Music
African and Caribbean music
The influence of black African music is widespread, not only within communities of African heritage but across the world, having been brought to the Caribbean and the Americas by the slave trade. This section will help you revise the key elements of this music, with its strong emphasis on percussion and rhythm.
African drums come in a variety of shapes and sizes. The bodies are usually made from wood, gourds [Gourd: The dried and hollowed out shell of a fruit. ], and clay; drum heads are made from animal skins.

African instruments include the djembe, sakura, talking drum and doumbek

African instruments include the gonkogui, yenca, axatse, toke
These include lutes, lyers, harps and zithers

African wind instruments include flutes, whistles, oboes and trumpets. The flutes were made from bamboo, reed, wood, clay, bones and other materials found in the sub-Saharan region.
Trumpets, often associated with royalty, were made from animal horns or wood. Clarinets, from the Savannah region of West Africa are made from guinea-corn or sorghum stems, with a reed cut from the surface of the stem at one end. Double-reed instruments, such as the hasua algaita, are derived from North Africa.
This includes all the countries north of the Sahara. The main type of music here is Islamic, which uses drums such as the doumbek and string instruments such as the ud. Voices often use ornaments [Ornament: An embellishment or decoration to the melody. ] and melismas (lots of notes to one syllable).
The stringed instrument in the following clip is the ud - a low-pitched plucked instrument that looks like a lute.
(Real Audio clip)
Notice how the singer uses melismas and the violins are playing in unison.
This includes the sub-Saharan countries of Africa such as Senegal, Ghana, Central African Republic, Conga. Music here uses the djembe drum and the kora, with much call-and-response [Call and Response: A style of music in which a phrase or melody sung by a vocalist or group of vocalists is responded to or echoed by another individual or group. ] singing. The music often has ostinato [Ostinato: A phrase or pattern that is repeated throughout a section of music. ] patterns, in the rhythm or the instrumental or vocal parts.
(Real Audio clip)
In this clip, listen for the ostinato parts in the guitars, percussion and strings.
Music in the southern countries of Africa, which include South Africa, Zimbabwe, and Zaire, have been influenced by Western church music, introduced by missionaries in the 19th century. Choral singing is very important in this part of Africa.
(Real Audio clip)
In this clip, notice the a capella [A Capella: Vocal music performed without instrumental accompaniment. ] men's voices
The Caribbean (also known as the West Indies) is made up of many island states that speak English, Spanish or French.
| English speaking islands | Spanish speaking islands | French speaking islands |
|---|---|---|
| Jamaica | Cuba | Haiti |
| The Bahamas | Puerto Rico | Martinique |
| Trinidad and Tobago | Dominican Republic | Guadeloupe |
Here are some of the more common instruments.
| Percussion | Description |
|---|---|
| Batá. | double-headed batá drums used in ceremonies |
| Shekerés. | large gourd [Gourd: The dried and hollowed out shell of a fruit. ] rattles that are strung with beads or seeds |
| Conga drums. | large wooden, skin covered drums |
| Guataca. | cowbell played with a striker |
| Percussion | Description |
|---|---|
| Panderos. | small frame drums |
| Cuátro | small guitar-like instrument, it has five strings, two pairs and one single |
| Güiro. | gourd scraper, played with a wire fork called a pua |
| Cajón. | wooden boxes which you sit on and play by hitting with your hands |
| Percussion | Description |
|---|---|
| Ason. | a calabash that is covered with a mesh of beads, used in Vodou ceremonies |
| Ogan. | a piece of flattened iron played with a metal striker used in Vodou ceremonies |
| Tcha-tcha. | a small rattle used in Vodou ceremonies |
The instruments that North Americans usually refer to as "steel drums" are called "pans" in Trinidad, the country in which they were invented.
Lead Pan or Tenor: the steel drum is divided into 30 notes, depicted by indentations in the surface. There would also be a bass, double seconds, guitars pans, cello pans and tenor bass pans.
| Percussion | Description |
|---|---|
| Dholak | double headed drum, generally played in an ensemble that also includes a harmonium |
| Dhantal | metal rod played with a striker |
| Tassa | double-headed bass drum |
| Jhanj | large pair of cymbals |
| Percussion | Description |
|---|---|
| Goombay drums | made by attaching goatskins to metal containers, before a performance these drums must be heated to tighten their skins and heighten their tones |
| Tom-toms | small hand drums |
| Cowbells | metal bells hit with a stick |
In African music repetition is often used to organise the music.
In the mbira music of the Shona people of Zimbabwe, the interaction of players hands establishes a repeating pattern which players use as a basis for improvisation [Improvisation: The creation of a musical passage by a musician whilst it is being performed. ].
Polyphony and Polyrhythm are also important. Polyphony has many musical parts or rhythms interweaving with each other. Polyrhythm is the simultaneous sounding of two or more individual rhythms (eg 3 against 4).
In West Africa, drum ensembles have 3-5 players, each with a distinctive method of striking their drum and playing interlocking patterns. Sometimes other percussion instruments join in, creating a thick musical texture.
Call-and-response is very popular. The chorus repeats a fixed refrain in alternation with a lead singer, who then has more freedom to improvise. This makes the music conversational.
Pitch in African music is largely determined by the tuning of the drums.
Drum rhythms can imitate well-known phrases. It's said that when Napoleon was defeated at the battle of Waterloo, the native people in West Africa knew about it before their English or French governors, because the news was drummed down the coast from North Africa.
Talking drums are used to send messages, using a combination of pitch and rhythm to imitate speech.
Most Caribbean music is a mixture of African and Western music.
African musical influences include: syncopated [Syncopated: To alter a rhythm by accenting a weak beat. ] rhythms, call-and-response [Call and Response: A style of music in which a phrase or melody sung by a vocalist or group of vocalists is responded to or echoed by another individual or group. ] and extensive repetition of melodic or rhythmic phrases.
Western influences include the tonal system of harmony (major and minor scales).
Afro-Caribbean music is a blending of musical elements from Africa, America, the West Indies, Europe and the Middle East. Bob Marley, Eddie Grant, UB40, and Ladysmith Black Mambazo are all successful artists in the western music scene.
The British Two Tone scene from 1979-1981 , which included bands like The Specials, The Selecter and Madness, developed from the Ska popular in Jamaica and South London in the 1960s.
In the 1980's pop stars like Paul Simon, Peter Gabriel and David Byrne mixed Afro-Caribbean elements into their music.
Listen to the extract from Present Arms by the English band UB40, who were heavily influenced by Reggae. Notice the strong bass riff [Riff: A short phrase that is repeated, normally with improvisation and often referred to in jazz music. ] on electric guitar. There are 4 beats to the bar, with beats 2 and 4 are strongly accented.
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