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If
you think you know hip-hop, think again. Peter Parker and Sneaky
combine dirty, scratchy turntable grooves with funky double bass
rhythms and
movie soundtrack formulae to
create concept albums of crazy proportions.
This
album sees the boys cheating death, finding a different galaxy and
having a close encounter with a few musical aliens. Confused?
BBC
Southampton's Abbie Collins tried to make sense of it all with double
bass player Sneaky.
Well
Sneaky, I'm completely flummoxed. What on earth is happening on
your latest album?
We
try not to say too much about it. There is a kind of concept to
it but it's also something that we'd like people to make their own
minds up about, so we don't want to give too much away.
Basically
at the end of the last album we died and on this album our coffins
have been jettisoned into the galaxy. So me and Parker are in these
capsules and have got into some kind of time hole where we are transported
to a galaxy called The Red Nebula. We find ourselves reanimated
and play in this band called The Big Red Nebula Band who are the
resident band within this universe. This album is a product of our
time there!
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| Sneaky |
Your
other albums have bizarre concepts too. How do you dream them up?
I
don't know. It just kind of happens. We're not trying to take ourselves
too seriously. We're into the whole escapism side of music and we
like people to get involved with the whole musical and visual side
of what we do. We make up these crazy stories so people can wig
out!
We
don't want to make it so much of a concept that people get lost
in it but we're quite inspired by a lot of albums that were concept
albums. Things like Pink Floyd's Dark Side Of the Moon.
What
else inspires you because you seem to have influences coming in
from everywhere.
Yeah
we do actually. We're pretty obsessive about finding different stuff.
Me and Parker can cover quite a lot of ground because we come from
different musical backgrounds.
My
parents are classical musicians so I took that route into classical
music too and played in jazz bands in college and played lots of
old funk. Also, soundtracks are a big thing for both of us. We're
both really into the art of writing music for films and the power
that it has.
What
kind of music do you listen to at home?
It
changes from day to day really. At the moment I'm listening to a
soundtrack called Black Jack. It's a Blaxploitation soundtrack.
I listen to all sorts of stuff like Minnie Riperton, Stevie Wonder,
funk and soul, anything that's a bit gritty really.
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| Chris
Drury |
You
incorporate a lot of Chris Drury's artwork into your albums and
live shows. How does that work.
Well
I live with him and he draws stuff while we're writing the demos
and then we're also inspired by the characters he draws. It's kind
of a rolling thing from the three influences.
How
did you hook up with him?
I
went to college with him. He was at Salford with me. I ended up
sharing a house with him back in '95 or '96. I'm still living with
him now!
Dan
(Parker) met him weirdly about three or four years before that at
art college before he came to Salford.
Are
you all big sci-fi fans?
Definitely.
Parker and Chris are really into it. Dan collects figures and sci-fi
films. John Carpenter is probably his biggest influence. Anything
sci-fi really, all the escapism. Dan's got a ridiculous amount of
toys and figures - they're all round his house.
Where
does the name Fingathing come from?
It's
not very intelligent really. It probably came from a drunken trip
on a tour bus. We were thinking about names and that fact that we
use our fingers directly in what we do in terms of turntables and
bass being the key things in the band.
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| Peter
Parker |
Tell
me about your live show. Will it be just the two of you onstage
in Southampton?
It'll
be the three of us, me, Dan and Chris. We have a big screen and
Chris has done animations and video footage for the live show. He
has cameras in positions, one in front of me and one in front of
Dan and he blends the live footage of us with the animations so
it'll be a full on visual experience.
You've
been playing the double bass and the cello since you were tiny.
When did you discover that you could combine that with hip-hop?
It
was never something that I really thought too much about. It was
just something that I was into. When I was at music college I was
playing in a lot of different bands.There was never one thing that
I was really buzzing about.
There was a night that I used to go to in
Manchester called
Headfunk - a funk and hip-hop club night. People like Scruff and
Mark Rae DJed there in about '94, '95, before they became well known
names. I just took my double bass along thinking that it might be
nice if I played along with the DJs and they said ok.
Then
I got asked by Mark Rae to play with Grand Central Sound System
which eventually became The Rae And Christian Band and that's where
I met Peter Parker.
You're
playing in Southampton on your birthday. Do you have anything special
planned?
I
haven't no. I'm going to be 29. What do you do on your 29th birthday?
I'm looking forward to it, it should be good. I don't have anything
specific in mind - I'll just see what happens on the night.
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Fingathing
The Nexus Club, Southampton
Thursday 27th May, 2004
Ticket
Info 023 8023 8024
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