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Black Welsh Identity

Isabel Adonis

Last updated: 30 May 2006

Isabel Adonis was born in London and brought up in Llandudno, the Sudan and Nigeria. She spent 21 years in Bethesda before returning to Llandudno. She helped found Timbuktu, a new international arts and literary journal.

Discover more about the inspirations behind Isabel's work ...

"I am a woman. When I look in the mirror I see a woman. When other people look at me they see a woman. I know what a woman is and I am one. Once when I was a child, in Africa, I had my hair cut very short and the other children started calling me 'El Walad' - The Boy. It was very distressing, but I didn't start feeling like a boy, and the children wouldn't have been teasing me if they had really thought I was one.

If anyone asks me what it feels like to be a woman, I'm stuck for an answer. There doesn't seem to be any other thing for it to be like or unlike; it feels normal, natural, un-problematic. It doesn't feel like anything at all: - what does it feel like to be human?

It could be - I can imagine it - that I have this same body, but feel like a man. I have no more idea of what it feels like to be a man than what it feels like to be a woman, but I assume that it also feels normal, natural, and un-problematic. To feel like a man but have a woman's body would seem to be problematic, but is the problem in the body, the feeling, or the language, i.e. the society?

When I meet someone who looks like a woman but claims to be a man, I am thrown into confusion and conflict. I like to think of myself as being tolerant, accepting, unprejudiced etc. so I want to accept this person's identification of himself as a man, but my senses scream out that this is a woman. I do my best to avoid the subject that is constantly on my mind, sex and gender. I try to be sensitive, use the right pronouns, and treat her, I mean him, as a normal man. It's rather a strain, though one gets used to it to some extent.

I am Welsh. My mother was born and brought up in North Wales, speaking Welsh. I have lived most of my life in Wales. When I look in the mirror I see brown skin and African features. When other people look at me they see an exotic, a foreigner.

If anyone asks me what it feels like to be a black Welsh woman, I'm stuck for an answer. It doesn't feel like anything at all; it feels like being human. I am my natural colour, and I live in my natural home, no problem.

But as soon as I step out of the front door, there is a problem. Most of the people who meet me are thrown into confusion and conflict. They like to think of themselves as being tolerant, accepting, unprejudiced etc. so they try to treat me as normal although their senses scream out that I am different. They try to be sensitive, avoid the word 'black', avoid the subject that is always on their minds. Many prefer to avoid me if possible, they find it a strain.

Sometimes some of the local children call my daughter 'Paki' (mistaking their racist terminology). It's very distressing. When she was just five, she cut off all her frizzy hair; she had been made to feel ashamed of it. I transferred her to a school in Bangor, about five miles away where, because of the university, there is a more ethnically diverse population.

The Child Guidance Officer said on the phone that being black was just like having freckles. The LEA said that changing schools was a matter of parental choice and referred me to the Welsh Office guidelines on the provision of school transport. In the end, the Welsh Office told me that their own guidance on equal treatment applied to policy, but not to guidelines.

This is what it means to be black and Welsh; to be denied one's Welshness, then one's blackness, and finally the very experience of that denial.
"Where are you from?"
"Bethesda."
"No, I mean originally?"
"Oh, I was brought up in Llandudno."
"But I mean...?"
What everyone wants to know, but no one can quite say is 'where does the blackness come from?' because in their eyes I am the blackness. In fact I have about as much connection with Africa as the average person with a Roman nose has with Rome. But unlike a Roman nose or freckles, blackness is a difference that makes a difference; it dominates the minds of the people around me.

Where there are a number of people in this sort of situation, it is quite natural for them to get together to form a sub-culture on the basis of shared experience and to start to create a shared black identity. Isolated in a rural community, such identification is impossible. The term 'black Welsh' remains for me a white person's concept used to deny me my own experience of racial oppression (the Welsh themselves, are an oppressed and colonised people).

