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A script with a view

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Tim Stimpson Tim Stimpson 16:10, Friday, 27 November 2009


Tim Stimpson is an Archers scriptwriter (the youngest ever). Here he shares with us some of the tricks of his trade, including the unique visualisation above - SB.

Whilst episodes written in September are now being broadcast and episodes written in October are being recorded. I'm now working on scripts for the middle of January. Normally there are four writers working at any one time, but because of the Christmas break we're working on two months of scripts meaning that there are eight of us writers busily typing away. Some of us look out across rolling hills, but I look out across a barbed-wired wall into the back of a postal depot in south Birmingham. Writing the Archers is my own imaginary escape to the country.

Reading the blogs this week has been quite interesting for me too. As a writer I only visit the Mailbox once a month for our regular script meetings and as one becomes engrossed in one's own scripts it's easy to forget that the machine that is 'The Archers' is still busily running away. After the script meeting we all head back to our homes in Bristol, Dorset, Cheshire - or in my case just four miles down the road - and wait by our inboxes for the storylines. We then have five or six days to write a synopsis and then twelve days to complete our six episodes.

I've already had a first sweep at most of my scripts. Generally I like to get them written as quickly as possible, which then gives me plenty of time to go back and tinker. Today I've already been busy redrafting my Tuesday episode. Because of restrictions with actor availability it's meant that my two main storylines have become tethered together. Normally I'd try to spread them out into separate episodes, but I'm rather enjoying having to interweave my two most high-powered storylines. They're both mainly two-headers, they're both emotional (although in different ways) and, as often happens as one goes along, I'm discovering themes and resonances between the two threads.

Writing for The Archers can often seems like a big puzzle. To help me get my head around this when I first receive the storylines I normally draw a graph with the days of the week along the x axis and the intensity of the individual storylines along the y. It sounds horribly technical (although I do draw it in pretty colours!) but it allows me to better understand the shape of my week. All the writers have a very different ways of approaching their scripts. For instance some prefer to start at Sunday and write straight through to Friday. I prefer to go with the mood I'm in that day. So if I'm feeling light-hearted I might choose to spend some time with Lynda and the Parish Council, or if I'm ready for something a bit more hard-hitting I might have a crack at... Oh but that would be giving the story away!

So - the sun is shining, the red vans of the Royal Mail have all left the yard and the cat, as usual, is trying to make her own contribution by walking across the keyboard. Where shall I go now? I think I head down to The Bull. I could do with a pint.

Tim Stimpson is a scriptwriter on The Archers


  • Comment number 1.

    Dear Tim Stimpson,

    It would be great that Foreign learners of English could get access to your scripts.
    It would help us understanding real, matter of fact, English. Most BBC broadcast programs we get access to provide us with formal English while broadcasts such as Eastenders or The Archers provide us with more street-spoken English, I mean this kind of informal English spoken in everyday life by ordinary Britons, not top brass BBC presenters. While Radio's 4 In our Time English is of course very much interesting, it is nonetheless necessary to study the kind of spoken English French people encounter getting off the train in London.
    It is therefore much useful... provided we can understand it and script access would very much help achieve such a goal. US radios such as NPR give easy access to scripts or Radio 4's In touch : Peter White gives access to comprehensive scripts of his broadcasts. I know there are copyrights issues and the like. Yet could not we get access to full-extend scripts ex post rather than just the synopses ?

    Yours Sincerely.


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