saëns
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Caprice d'après l'étude en forme de valse de Saint-Saëns
Camille Saint‐Saëns
Piano Concerto No 2 in G minor, Op 22
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Piano Concerto No 2 in G minor, Op 22
Camille Saint‐Saëns
Bacchanale (Samson et Dalila)
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Bacchanale (Samson et Dalila)
Camille Saint‐Saëns
Finale (Symphony No.3 in C minor, Op.78 'Organ Symphony')
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Finale (Symphony No.3 in C minor, Op.78 'Organ Symphony')
Camille Saint‐Saëns
Le Carnaval des animaux
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Le Carnaval des animaux
Camille Saint‐Saëns
Carnival of the Animals (Aquarium)
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Carnival of the Animals (Aquarium)
Camille Saint‐Saëns
Danse Macabre, Op 40
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Danse Macabre, Op 40
Camille Saint‐Saëns
Danse Macabre, Op 40
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Danse Macabre, Op 40
Camille Saint‐Saëns
Allegro appasionato Op.70
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Allegro appasionato Op.70
Camille Saint‐Saëns
Barcarolle in F major, Op 108
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Barcarolle in F major, Op 108
Camille Saint‐Saëns
Calme des nuits, Op 68 No 1
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Calme des nuits, Op 68 No 1
Camille Saint‐Saëns
Havanaise (Op.83) arr. for violin and piano (orig. violin and orchestra)
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Havanaise (Op.83) arr. for violin and piano (orig. violin and orchestra)
Camille Saint‐Saëns
Morceau de concert for harp & orchestra in G major, Op 154
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Morceau de concert for harp & orchestra in G major, Op 154

Morceau de concert for harp & orchestra in G major, Op 154

Performer
Suzanna Klintcharova
Orchestra
Sofia Philharmonic Orchestra
Conductor
Dimitar Manolov
Camille Saint‐Saëns
Introduction and Rondo capriccioso in A minor, Op 28
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Introduction and Rondo capriccioso in A minor, Op 28
Camille Saint‐Saëns
Danse macabre, op. 40
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Danse macabre, op. 40

Danse macabre, op. 40

Orchestra
Sao Paulo State Orchestra
Camille Saint‐Saëns
Introduction and rondo capriccioso (Op.28), arr. for violin & piano
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Introduction and rondo capriccioso (Op.28), arr. for violin & piano
Camille Saint‐Saëns
Mon coeur s'ouvre à ta voix (Samson et Dalila)
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Mon coeur s'ouvre à ta voix (Samson et Dalila)
Camille Saint‐Saëns
Dalila's aria: 'Mon coeur s'ouvre' (from "Samson et Dalila", Act 2 Scene 3)
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Dalila's aria: 'Mon coeur s'ouvre' (from "Samson et Dalila", Act 2 Scene 3)
Camille Saint‐Saëns
The Swan (Carnival of the Animals)
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The Swan (Carnival of the Animals)
Camille Saint‐Saëns
Danse macabre
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Danse macabre
Camille Saint‐Saëns
Tarantelle for flute, clarinet and orchestra, Op 6
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Tarantelle for flute, clarinet and orchestra, Op 6
Camille Saint‐Saëns
The Swan (The Carnival of the Animals)
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The Swan (The Carnival of the Animals)
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