|
 |
by
BBC South Yorkshire
contributor Rory Dollard |
 |
|
Doncaster
this week played host to Travis. As coups go it's probably up there
with Sheffield Wednesday signing David Beckham or Brad Pitt popping
in for a Coronation Street cameo to share a pint with Les Battersby.
The
only difference, of course, is that this is for real. As my taxi
driver comments on the way to the venue "Travis? In Donny?
How?"
The
band are coming towards the end of a lengthy British tour but the
South Yorkshire faithful shouldn't worry about any signs of fatigue
from the boys.
Eight
years ago Fran Healy and his cohorts made a pledge, as true today
as it was then, to play every show as though they would never play
another. Is this pact still important to the band?
"Absolutely
when
people come to see a show I want to play hard to every person in
the room. There's no point in doing it any other way," says
Healy.
The
show's the thing
Fine
words indeed but more impressively, it seems that he actually means
them: "buying a CD is fine, but buying a ticket, getting out
of the house and going to see a show is a huge investment."
At
this stage I notice more than a little 007 in Fran's Celtic tones.
"God,
it's funny
Sean Connery was in my dream last night and he
said hello to me. It was really nice, "says Fran. And how was
Sir Sean I wonder a bit drunk," he says, by now quite
enthused.
Scottish
rock stars dreaming about an inebriated Sean Connery? It makes great
copy but it does the anti-stereotyping brigade no good at all.
Next
thing I know Ill be talking to The Manic Street Preachers
about why they love leeks and dragons.
There
is a serious side to Travis though. New album 12 Memories sees the
band adopting a more political stance than ever before.
12
Memories
Songs
like 'The Beautiful Occupation'and 'Peace the F*** Out' in particular
are explicit references to the recent war in Iraq. I wonder if Healy
penned these songs in a conscious effort to politicize a band that
have, in the past, been considered a little lightweight or disposable.
"Not
particularly," he answers, shaking his a head a little "songs
can turn out to be anything, the words just come out of your mouth.
'Why Does It Always Rain On Me?' is about it raining outside
that doesnt make me an expert meteorologist."
Whatever
the motivation, it is clear that the Travis of 2004 are a different
prospect to that of days gone by.
"This
is definitely a darker record," Healy affirms at one point
"people might say 'I don't want Travis telling me about getting
beaten up or talking about the war' and that's fair enough, but
you can only write about what youre seeing personally."
In
his time with the band Healy has certainly seen a lot. From number
one albums and Brit awards by the armful, to radio-bothering singles
galore theirs has been a career full of special moments.
Glastonbury
in the rain
One
though, may stand out in your memory as it has done in mine. It
was the late nineties, the band were playing a (not particularly
prestigious) slot at Glastonbury and as the opening chords of 'Why
Does It Always Rain On Me' rang out the hitherto calm skies opened.
The
timing was perfect. So perfect in fact, that divine intervention
still seems like the best explanation. Surprisingly, the band were
less struck by this than most:
"We
played that show and it just seemed like any other show
but
when I got home that night, man! Everyone was talking about it.
I think there's a moment when the media and the people and everything
come together and say that this band is a band for this time."
Nearly
famous
At
that time, as we now know, that band was Travis. "I always
thought that when you became successful youd know about it
but
you dont," he muses, a touch amused by the thought "fame
is something that happens to other people
when it happens to
you, you dont notice it."
With
a sold out Dome already filling up and ready to join the rest of
the country in roaring its approval though, one can only assume
that he is beginning to get the idea.
-
Rory Dollard
Review:
Travis and Keane in Doncaster>>
|