
Here's what Miller himself said about the dramatic [dramatic: To do with a drama or play. A description or portrayal that is vivid and immediate - as if it is being acted out in front of you. Something that is tense or exciting. ] nature of the play. "I wanted to write a play that had the cleanliness ... the clear line of some of the Greek tragedies. Meaning that we would be confronted with a situation and we would be told in effect what the ending was. The question was not what was going to happen, but how it was going to happen." Each of the following aspects of the play contribute importantly to the build up of dramatic tension as we wait to see how the tragedy [tragedy: A type of drama in which characters undergo suffering or calamity, and which usually ends with a death. A sad or catastrophic event causing suffering or death. ] will play out.
Like a Greek drama - where the action all takes place in a single location - most of the action of this play takes place in the Carbones' apartment or immediately outside it. Miller explains at the opening of Act 1 how Alfieri's office can fit into this setting too (it is Alfieri's view from the bridge that we see).

Alfieri
Alfieri is established immediately as the commentator. He introduces the play, narrates the story in flashback [flashback: A scene enacting something that happened in the past; the enactment of a character's memory of a past event. ], focussing on key scenes, then closes the play. He is in control and we trust him.
As you read the play, it is important to imagine yourself watching and listening to the action. It is a drama, not a novel! The stage directions [stage directions: Instructions written into the script of a drama to guide the performers' actions. ] are important in helping us to imagine exactly what is going on: they can help us picture each character's actions and reactions.
During the course of A View from the Bridge the Carbone family change from a poor but loving family into one torn apart by mistrust, jealousy and violence. Ask yourself what happens to create such a dramatic contrast [contrast: A description of all the differences between two things (in this case, two texts). ]. How is the tension maintained and the audience involved?