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BASEMENT
JAXX PLUG IT IN
You
thought Justin Timberlake was the only one to survive the crash
n burn carnage that was the end of one of America's
biggest boy bands? Then think again, cos fellow NSync-er JC
Chasez provides the vocals to this atypical behemoth banger of a
dancefloor anthem from the Jaxx. There are elements of funk and
rock with a nifty leccy guitar riff in the chorus, where JC Screams
Plug it in bayyyybeee!!! like hes the love child
of unspeakable things that Electric Six did to one another. Its
certainly up there with Wheres Your Head At? in
terms of thumping bass and sure-fire-hit-ness.
THE
VINES RIDE
More
Antipodean angst, as the Aussie 3 piece treat us to another slice
of their blistering-break-neck-garage-rock, which would even make
the Pixies dart for cover. In much the same vein as Get Free
did 18 months ago, Ride shows off Craig Nicholls pop
sensibilities for all of 40 seconds
The sting in the tail being
he wails the place down like a three year old at the checkout in
Tescos for the remaining 2 minutes, whilst spinning out a lo-fi
Nirvana-esque riff. No sign of the sophomore slump here a
triumphant return.
JENNIFER
LOPEZ BABY I LOVE YOU
Anyone
who can take the 60s theme from Midnight Cowboy", and
twist it into a heart on her sleeve lurve song either
deserves to be applauded or roundly slapped, and Im in the
Mr Affleck camp with this one! I dont know whats worse
the sick inducing mulch that Jenny presumably wrote in the
back of her maths book at school When you look my way, I realise,
I adore your pretty eyes, or listening to R Kelly butcher
it with a remix, where he rattles on (again!) about, how hell
be in the Back of the clurrrrrb, or Rolling on
Durrrrbs. Big Pimpin? Big Pants, more like.
HAVEN
WOULDNT CHANGE A THING
The
dictionary definition of Haven is a place of safety,
and therein lies the problem. This music is just too safe; Wouldnt
change
is a heartfelt indie-strum-along ballad that
Chris Martin or Snow Patrol would be mildly chuffed at penning,
at times evoking Pablo Honey-era Radiohead, and Mansun. With Johnny
Marr (of Smiths fame) twiddling the knobs, youd expect a little
more divine intervention considering his past achievements, but
you cant help wishing that theyd play a little harder,
which you suspect they could do given half a chance.
PLACEBO
ENGLISH SUMMER RAIN
You
never know what youre going to get from Brian and the boys
the rock ahead sheen of Nancy Boy, or the glimmering
pop sensibility of Special Needs (their understated
awesome last single). But
Summer Rain is neither
and goes whole-hog ahead in a direction that the 3 piece dabbled
with on Pure Morning. Its full on 80s electronica,
complete with throbbing glitter ball bassline, and Gameboy-esque
blips and bleeps, which allow the vocals to soar and dip at given
points. Strange, but beautiful
FOUNTAINS
OF WAYNE STACEYS MOM
Comedy
pop-punk. The lowest common denominator in American music at the
moment. You can blame, the Offspring (Who can forget Pretty
Fly), or Blink, or even Wheatus
or you can just blame
ourselves the record buying public for being such
saps that we lap this stuff up. Its like the US version of
Busteds What I go to school for, which should
be enough to send any self respecting person screaming for the nearest
exit at their HMV, but no
theyLL queue up and buy it
for comedy(!) value, alongside spotty adolescent boys, who snap
it up so they can see the video with Rachel Hunter in her pants
week after week on Top of the Pops. Dreadful.
COUNTING
CROWS HANGIN AROUND
Ive
been hangin around this town for way too long croons
Adam Duritz on the Crows new (!) single, which couldnt be
more aptly named. The song featured on the This Desert Life
LP which was out yonks ago, and now the record company sees fit
to release it, off the back of a sold out UK tour. Not a patch on
past single releases, it does a harmless E-street-esque shuffle-along,
with a nice guitar hook, and mellow bar room feel. A great live
band, but not likely to win any new friends with this release.
Matt Lee
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