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Prokofiev's The Gambler

Olga Guryakova as Polina and Vladimir Galouzine as Alexei. Photo: Marty Sohl/Metropolitan Opera

Olga Guryakova as Polina and Vladimir Galouzine as Alexei.

Live from the Met

Saturday 12 April 2008 18:30-21:15 (Radio 3)

Tonight's Live from the Met provides a rare chance to hear Prokofiev's first major stage work, his opera The Gambler. Based on the novel by Dostoyevsky, the opera focuses on a group of characters whose lives are dominated by their quest for money and also their inability to hold on to it.

Alexei is in love with Polina, but has lost all her money on the roulette table. Her guardian, The General,  is hoping Polina's grandmother will die, so that he can inherit her money and marry his mistress. But when Grammy arrives she seems to be in good health, and soon gambles away all her money anyway. The result of this is a further downturn in fortunes for almost everybody.

Prokofiev's masterful score is brought to life by the Met's Principal Guest Conductor, Valery Gergiev, and some veteran names from his Mariinsky Theatre, including Vladimir Galouzine as Alexi and Olga Guryakova as Polina

Presented from New York by Margaret Juntwait with Ira Siff as guest commentator.
Intermission content will include backstage interviews with the artists

Duration:

2 hours 45 minutes

CAST AND SYNOPSIS

Polina ...... Olga Guryakova (soprano)
Mme Blanche ...... Olga Savova (mezzo-soprano)
'Grammy' Babulenka ...... Larissa Diadkova (mezzo-soprano)
Alexei ...... Vladimir Galouzine (tenor)
The Marquis ...... Nikolai Gassiev (tenor)
Prince Nilsky ...... John Easterlin (tenor)
Mr Astley ...... John Hancock (baritone)
The General ...... Sergei Aleksashkin (bass)
Baron Wurmerhelm ...... James Courtney (bass-baritone)
Chorus and Orchestra of New York Metropolitan Opera
Valery Gergiev (conductor)


SYNOPSIS

ACT I.
Roulettenberg, a fictitious German spa town, 1865. The young Russian Alexei, a tutor to the General's family, is in love with Polina, the General's ward. She had asked him to pawn her jewelry and gamble with the proceeds, so that she might pay off her debts, but he tells her that he has lost everything. The General enters with his mistress, the much younger Blanche, the Englishman Mr. Astley, and the coldly shrewd Marquis, who is supplying loans to the General at exorbitant rates. Blanche questions Alexei about his losses, but he protects Polina and claims that it was his own money, saved from his salary. The General receives a telegram from Polina's grandmother in Moscow. He is desperately waiting for the old woman, Grammy, to die so he can inherit her money and pay off his debts. He leaves with the others to reply to the telegram.
Polina is annoyed that she cannot repay her debts to the Marquis since Alexei has lost her money. When Alexei insists that he loves her, she asks him to prove it by doing her bidding and insulting a German Baroness, who is strolling nearby with her husband. Alexei does as he is told, provoking the Baron's anger and causing a scene.

ACT II. The General reprimands Alexei for his behavior and relieves him of his tutorial duties. Alexei replies that he should be allowed to act as he wishes and announces that he will challenge the Baron to a duel. The General, wanting to avoid a scandal, asks for the Marquis's help in dealing with his former employee. Alexei returns, brooding, and learns from Astley that the General is afraid of scandal because it might jeopardize his intentions of marrying Blanche. Astley also explains that the wedding cannot take place until the General receives his inheritance from Grammy.

In an attempt to control Alexei's behavior the Marquis tries to reason with him, but he will not listen. The Marquis finally produces a note, supposedly written by Polina, telling Alexei to stop acting like a schoolboy. The young man accuses the Marquis of having forced Polina to write the note and storms out. The General enters with Blanche, eager to hear if the Marquis had any luck with Alexei. The Marquis, lying, says yes and shifts the conversation to Grammy's health. As soon as the General predicts her imminent death, they hear the old lady's voice. She has come to the hotel, recovered from her illness, and announces that she is looking forward to gambling. Blanche suspects the General of false promises, while the Marquis hopes that his usual deceit will be sufficient to deal with the situation.

ACT III. Grammy has been losing large amounts at the gambling table. The General frantically tries to find a way to stop her, and when he learns that her losses have increased, he panics and decides to call the police. Blanche abandons him and leaves with another man, Nilsky. Alexei reflects on the fate of his former employer's family: only his love for Polina still connects him to them. Polina appears, and Alexei gets her to admit the Marquis's dishonorable behavior toward her. They are interrupted by Grammy. Having spent all the money she brought, she wants to return to Moscow and invites Polina to accompany her, but the girl says she cannot leave just yet. When Grammy is gone, the General returns. He has lost Blanche and is financially ruined.

ACT IV. Alexei finds Polina waiting in his hotel room. She is desperate and, for the first time, admits the nature of her relationship with the Marquis, who has abandoned her and is pressing her to repay the money she owes him. Alexei, thrilled that Polina has turned to him for help, runs off to win her money back.
In the casino, Alexei joins a group of veteran gamblers and wins again and again, finally breaking the bank.
Gathering his money, he returns to his room and offers Polina the sum she needs to repay the Marquis. She insists on taking it only in exchange for her body. Alexei is insulted, but when Polina confides her love and hopes to him, they passionately embrace. She immediately regrets her action and, when Alexei hands her the money, she throws it in his face and runs out. Alexei is left alone, dementedly recalling his good fortune at the roulette table.



©Metropolitan Opera




Playlist:

Polina ...... Olga Guryakova (soprano)
Mme Blanche ...... Olga Savova (mezzo-soprano)
'Grammy' Babulenka ...... Larissa Diadkova (mezzo-soprano)
Alexei ...... Vladimir Galouzine (tenor)
The Marquis ...... Nikolai Gassiev (tenor)
Prince Nilsky ...... John Easterlin (tenor)
Mr Astley ...... John Hancock (baritone)
The General ...... Sergei Aleksashkin (bass)
Baron Wurmerhelm ...... James Courtney (bass-baritone)
Chorus and Orchestra of New York Metropolitan Opera
Valery Gergiev (conductor)




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