Interview with Alice Eve
Wealthy philanthropist Rachel Argyll is murdered at her family estate Sunny Point. Her adopted son Jack Argyll, a young delinquent, is arrested for her murder. He vehemently protests his innocence.
It literally took me all day to read the three scripts... so from the off I was hooked.
Playing Gwenda Vaughan
How would you describe Gwenda?
The first word that springs to mind to describe Gwenda is ‘desperate’, I don’t think Gwenda is desperate herself but she is in desperate circumstances. It might be ruthless to think that she wouldn’t find love. I don’t know how tough the times were in the 50s but from what I’ve seen, read and heard it was a different time for women so maybe this was her only chance and if it is her only chance then it’s not an ideal situation.
What really drew you to taking on this role?
I respected Sarah from the outset because it literally took me all day to read the three scripts, as there was so much detail in the stage directions. So from the off I was hooked. In the last scene there was a comedic element to Gwenda’s tragedy that was exactly to my taste. What line am I walking ‘am I a joke or am I tragic?’.
What is Gwenda’s relationship like with Rachel?
Rachel is the boss originally, a tough taskmaster and from a very privileged position and doesn’t identify with Gwenda, who is from a lower class than Rachel. Rachel looks down on Gwenda, is quite disdainful of her and maybe thinks she’s common but Gwenda doesn’t give a toss and says, “I’m going to have your husband and she does.” She gets her man but only through a series of quite severe events.
Does she genuinely have feelings for Leo?
She absolutely loves Leo. I think it is a genuine love affair between them because there are so many hurdles along the way. Gwenda is a complete human I couldn’t see a way in which this could work if she didn’t love the man. Certainly having all the stepchildren she is set to have (and none of them like her), she couldn’t enter into that relationship based on anything other than love.
What is her relationship like with Leo’s adopted children?
She definitely likes Tina and they’ve not had any difficult interactions; nor has she had any challenging interactions with Mickey so there’s no history there to worry about but Mary hates her. In that respect she has to deal with Mary but I don’t think it really matters to Gwenda – it’s just irksome. Hester is young and there’s indifference there as well, but there’s a jealousy from everyone because Leo’s such a magnanimous creature who has so much power and is the keeper of the love in the family. In that respect there’s a difficulty for anyone joining a family where there is an established way of doing things and children involved so it is particularly difficult for Gwenda.
What is Gwenda’s reaction to Arthur Calgary’s arrival?
When he first arrives she thinks he is there to help with the wedding, which is quite a funny scene. Then for Gwenda it becomes so much less about Arthur and what he is there to tell them than it is about her impending wedding which his presence can potentially ruin. It becomes very alarming and dangerous for her. He is an obstacle to be removed. He is also odd which jars with Gwenda who is very straight down the line in her life. She is a practical woman who sees Calgary as a very complicated character and she wants Leo to listen to her opinions of him.
What is it like to work with Bill Nighy and what does he bring to the character of Leo?
Bill brings everything to the role, he is a real charmer and as an elegant man himself he brought elegance to Leo.
Describe the era as reflected in the costumes you wear and how it helps you build the character?
Trisha (Biggar) has put such care and attention into the detail of the costumes. That period is such fun for me to play because I’m curvy. So she really fitted everything to my frame, which was incredibly helpful because I really wanted to have a relationship with the costumes and wear them as much as they wear you. I had a bikini scene that was such fun and very colourful and certainly the bikinis in the 50s were far more flattering for a figure like mine than they are now; much less revealing. The costumes were a real highlight and delight for me. With regards to my makeup and hair look it was fun to be a red head, quite freeing. I’ve been dark and blond but never red which has an otherness that I really enjoyed and helped me become Gwenda. She’s a fiery creature so it all helps.
Was everything on the page already in Sarah’s script or did you have to do any additional research for the part?
I always start with the script in the first instance but the most important relationship I have is the one with the director (Sandra Goldbacher). I definitely got into very detailed conversations with Sandra about where Gwenda had been and how she ended up in a room like this with very little income and all of the back story that brings her to the place that she finds herself in now. That’s all part of putting the story together.
- Bill Nighy... Leo Argyll
- Anthony Boyle... Jack Argyll
- Anna Chancellor... Rachel Argyll
- Morven Christie... Kirsten Lindstrom
- Crystal Clarke... Tina Argyll
- Christian Cooke... Mickey Argyll
- Alice Eve... Gwenda Vaughan
- Matthew Goode... Philip Durrant
- Ella Purnell... Hester Argyll
- Eleanor Tomlinson... Mary Argyll
- Luke Treadaway... Dr. Arthur Calgary
- Brian McCardie... Bellamy Gould
- Frances Grey... Lydia Gould
- Sandy Welch... Dr Edwin Morsuch
- Sandy Batchelor... Simon
- Catriona McNicoll... Young Mary
- Rhys Lambert... Young Mickey
- Luke Murray... Young Jack
- Abigail Coneth... Young Tina
- Hayden Robertson... Young Hester
- Writer and Executive Producer... Sarah Phelps
- Executive Producers for Mammoth Screen... Damien Timmer, Karen Thrussell, Helen Ziegler
- Executive Producers for ACL... James Prichard, Basi Akpabio
- Executive Producer for BBC Scotland... Gaynor Holmes
- Director... Sandra Goldbacher
- Producer... Roopesh Parekh
- Director of Photography... John Lee
- Production Designer... Catrin Meredydd & Jo Riddell
- Costume Designer... Trisha Biggar
- Hair & Make Up Designer... Claire Harris
- Casting Director... Karen Lindsay-Stewart
- Editor, Episodes 1 & 2... Adam Recht
- Editor, Episode 3... Jo Smyth
- Composer... Stuart Earl