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Radio Scotland Blogs

Brian Taylor

Spending challenge looms

It is, I suppose, too much to expect our elected politicians to respond directly and instantaneously to that notably gloomy report from Audit Scotland about the state of Scottish public spending.

For one thing, the extent of the challenge is so huge. For another, there are elections looming: the by-election in Glasgow North East next week, the UK General Election next year.

Doesn't do to frighten the voters with talk of spending cuts - unless, of course, you are talking about the cuts which would inevitably follow in the wake of victory by your wicked opponent.

Sooner or later, though - probably quietly, in private - Scotland collectively will have to address the challenge posed by Audit Scotland.

In short, they say that there will be a tight squeeze on spending levels over the next five years, that efficiency savings alone will not fill the gap and that the public sector in its entirety requires to start thinking about its core priorities with regard to expenditure.

As a start, today's exchanges at Holyrood were far from propitious.

Labour's Iain Gray spotlighted what he suggested was a poor record of attendance by the first minister at the Financial Services Advisory Board, or FiSAB.

Considered as a hit against the FM, it was reasonably effective on the day. Alex Salmond responded by insisting that he and the finance secretary had regular meetings with those involved in the industry.

But why didn't Mr Gray major on the state of Scotland's finances more generally?

Because the FM would then, undoubtedly, have counter-attacked by suggesting that the Labour UK government was the progenitor of the problem, perhaps quoting Audit Scotland to the effect that the UK "has experienced the worst deterioration in its public sector finances of all OECD countries".

Labour's news release on the subject suggests that the FM might start by abandoning what it calls "vanity" projects such as the National Conversation on the constitution.

I haven't the time to calculate the precise percentage of public spending that represents - but it is tiny, fragmentary. Scarcely substantive.

Returning to the chamber, Annabel Goldie challenged the FM over Audit Scotland.

Deploying the tack he would have used against Mr Gray, Alex Salmond said that both Labour and Tory UK governments were preparing to impoverish Scotland.

It was effective rhetoric - but in no way addressed the issue of how to cope with the medium-term challenge identified in today's report.

To be fair, Mr Salmond said both he and John Swinney were focused on making the best use of resources. But again, perhaps understandably, no detail for the future.

Tavish Scott stumbled somewhat. He quoted the FM as describing the Lloyds take-over of HBOS as the "deal of the century".

Mr Salmond produced the full quotation - which made plain he was interpreting Lloyds' view of the deal, while stressing his own considerable reservations.

Questions progressed - with, for example, Bill Aitken of the Tories offering the view that, whatever else is cut, police budgets must be protected. Translate that across Scotland, across other services which MSPs may want to cherish, and you can understand the extent of the challenge.

As to this year's budget, there can be no serious offstage discussions until Glasgow NE is by.

As to the future, this is a problem for MSPs of all parties - and for the whole public sector.

Bryan Burnett

Next week's themes...

media.jpgThanks again to everyone who contributed last week. 'Bonfire night' was a very busy night and it was great to hear from so many people who were out and about. I hope you enjoy this set of themes.

In response to some of the regulars on this blog, my challenge is to post on a more regular basis and to include more caption competitions. They have asked for one this week with the writer of the winning caption being 'forced' to donate money to Children In Need! A suitable photo will follow later in the week.

Don't forget the video of the themes is online and you can find it by following this link.

Monday
Monday's theme is ' the media' and it comes courtesy of the pupils at Balwearie High School in Kirkcaldy. Their suggestions include sun always shines on TV, Radio Ga Ga and from the world of newspapers Telegraph road or Guardian Angel.

Tuesday
A new survey says that 89% of people recognise the opening line of A hard day's Night, so tonight's theme features the instantly recognisable opening lines of songs. "Got a wife and kid in Baltimore Jack, I went out for a ride and I never went back" would have to be one of my favourites. Don't send me the title or the artist; just send me the opening line.

Wed:
Armistice day - what does it mean to you? Co-incidentally Ian Buckland suggested songs of gratitude and thanks as a theme so I thought that would also fit in tonight. From Peace In our Time to Hero it promises to be a special show.

Thursday:
Sit Down, Stand By Me and Shut Up. It's bossy Thursday on Get It On. ( Clearly Miss Babs will need to be producing!) I'm looking for the bossiest songs of all time in this great theme suggested by Scott Martin.

Graham Stewart

Is a play about a transsexual Jesus art... or blasphemy?

