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| In Our Time
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| | | The big ideas which form the intellectual agenda of our age are illuminated by some of the best minds in the world. Melvyn Bragg and three guests investigate the history of ideas and debate their application in modern life. | | | | | LISTEN AGAIN | | | |
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| | | | | "I'm fascinated by the fact that we live in a time when so many people are doing fantastic work, and thinking in areas which it's not remotely possible for me to keep up with & and these people are prepared to talk about it. They're prepared to come on In Our Time and other programmes on Radio 4 and try and talk to the rest of us ..." |
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|  | | ORIGINALITY
In 1800, in his preface to Lyrical Ballads, Wordsworth wrote "Every great and original writer, in proportion as he is great and original, must himself create the taste by which he is to be relished". But did the notion of originality begin with the Romantics in the 18th century, or has society always valued originality? Should we consider Shakespeare an innovator or a plagiarist? To what extent is originality about perception rather than conception and is originality a concept without meaning today?
Contributors:
John Deathridge, King Edward Professor of Music at King’s College London
Jonathan Rée, philosopher and author of Philosophical Tales (Routledge, 1987)
Professor Catherine Belsey, Chair of the Centre for Critical and Cultural Theory at Cardiff University
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