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Fespaco 2001
Fespaco 2001  
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  Reviews
  Les Couilles de l'Elephant
  The Elephant's Balls "Les Couilles de l'Elephant" is described as cheeky, brash and urban. Its main character, a veteran politician, is losing his knack both in the bedroom and on the campaign trail. The film - received a mixed reception from the Artbeat producers, Stephane Mayoux and Catherine Fellows, who saw it on Saturday.
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  Rating: starstarstar
Catherine 6/10
Stephane 3/10
Ofeibea 3/10
  SYA, LE RÊVE DU PYTHON
  Dani Kouyaté Almost causing a stampede at the festival, "Sya" was directed by Burkina Faso's Dani Kouyaté. The Python God has to be satisfied for the well being of the town. In order to be placated the most beautiful woman in the town, Sya the local virgin, is to be sacrificed. However, Sya, upon hearing of her destiny, escapes....
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  Rating: starstarstar
Catherine 7/10
Stephane 5/10
Ofeibea 6.5/10
  ALI ZAOUA
  This tender story set in Morocco attracted a quiet but appreciative audience. Ayoush Nabil's film is a sensitive portrayal of the camaraderie among street children. It centres on the death of one child and the preparations friends make for the funeral.
  Rating: starstarstarstarstar
Derrick 9/10
Stephane 8.5/10
  VOYAGE a OUAGA
  This hugely funny comedy from Camille Mouyeka had the audience laughing all the way through. It features a hapless French man, who comes to Africa for the first time and falls in love with it, much to the distress of his nagging wife back home.
  Rating: starstarstar
Ofeibea 8/10

Nigerian Film IndustryLights, Camera, Action:
As cinema-going has declined in Nigeria, there's been a massive growth in video sales. Videos are cheaper to make than films and people can watch them from the safety and comfort of their own homes. Last year alone a massive 650 video productions were registered with the authorities.
Nigeria's home video industry booms


Ousmane SembeneFespaco 2001:
"The future of Africa lies with its women", says veteran Senegalese director, Ousmane Sembene. He believes it's up to film-makers to reflect this in their work. The film he's currently showing at Fespaco depicts three generations of women asserting themselves in a male dominated society.
The changing role of African women

     
 
The Artbeat team are out and about meeting key figures in the African film industry and during the week of the festival they will be watching and reviewing the films on offer in Ouagadougou. Every day, you will be able to hear our exclusive interviews and also catch up with the team's opinion of FESPACO's films.

Voyage a Ouaga: Laughter, the best route
Camille Mouyeke  

"Voyage a Ouaga" has earned itself the reputation of being the funniest film at Fespaco 2001. Its maker from Congo Brazzaville, Camille Mouyeke, believes laughter is the best route an artist can take to the audience's heart. His film is action-packed and very funny. Artbeat Presenter, Ofeibea Quist-Arcton spoke to Camille Mouyeke, and the lead actor, Maka Kotto:
 Click to hear

Battu: The One to Watch
Monument to film-makers in Ouaga  

Malian entry in the competitive section, "Battu" is already causing excitement. Those who've seen it say it could be a possible winner. Set in Dakar the film takes a bold look at the relationship between the government and the beggars. Artbeat Presenter, Ofeibea Quist-Arcton, spoke to the film's director, Cheick Omar Sissoko, about its theme:
 Click to hear

Les Couilles de l'Elephant: Director speaks
Film poster of Les Couilles de l'Elephant   "Les Couilles de l'Elephant" (The Balls of the Elephant) was the inaugural film of the festival where it drew mixed reviews. BBC's Network Africa programme spoke to the Gabonese director of this controversially named film while it was being made:
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Olivier Barlet: Writer
Olivier Barlet   For years African cinema, and therefore FESPACO, have been dominated by French-speaking film-makers because they have had access to finances from the French government. French Journalist Olivier Barlet is the Editor of Africultures, a journal as well as a website dedicated to African arts. BBC's Stephane Mayoux asked him whether the French-speaking film-makers should consider themselves lucky to have had privileged access to French government's funding.
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FESPACO's central theme this year is the impact of new technologies on African cinema and television. In the second part of his interview with Olivier Barlet, Stephane Mayoux asked him why technology has become this year's main theme.
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Baba Hama: Secretary General
Baba Hama  

Another view on this year's Fespaco theme... Catherine Fellows, Artbeat's producer, spoke to Baba Hama, Secretary General of Fespaco about the impact of cheaper, better quality video equipment on African film-makers. Are we going to see more films produced for less money?
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