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By
Helen Turley
Goldfrapp
seemed to suddenly appear from nowhere after their memorable performance
on Jools Holland earlier this year, but for those in the know, the
duo that mix disco electronica with a dash of glamour have been
around for a good three years.
Most
will be familiar with their music (thanks to a popular mobile phone
advert).
The
venue filled up with a rather older crowd than normally graces the
Students Union.
Mankato
provided satisfactory support. Darren Berry played a good selection
of acoustic tracks from his debut album Safe As Houses.
Costume
party
It
was time for Goldfrapp to make an appearance. Dressed like a WAF
sweetheart in uniform, Alison Goldfrapp took to the stage.
More
petite than you imagine and with her trademark curly tresses looking
remarkably straight, we were in for a night of pure glamour.
As
soon as Goldfrapp launched into their set you realise that Goldfrapp
are one of the rare acts than can sound as good live as on CD.
Bond
theme inspired tune Human really impressed the audience.
FA
FA FA FA fashion
With
the current fashion for all things eighties, Goldfrapp's sound seems
to fit in perfectly.
The
third track up was Loveley Head from their first album Felt Mountain
A relaxing
ambient track, it takes you away to a retro chill-out lounge far
far away. Close your eyes and imagine melting into a huge leather
sofa.
The
duo then launched into their Top 40 hit Train. A thunderous funky
electro mix which you can really strut your stuff too. A lavish,
luxurious tune that oozes sex appeal.
Goldfrapp
then returned to their old album and played a good variety of tracks.
Old
favourites
They
ended the night with some of the strongest tracks off the new album
including Twist, Deep Honey and Strict Machine.
The
lighting effects were striking, colourful candy inspired red and
white lights at one point.
I think
a good addition to the set would be some projected video effects.
Images from their surreal website would be perfect.
The
night ended with the beautiful orchestral Black Cherry. At one point
during the track the venue was suddenly filled with an explosion
of silver pieces of foil.
It
was a shame not to see Alison change into any of her other impressive
theatrical outfits and she didn't really engage with the audience
much, but I must admit the music speaks for itself.
Alison's
extraordinary vocals had the audience in awe. Her voice achieves
some impressive high-pitched notes, which could leave some opera
singer quaking in their boots.
I felt
that the set could maybe have been a little longer. But that's what
Goldfrapp is about they always leave you wanting more.
Goldfrapp
may well not be what your average chill-out fan is after, but they
are immensely enjoyable live.
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