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York Glazier's Trust
York Minster contains many old 'stained glass' windows. Over time these windows become damaged by elements such as water and pollution. The job of the York Glazier's trust is to repair the windows. It's a very skilled profession.

Listen to the interview with Conservator Nick Teed then choose the correct word for each gap from the selections on the right.

  York York Minster
 
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What is a stained glass window?
It's really a combination of glass and lead and the skill of a painter. So it's those three things coming together. The lead is very important because the lead will actually (...1...) the outer design or the line and the shape and the design of the overall window. The glass is specially chosen, it's always hand made in the mediaeval period and it has beautiful colouring. It's really a combination of designing something to fit that space. It can quite often be historical or biblical figures, it can be a narrative (...2...). The St. William window that we're working on at the moment really tells a story from the first panel to the last, over a hundred panels. But overall to describe what a stained glass window is, it's really a bringing together of the skill of a glass painter, the skill of a glazier and putting all those elements together to create something really artistic and beautiful within the confines of the space.
   

 

 
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York Glazier's Trust background
There's a long history of stained glass studios working on glass from the minster but we were (...3...) in 1967 because following the war a big appraisal of the all the glass in the minster was carried out. And by that time it was determined that there was such a problem, such a need for a conservation studio to work full time on the glass that really we needed to have a more structured approach to it. Looking around the Minster there are far more windows that need working on than we can deal with at one time but the most (...4...) cases for conservation are the one's we will deal with in our remit as York Glazier's Trust.
 
   

 
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Skills and qualities
I think the person working on historic and artistically important stained glass in a conservation sense, has to be very patient. It's very (...5...) work, often very repetitive. It's never boring, but there's a real need to be very calm, to be able to work often under pressure because there's a lot of glass to get through often in a very short space of time, but always with the key factor being a (...6...) to the glass, to be a very careful person, a very methodical person and to be also to be very practical, to be able to work very closely with very small objects. I would say the real key factor would be that you must have an attention to detail at all times with the glass because of it's fragility and it's importance.
 
   

 

 
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Job satisfaction
One of the most interesting factors is actually working at close quarters with the glass. You see details that could never be seen by a viewer at ground level.You can see (...7...) prints in the paint that belonged to the artist 500 years ago. You can analyse and study the brush (...8...) and try and learn to do that yourself in terms of repainting missing areas. It's really a wonderful thing to actually step back sometimes and think this was painted 500 years ago and I'm cleaning it, I'm working with it. And it's so difficult to get that close viewing from the ground. Once the window goes back in it's almost lost again. Those very fine details are very difficult to see.

Links for more information
York Consortium for Conservation and Craftsmanship - York Glazier's Trust
York Minster
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