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Ska emerged
on the British music scene in 1964, when Prince Buster, the greatest of the Jamaican
Blue Beat artists - who later inspired Madness - appeared on the British music
TV programme "Ready Steady Go". In
that year he also recorded Al Capone, the most definitive of ska songs.
However,
it was other artists like Desmond Dekker and The Upsetters who were to gain more
success in Britain than the Prince, through labels like Trojan.
They became
working-class heroes, especially to a new 'tribe', the Skinheads, who emerged
in the late sixties. The skinheads wore Doc Marten boots, Ben Sherman shirts,
and turned-up jeans.
Partly because the music got classed as just for skinheads,
and because a more subtle form of the sound, reggae, had emerged, ska lost its
mainstream popularity in the early seventies.
Not
bothered about the past? Want to know about ska today? Click
here to skip the history... | Two
Tone Ska only came back in the very last year of the seventies, at a time
when punk was dying a slow death and the shimmering, party sound of disco sat
all too uneasily with the depressing political climate.
This
new sound took the energy and the politics of punk, but replaced buzzsaw guitars
with choppy rhythms and horn sections to create a distinctive style.
With
the skinhead movement and increasing National Front activity in the late 1970's,
ska was instrumental in bringing tolerance and understanding to the music scene,
as black, white and Asian youths shared dancefloors and stages across the country
to the 2-Tone scene. Why is it called Two-Tone? Like all the
best youth movements, ska was as much about fashion as it was the music - and
the snappy music was reiterated in the dress too. Ska-boys (and girls)
adopted a very 'modish' slant on fashion, with Levi Sta-prest trousers and shirts,
three-button suits and brogues, Fred Perrys, Doc Martens and pork-pie hats very
much the deal for boys. Girls would also adopt a mod look with minis,
skinny cut blouses and cool 60's haircuts. Some even had skin/suedehead
haircuts and nicked the boys gear! The 'Two-Tone' bit comes from the
look, black and white sharp colours were adopted in imagery used by bands like
The Beat and The Specials on record sleeves, pin badges and posters etc.
Message to you Rudi! The beauty of the new sound was that each band had
a different take on the genre, and friendships were formed between the bands which
often resulted in joint tours. Coventry's The Specials and The Selecter
made three-minute anthems their own, with tracks like 'Rat Race', 'Message to
You Rudi' and the unforgettable 'Ghost Town' from the former and 'Three Minute
Hero' and 'On My Radio' for the latter. The Beat always sounded more
intense, possibly angrier with their taut rhythms and staccato guitars - 'Mirror
in the Bathroom' and 'Hands Off, She's Mine' are prime examples of their tough
sound.
 |
| Suggs
went onto become a TV personality after Madness | 'The
Nutty Boys'
Madness and Bad Manners took the lively vibe of ska and added a dose of humour
to it, and both bands enjoyed chart success and fame, using the movement as a
springboard to bigger things. Characters like Suggs (from Madness) and
Buster Bloodvessel (from Bad Manners) became household names, and ska records
are as likely to be heard on television adverts these days as they are on the
radio.
Where
are they now? Like
many punk bands of the era, ska bands from the original time still remain today.
The Beat, The Specials AKA and The Selecter can all be seen doing the
circuit, so you can get a flavour of the old-school ska vibe. Punk
bites back But as punk had helped break down the barriers for D.I.Y. bands
to make headway, punk bands influenced as much by Big Youth as they were
The Clash's more reggae-type vibe poured out to create a new sound. The
seeds were sown for the next big ska revival in the nineties, when Americans were
to take the lead and Brits were for once in second place.
However... a
new breed of ska bands have been continuing the traditions of the scene and adding
a twist of their own... So who's pushing the sound of ska in the 21st Century?
Bands like Rancid and the Rough Kutz that's who!
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