About 300 protesters held a candlelit protest outside a Glasgow theatre over the staging of a play which portrays Jesus as a transsexual. The protest was held outside the Tron Theatre, where "Jesus, Queen of Heaven" -- in which Christ is a transsexual woman -- is being staged.

It is part of the Glasgay! arts festival, a celebration of Scotland's gay, bi-sexual and transsexual culture. Festival organisers said it had not intended to incite or offend anyone.

Glasgay! producer Steven Thomson said: "Jesus Queen of Heaven is a literary work of fiction exploring the artist's own personal journey of faith as a transgendered person. This work is not intended to incite or offend anyone of any belief system. However, we respect your right to disagree with that opinion."

Pastor Jack Bell, of the Zion Baptist Church in Glasgow, who took part in the protest, said: "You can't blaspheme God and use freedom of speech as an excuse for that. True biblical Christianity is becoming marginalised through political correctness. If this play had treated the prophet Mohammed in the same way there would have been a strong reaction from the Islamic community, but that just wouldn't happen."

Jeff Zycinski

The Calman Commission


Thumbnail image for susan.calman-in-studio.jpg

I've really enjoyed listening to Susan Calman present the MacAulay & Co show this week. She's witty, clever, warm and seems to have a natural talent for radio. I tell you, if I were commissioning programmes on BBC Radio Scotland I would snap her up and offer her a regular gig. Oh, hang on...those nice folk in BBC contracts hate me talking out loud about that kind of stuff. Sorry.

Susan was on top form this morning as she interviewed comedy pal Ed Byrne and got to talking about that new book in which celebrities have written a letter to their sixteen year old selves. Most of the advice was about not worrying about silly stuff like how you look and how you dress (something that has never given me a single fret - obviously) and about how every experience in life can turn out to be useful.

Susan, who qualified to practise law, said she has never regretted that course of study, even though she eventually gave it all up to become a stand-up comedian. She's been on the comedy scene for a good wee while but this past year she seems to be in demand from all sorts of people. I was discussing this with Comedy Unit producer Gus Beattie recently and I suggested that Susan would be on my list of top ten Scottish comedians guaranteed to be even more successful in 2010. Kevin Bridges is another.
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I've seen Susan in a live sketch show in Glasgow and she's a brilliant visual perfomer as well as being a great writer and teller of funny stories. Her blogs entries on Facebook are just a treat to read. Recently she came up with the brilliantly funny idea of shortening horror films by ensuring the central characters don't make those cliched stupid mistakes early on in the story. You know, don't explore the old ruined house, don't go back for a handbag etc.

The photograph below shows Susan taking command of BBC Radio Scotland's Topical & Events team. She's the one at the front.

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Pauline McLean

Bah humbug

I choked on my popcorn when i saw the trailer for the new Disney version of A Christmas Carol.

"You've never seen anything like this before!" it proudly declared.

Errr, unless you've read one of the greatest works of English literature or seen one of the myriad of stage and screen versions which have been churned out at regular intervals over the years.

Everyone from Alastair Sim to Patrick Stewart, via The Muppets, have offered their take on this Christmas tale of love and redemption.

The British Film Institute even got in on the act yesterday.

But in fairness to this version, it has achieved something new, not least introducing a new generation to the genuinely scary ghostly goings on.

In that sense, it's probably closer to the original Dickens' tale than other adaptations.

Capture animation - where the actors perform their scenes wearing special bodysuits and then the action is animated - is a technique used by director Robert Zemeckis before in The Polar Express.

But here, in a story which has the central character flying over London, crawling beneath the sewers and tumbling into graves, it really comes into its own.

Jim Carrey, who can create cartoonish expressions any way, is particularly impressive and it's very clear it IS him, not just in Scrooge but in the Three Ghosts of Christmas Past, Present and Future, which he also plays.

The great advantage to the technique is that it means actors can play several different roles and the whole film - crowd scenes and all - is pretty much staffed by just 15 actors.

The doubling up makes sense, particularly with Scrooge, since aren't those ghosts just figments of his own imagination?

Last night's London premiere - attended by the film's stars Jim Carrey, Colin Firth, Bob Hoskins and Robin Wright Penn - coincided not just with the switch on of the Christmas Lights (this early? bah humbug!) but with simultaneous screenings of the film in 28 cinemas across the country, including Glasgow's Braehead Odeon.

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