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Arthur Machen

Arthur Machen Influential horror writer

Born:
1863
Died:
1947
Place of Birth:
Caerleon
School:
Hereford Cathedral School
I shall always esteem it as the greatest piece of fortune that has fallen to me, that I was born in that noble, fallen Caerleon-on-Usk, in the heart of Gwent. Arthur Machen
Biography:
A writer whose unique vision of his Gwent homeland has terrified and inspired readers across the world.

Gwilym Games tells us more...

Born in Caerleon he was the son of a local clergyman.

His early years wandering Gwent and its landscape remained a vital influence throughout his life. He attended Hereford Cathedral School, but family poverty ruled out university.

Going to London, Machen lived in poverty and took various jobs to fund his writing including cataloguing occult books and writing the first English translation of Casanova's autobiography.

It was in 1894 that Machen made his name by publishing The Great God Pan, his first horror story which attracted much controversy for its combination of dark sexual overtones, mystical wonders and ancient horrors haunting Wales and London.

It has attracted a cult following ever since, including Stephen King, who named it one of his ten all-time favorite horror stories.

Machen followed with another classic of urban gothic The Three Impostors, which featured sinister Welsh faery lore. After 1895 the Oscar Wilde scandal meant Machen's decadent works could not be published.

He wrote on, writing many of his most acclaimed works like The Hill of Dreams, and The White People, said to be amongst the best supernatural short stories in English.

The death of his first wife in 1899 stopped Machen writing and he became an actor, then a journalist. Around 1907 Machen studied the Holy Grail legends, forming a theory which linked it with the Celtic Church of his beloved Welsh saints. He wrote stories that brought the Holy Grail into modern life, an original plotline used later by many other authors.

One of his Grail stories, The Great Return, has the holy vessel cause a series of visions and miracles on the Pembrokeshire coast near Tenby.

In 1914 Machen inspired by the Retreat from Mons wrote the story The Bowmen, a patriotic tale in which ghostly archers from Agincourt returned to aid the British against the Germans.

In 1915 rumours circulated the story was based on true events, inspiring the much talked about myth of the Angels of Mons, supernatural proof that God supported the allies. Machen, though a fervent patriot, regarded these stories as nonsense and said so, starting a debate that continues today.

In 1916 Machen wrote The Terror, a novella that pioneered a new sub-genre in horror, that of mass animal attacks on humanity. Machen's work enjoyed a revival in Jazz Age America, inspiring fans who used his ideas in their stories, like HP Lovecraft, the creator of the Cthulhu Mythos, and Robert E Howard, the creator of Conan the Barbarian.

Machen saw little money from any of his work, retiring to live in Amersham, Buckinghamshire in 1929. A public appeal in 1943 to support him financially was backed by many notables including TS Eliot, George Bernard Shaw, John Masefield, the Poet Laureate, Sir John Betjeman and Siegfried Sassoon as well as the Mayor of Newport, and the head of Monmouthshire County Council.

Machen's much anthologized and translated stories continue to enthrall readers and writers today.

A plaque on the house next door to the Priory Hotel in Caerleon commemorates the building as his birthplace.

Moment of Glory:
Best known for the The Bowmen, Machen thought his best book was The Hill of Dreams which has been called the most decadent book in English literature
Off the Record:
Born Arthur Llewelyn Jones, his family adopted the surname Machen to gain an inheritance

your comments

Peter Tomey , Detroit, Mich.
I have always considered it a great misfortune to have been born in Detroit. But knowlege of old Machen has softened the blow and I hope to live on and read a few more horrors before I join him among the choir invisible.

Roger Dobson from Oxford
Readers may be interested to learn that a thriving literary society exists to honour Machen and his works. The Friends of Arthur (www.machensoc.demon.co.uk) will be commemorating the sixtieth anniversary of the author’s death in December 2007. Over the years Machen’s admirers have included the film director Michael Powell, Jorge Luis Borges, Hitchcock’s regular composer Bernard Herrmann, Mick Jagger and novelists Peter Ackroyd, Paul Bowles, Iain Sinclair and Alan Moore. Guillermo del Toro’s acclaimed fantasy film Pan’s Labyrinth was influenced by Machen’s tale The White People (1904). After years of unaccountable neglect the cinema may be about to discover Machen’s genius. A film based on the Angels of Mons legend is currently in development from a British company, and an American screenwriter is working on a script based on The Three Impostors (1895). Many of Machen’s books have been reissued over recent years by Tartarus Press (www.tartaruspress.com).

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Allyson Bird, South Yorkshire.
Discovering Arthur Machen is like seeing, for the first time, a play by Shakespeare or being overwhelmed by looking upon the great medieval cathedrals of Europe. All that in words.

Adriana Díaz Enciso, London
One of my favorite authors. He's been translated into Spanish and has a fair amount of readers in Spain and in Mexico. He was a master for the macabre and the sinister in quite a subtle way, but he created as well texts of extraordinary beauty charged with a sense of wonder. The wonderful, the mysterious, the mystic and the miraculous elements of his prose met at some points with terrible visions. He knew there are many layers in reality and wrote about what is beneath the surface of things.He was also an essayist, with very clear ideas of what is important in literature. He approached all sorts of subjects with insight and a sense of humour. In spite of what some occultists may say, he saw through the nonsense with a very clear mind and created, basically, wonderful literature. He celebrated life and its pleasures, and would be appalled at the smoking ban.

Dale Nelson from Mayville, North Dakota
After one has pretty much left off Machen's fiction, the first volume of autobiography, Far-Off Things, remains a pleasure.

Mark Samuels, London
Machen was not only a great visonary but also a great prose-stylist. He was as skilled at delineating a sense of wonder as he was at evoking a sense of dread. To read Machen is to open the door to a world of mystery and splendour.

Sage Leslie-McCarthy, Brisbane, Australia
Machen's work is labyrinthical and chilling, offering an astute reader the opportunity to revisit his fiction time and again for new insights. His sense of place, whether it be the streets of London or the hills of his beloved Wales, is perhaps the most accomplished aspect of his fiction. A foray into his non-fiction essays reveals Machen's clever, whimsical nature and provide excellent background for his better-known works.

Ned Brooks from Georgia
I have been fascinated with Machen for years, and have 2-3 yards of his books. I even reprinted some of his stories with new artwork. I don't think "horror" is really a useful description of his work; and "decadent" is even worse - just what is supposed to have decayed?

Ray Russell from North Yorkshire
A sublime and wonderful writer....

Richard Rogers, Vermont, USA
It is very encouraging to see this biographical data about Machen here. Certainly in the US, more people are discovering the appeal of Machen's works. I dare not say whether the adage about a prophet not being without honor save in his own country extends to the literary realm as well, but Machen's writings are sui generis, so to speak.They are for the ages, and shall endure while many names prominent today enter the limbo that is the territory of forgotten writers. Thank you for posting this bio, thereby reminding your public of one brilliant patch in the extensive mosaic of British literature.

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