Writing for Sketch Shows

Audience: The Now Show , Parsons & Naylor's Pull-Out Sections, Newsjack

Non-audience: That Mitchell and Webb Sound, The Sunday Format

Sketch shows are very rarely written by one or two people, unless they are also the performers. Such people are usually experienced in radio or other fields before they move to this format.

The best way into writing sketches for radio is to write for topical sketch shows where non-commissioned material is considered, such as Recorded for Training Purposes or Newsjack. Many writers who have progressed up the ranks started as non-commissioned writers on shows with an open door policy.

Submitting sketches and sketch-shows

The following points apply to all sketches, topical or otherwise:

• Keep it short. After a couple of pages, the law of diminishing returns sets in and the producer will almost certainly have to cut the sketch down. Never feel tempted to pad your sketch out just because you know you're paid by the minute
• Make sure you are writing in the style of the programme, because if you aren't, your submission will be rejected immediately. As always, listen before you write
• If you are writing a topical sketch, an original angle on the story helps. If you are writing about David Beckham's new haircut, so are many others. Make your sketch stand out
• Always have a clear idea of what will happen during the sketch and at the end. Don't forget to end on a strong punchline
• Don't send songs, poetry or monologues
• Remember to put your name and address, as well as the title, on every page of the sketch. It helps if you include cue numbers as well

If you want to write a whole sketch show:

• You need an original angle or format. The networks will not commission a rag-bag of sketches. Think of a hook to hang your show on, but not one that will jeopardise its longevity.