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13 July 2009
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A professional Mrs Warren
Twiggy Lawson
Twiggy Lawson in the title role

Sir Peter Hall's production of Shaw's classic play still has a lot to teach us. And Katy Lewis learnt a lot at the Milton Keynes Theatre.

SEE ALSO

Theatre Guide

Interview with Hannah Yelland - Vivie Warren

Shaw's Corner - my favourite spiritual place

Shaw's Corner - Through the Keyhole

Birthday Plays at Shaw's Corner

A literary tour of Beds, Herts and Bucks

WEB LINKS
Milton Keynes Theatre

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ESSENTIAL INFO

Milton Keynes Theatre:
21-26 July
Eves: 7.30pm
Wed & Sat Mat: 2.30pm

Tickets: £10.00-£23.00

Box Office:
01908 606090

get in contact

Banned for 25 years when it was first written because it dealt with prostitution and how women turned to it because they were exploited elsewhere, Shaw's Mrs Warren's Profession still has resonance for today's world.

Mrs Warren leads a double life - on the one hand, she's a loyal mother to Vivie, while on the other, she's a highly successful brothel keeper.

Mrs Warren's Profession
Twiggy as Mrs Warren explains all to the vicar

Cambridge educated Vivie eventually finds out that her expensive education has been paid for from the profits of her mother's business and although she is sympathetic at first to why her mother had to go in this direction, further revelations lead to other ideas.

Lesson
Before I saw this production I read a couple of reviews from people whose main complaint seemed to be that the play was dated. I always wonder what people mean by this, because if it's just that it's set in the past - then fair enough.

However, by labeling it a complaint they seem to imply that watching the lives of people 100 years ago couldn't possibly have any bearing on our lives today except that it's a useful history lesson.

The beauty of Shaw is that in his social comment and unravelling of the hypocrisy of the Victorian age, he not only shows his criticism of that time, but shows us that in many ways little has changed in terms of human nature.

Surely a good history lesson is one where you can learn from mistakes of the past - something we rarely seem to do.

And while it takes a lot more for a play to be banned these days, the idea of exploitation and the hypocrisy of a society are still relevant today.

Relationships
This production, directed by Sir Peter Hall, may not have the shock factor that originally sold the tickets but it does have a superb cast who are able to focus on the relationships that are such a key part of the play.

Twiggy Lawson
Twiggy Lawson as Mrs Warren

Twiggy is inspired as Mrs Warren. She is flirty and sexual but not overly so, balancing these traits well with an overlying veneer of Victorian respectability. In otherwords, the perfect metaphor for the society out of which she was born. An East End, 'Eliza Doolittle stylee' accent occasionally pokes through, to show where she has come from and what's underneath.

As her daughter Vivie, Hannah Yelland also gets it right. This character could easily slip into being a petulant and superior child feeling hard done by all the time, but Hannah makes her far more sympathetic.

Ruthless she certainly is, but her poise and her humour make you realise that she is hurting and her decisions are from the heart and hard fought.

Along with Hannah and Twiggy, the cast includes Jeremy Clyde as an odiously lecherous George Crofts and Mike Burnside as the bumbling yet knowing Reverend Sam Gardner - this is a man with a secret!

I particularly liked Ryan Kiggell, who as the hopeless fop Frank had some of the best delivered comic lines while Benedick Blythe was a very elegant Praed.

Hannah Yelland and Twiggy Lawson
New Woman Vivie looks down towards her mother

Just a small point though. For a woman who was at pains to say that she had enough money for a new dress every day, she seemed to be a little lacking in the wardrobe department! And somebody could have pressed the hem on her second costume!

But back to the plot! This production seems to show very clearly what Shaw was getting at. It seemed to me that in the end it was not that Vivie was disgusted by what her mother had done, but the fact that she didn't say that it was still going on and that she was still making money from it was the problem.

In other words she was hiding under a masque of so-called respectability and was therefore the embodiment of hypocrisy.

The audience may sit there smugly thinking how this play highlights our own wonderfully enlightened attitude towards women but if you really think about it - you'll need to think again!

Mrs Warren's Profession is at Milton Keynes Theatre from 21-26 July.

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