As the poet begins to reach her conclusion, she makes a comment on the way these images are received by the people they are produced for; both the newspaper editors who commission the work and the readers of these publications.
hundred agonies that the photographer has selected for his editor contrasts immediately with the phrase
will pick out five or six in the next line.
The careless indifference in the way the editor selects the images reinforces how little regard we have for the subjects in the pictures.
Duffy extends this disingenuous response to us, the readers of the newspapers, using bathos when describing how our
eyeballs prick with tears between the bath and pre-lunch beers.
The poem ends with the photographer departing once more for a new job as the cycle begins again.
His sense of separateness from his countrymen is evident as he refers to us as "they", emphasising how little he identifies with our lives and values.
As he surveys the landscape of rural England from the aeroplane, there is a growing acceptance that, despite his best efforts, his photographs will ultimately make no real difference.