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| In Our Time
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| | | The big ideas which form the intellectual agenda of our age are illuminated by some of the best minds. Melvyn Bragg and three guests investigate the history of ideas and debate their application in modern life. | | | | | LISTEN AGAIN | | | |
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| | | | | "I'm fascinated by the fact that we live in a time when so many people are doing fantastic work, and thinking in areas which it's not remotely possible for me to keep up with & and these people are prepared to talk about it. They're prepared to come on In Our Time and other programmes on Radio 4 and try and talk to the rest of us ..." |
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|  | | THE ALPHABET
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At the start of the twentieth century, in the depths of an ancient Egyptian turquoise mine on the Sinai peninsular, an archaeologist called Sir Flinders Petrie made an exciting discovery. Scratched onto rocks, pots and portable items, he found scribblings of a very unexpected but strangely familiar nature. He had expected to see the complex pictorial hieroglyphic script the Egyptian establishment had used for over 1000 years, but it seemed that at this very early period, 1700 BC, the mine workers and Semitic slaves had started using a new informal system of graffiti, one which was brilliantly simple, endlessly adaptable and perfectly portable: the Alphabet. This was probably the earliest example of an alphabetic script and it bears an uncanny resemblance to our own.
Did the alphabet really spring into life almost fully formed? How did it manage to conquer three quarters of the globe? And despite its Cyrillic and Arabic variations and the myriad languages it has been used to write, why is there essentially only one alphabet anywhere in the world?
Contributors
Eleanor Robson, historian of Ancient Iraq and Fellow of All Souls College, Oxford
Alan Millard, Rankin Professor Emeritus of Hebrew and Ancient Semitic Languages at the University of Liverpool
Rosalind Thomas, Professor of Greek History at Royal Holloway, University of London
Further reading
The Alphabet by David Sacks (Hutchinson, 2003)
Alpha Beta by John Man (Headline, 2001)
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