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What happens to your script

BBC writersroom employs readers to assess unsolicited scripts and competition entries. Our readers freelance in various production roles in the industry, including writing, acting, script editing, directing, producing, tutoring, journalism, and talent scouting. Due to the loyalty of the team and our requirement for experienced readers, opportunities for new readers are rare and the competition is very tough. 

Our readers sift unsolicited scripts by reading the first ten pages. All eligible scripts are considered in this way. If a script hooks our attention, it will then be given a full read and the writer will receive feedback. If a script does not make it past the sift stage, then unfortunately it will be returned to the writer without feedback.

We don't work to quotas – our readers are briefed to look for writing quality regardless of content, subject, message, setting, or writing experience. All scripts that have been given a full read are discussed during open, consultative feedback sessions.

Understanding feedback and digesting criticism is a crucial part of the writing process and a writer's development – but it can also be a difficult one. We believe it is important that our readers provide honest feedback on scripts. Their feedback is not designed to offer an exhaustive dramaturgical assessment of the script - rather, it is a response offering comments that the reader feels may be of general use and interest to the writer.

We are unable to enter into further discussion about individual scripts, or about our reader's assessment, unless we decide to develop our relationship with a writer.

 

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Writing is the only thing that, when I do it, I dont feel I should be doing something else - Gloria Steinam