Interview with Luke Treadaway
Wealthy philanthropist Rachel Argyll is murdered at her family estate Sunny Point. Her adopted son Jack Argyll, a young delinquent, is arrested for her murder. He vehemently protests his innocence.
Some of the scenes for Arthur are quite hard for him, but for me as Luke an actor they are exactly what you want. You want those scenes and parts that are complex.
Playing Arthur Calgary
How does Arthur first appear in Ordeal By Innocence?
We first see Arthur walking along a country road with his suitcase arriving at Sunny Point to tell them that he’s Jack’s alibi; that he was the person who gave Jack a lift to the pub the night that Rachel was murdered. He then learns that Jack already died in prison, so he’s too late. This one good true act, which he wants to give Jack’s family as some sort of atonement for his personal guilt and shame, he is denied.
What was your first impression on reading the script?
I thought it was really rich and complicated. It felt like every character had a lot going on and everyone had his or her own desires and needs. Sarah has written an amazing script. It feels like she’s written a three-part thriller and not a murder mystery, which is perhaps what you may think you’re going to read when you know it’s Agatha Christie.
Arthur is a very mysterious man with a lot of secrets. What is it about the character that feels a little lost and why does he need atonement?
Arthur just has a really strong desire to help this family and to provide Jack with the alibi that he needs. From the point he learns Jack has died in prison Arthur feels completely lost and helpless. He really has nothing left. He’s struggling with his own demons and his own guilt and shame about things that have happened in his past and he sees his one chance of redemption. So when that is taken away he’s completely at a loss.
What’s Arthur’s relationship with Mickey and the other children?
After he’s been told to leave the house, we see that he’s not trusted by Mickey, or in fact the whole family to begin with. He has all these obstacles to get over to try and achieve his ambition, which is now to clear Jack’s name. That all feels impossible because it doesn’t seem like anyone wants to hear him. It seems like they’ve all shut the case down in their minds.
The house itself plays a role in this story, what were your first impressions when you arrived at the house?
I loved it. When I knew I was doing this you envisage a beautiful house you’re going to be spending weeks in filming and it didn’t disappoint. I loved being on location for a few weeks, in a real house where you know that this bedroom leads to that hallway. It definitely helps connect it all and feel like you’re really in a house as opposed to a set with no roof.
The story is very dark and disturbing. What’s it been like to play such an intense character and have there been any chances to have fun on set?
Some of the scenes for Arthur are quite hard for him, but for me as Luke an actor they are exactly what you want. You want those scenes and parts that are complex and have a lot going on, I really enjoy playing them. They aren’t necessarily scenes full of light and joy but that doesn’t necessarily equal not having fun doing them either.
How has it been working with Sandra?
Sandra is an amazing director. She was so good at communicating her vision to us and illuminating certain things we may not have thought of and really supportive. She was brilliant on set. She showed me mood boards of locations before we started and pictures of where Arthur had been which helped to get an idea of the world he inhabited and how it would look.
- Bill Nighy... Leo Argyll
- Anthony Boyle... Jack Argyll
- Anna Chancellor... Rachel Argyll
- Morven Christie... Kirsten Lindstrom
- Crystal Clarke... Tina Argyll
- Christian Cooke... Mickey Argyll
- Alice Eve... Gwenda Vaughan
- Matthew Goode... Philip Durrant
- Ella Purnell... Hester Argyll
- Eleanor Tomlinson... Mary Argyll
- Luke Treadaway... Dr. Arthur Calgary
- Brian McCardie... Bellamy Gould
- Frances Grey... Lydia Gould
- Sandy Welch... Dr Edwin Morsuch
- Sandy Batchelor... Simon
- Catriona McNicoll... Young Mary
- Rhys Lambert... Young Mickey
- Luke Murray... Young Jack
- Abigail Coneth... Young Tina
- Hayden Robertson... Young Hester
- Writer and Executive Producer... Sarah Phelps
- Executive Producers for Mammoth Screen... Damien Timmer, Karen Thrussell, Helen Ziegler
- Executive Producers for ACL... James Prichard, Basi Akpabio
- Executive Producer for BBC Scotland... Gaynor Holmes
- Director... Sandra Goldbacher
- Producer... Roopesh Parekh
- Director of Photography... John Lee
- Production Designer... Catrin Meredydd & Jo Riddell
- Costume Designer... Trisha Biggar
- Hair & Make Up Designer... Claire Harris
- Casting Director... Karen Lindsay-Stewart
- Editor, Episodes 1 & 2... Adam Recht
- Editor, Episode 3... Jo Smyth
- Composer... Stuart Earl