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In Our Time
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PROGRAMME INFO |
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The big ideas which form the intellectual agenda of our age are illuminated by some of the best minds. Melvyn Bragg and three guests investigate the history of ideas and debate their application in modern life. |
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PRESENTER |
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BIOGRAPHY
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| "I'm fascinated by the fact that we live in a time when so many people are doing fantastic work, and thinking in areas which it's not remotely possible for me to keep up with & and these people are prepared to talk about it. They're prepared to come on In Our Time and other programmes on Radio 4 and try and talk to the rest of us ..." |
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THE AENEID
Read audience reactions to this edition of In Our Time.
Find out more about this subject by using our special research page.
Out of the tragedy and destruction of the Trojan wars came a man heading West, his father on his back and his small son holding his hand. This isn't Odysseus, it's Aeneas and in that vision Virgil gives an image of the very first Romans of the Empire.
Virgil's Aeneid was the great epic poem that formed a founding narrative of Rome. It made such an impact on its audience that it soon became a standard text in all schools and wiped away the myths that preceded it. It was written in Augustus' reign at the start of the Imperial era and has been called an apologia for Roman domination; it has also been called the greatest work of literature ever written.
How much was Virgil's poem influenced by the extraordinary times in which it was written? How does it transcend the political pressures of Imperial patronage and what are the qualities that make it such a universal work?
Contributors
Edith Hall, Leverhulme Professor of Greek Cultural History at Durham University
Philip Hardie, Corpus Christi Professor of Latin at the University of Oxford
Catharine Edwards, Senior Lecturer in Classics and Ancient History at Birkbeck College, University of London
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