Wild Alaska Live
From the makers of Big Blue Live comes an even bigger and wilder event
Interview with Liz Bonnin
My biggest challenge is to convey how it feels like to be this live and this remote, while pointing out what that bear is doing and the subtleties of its behavioursLiz Bonnin
Where are you going to be based in Alaska?
I’m going to be based in Katmai National Park, 800 miles away from the hub and 300 miles away from the nearest road. It's the most remote place I’ll ever have camped. I’ll be looking at how the brown bears and the wolves come together, as the salmon run plays out.
What makes doing natural history programming live so special?
Bringing wildlife to a new audience is always a challenge - you have to be able to tell the story and bring the characters of individual animals to life, and to get a sense of the place. But doing that live as well as everything else is a little terrifying. But we love that in television!
It’s why we’re back for more after Big Blue Live, and the team has raised the bar in a way we didn’t think would be possible. It's on an epic scale and more remote that Monetary Bay ever was. But I can’t wait - it’s more thrilling than terrifying.
You’re quite experienced at live TV now...
I’ve filmed in a lot of wild places now, many of which have been fantastic, remote and a little bit daunting, and I’ve camped in many places, but this is a completely different scale. The logistics of the whole set-up and doing an outside broadcast is a completely different ball game.
Just when you think you’ve been somewhere challenging, Alaska comes up! I never thought I’d be doing this as a job so sometimes I do have an 'out of body' experience. This is the best team, not only for wildlife filming, but live productions too.
What do you think will make Wild Alaska Live so special?
What made Big Blue Live special, and what will make this so special again, is that we are bringing these spectacles and extraordinary events - where the wildlife is having a massive party, where different animals are coming together - to the audience, live.
It’s different to a pre-record, there’s a different quality to it - it's the closest thing to bringing the audience away with us. My biggest challenge is to convey how it feels like to be this live and this remote at the same time, while pointing out what that bear is doing and the subtleties of its behaviours.
What can’t you travel without?
My notebook! I’m lucky that I have diaries on film of the things I have done, but it’s the little moments and the experiential stuff which you might forget without writing it down. It’s such a privilege that I want to remember the special moments, as well as the films we make.
What are your tips for surviving in the wild?
- Listening to your guide
- Don’t get complacent.
- Respect the bear’s home - it’s their patch!
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