'Black Welsh' is not an identity; on the contrary, it is a duality and a contradiction. Perhaps this explains to some extent the high incidence of schizophrenia among black people. If I claim to be Welsh when everyone can plainly see that I am 'foreign', I must be mad. But if I claim to be black, that has no significance, it's just like having freckles, and if I claim to be oppressed, I'm playing the race card, demanding special treatment.

So to survive, I must be nothing, invisible and above all silent, because my very existence is a reminder that at least one white Welsh woman had sex with a black man, and that is the beginning of the end of the purity of the Welsh people. And without the Language of Heaven, the Calon Lan, (white heart) the sense of being a chosen, Godly people, what does it mean to be Welsh?"

  • This piece won the best article award for 2002 in New Impact magazine.



  • your comments

    We're making some changes to the sites shortly and although this form will be closing, you will have other opportunities to contribute on our new-look site.

    Isabel Adonis from Llandudno
    Dear Nigel, I was so sorry to have just missed you the Saturday you bought the painting. I came back to see you but you had gone. The girl with a crow is my signature painting. Over the years I have tried painting but always gave it up shortly afterwards. But one evening, recently, I found a canvas thrown out and I took it home and put it in the attic. Some time later I was inspired to try again and I painted a girl with a crow. After that I couldn't stop painting. That was about four months ago - Easter weekend.

    I managed to sell six paintings so I was well pleased. Even sold one to the Netherlands! The motif of the crow has many meanings for me, including the American Jim Cro system of segregation,, the crow in Welsh mythology and the crow as a messenger from a spirit world. Thanks for writing to me, I appreciate it. I love crows too!

    Fri Aug 15 09:28:25 2008

    Nigel Holyhead/Manchester
    I went to the cafe opposite the register office in Llandudno, and I bought your painting girl with a crow. I love crows, the girl in the picture I will grow to love.I am Welsh, I am gay, my difference perceived or non perceived has made me leave Wales a long time ago. I am now older, I know know I am not diffrent, in my diffrence.I would not have seen your article Black and Welsh had I not fallen for the clack crow the girl is holding.
    Mon Aug 4 11:23:11 2008

    isabel adonis, LLandudno
    Wow! Vicky this is a wonderful contribution and one that this article points to. Let's all stop trying to be something. Let's just be truly nothing - where nothing means everything!
    Wed Feb 27 09:52:23 2008

    vicky mclennon, london
    You aren't a colour, you aren't a place, you are you. We are all one race, the human race. Are you aware that the original inhabitants of Wales were actually of Berber stock (north africans) and that the closest thing to the native Welsh language is actually Hebrew? Now there's something to think about.
    Mon Feb 18 10:44:39 2008

    Isabel Adonis
    Dear Schavana - thank you for taking the time to comment on this site. I guess you must know that the young man you met in the lift was my son Morgan (Joe), brought up in Bethesda, Wales. I am glad you appreciate his company and his worldliness. I did my best to bring up my children with those values. I travelled a good deal, by air, as a child but I actually found this kind of life seriously wanting. I needed a home and not a lifestyle. I do not believe that you have to travel to realise that you are a citizen of the world. I believe that the world is already in us by birthright and not "out there" for the elite few that can afford such a luxury. The above piece of writing is about the end of identity and race politics, the end of the 'us' and 'them' and the beginning of being human which is common to us all.
    Thu Jan 24 12:11:04 2008

    Schavana Phillips - Australia/Guyana
    As a Guyanaese working in Melbourne, I met a lovely young man who was warm and friendly and as we decended in the lift, he asked where I was from. Guyana, I said to which he replied, so is my grandfather. I saw Morgan as a happy, warm and friendly and intelligent young man with an international flair and worldly notions. Thanks to air travel, the world is our oyster and we are all citizens of the world on whichever piece of this earth we land.
    Mon Jan 21 11:14:36 2008

    Kahlil de Chicago
    Dear Isabel:I continue to use this piece [Black Welsh Identity] as a road map through The Mixed Race Obstacle Course. Thanx for being Honest & Naked for THAT is 'The Only Way' Humanity shall WIN!Peace and Love,Kahlil.
    Mon Oct 29 10:10:02 2007

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