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Rossini's Il Barbiere di Siviglia

Elina Garanca (Rosina). Photo: Metropolitan Opera

Elina Garanca (Rosina) Photo:Metropolitan Opera

Live from the Met

Saturday 26 January 2008 18:30-22:00 (Radio 3)

Figaro's here, Figaro's there, Figaro's everywhere, helping Count Almaviva win the hand of the lovely Rosina. But first the Count and his trusty barber must stop her guardian, Doctor Bartolo, from marrying her himself. Latvian mezzo-soprano Elina Garanca makes her highly anticipated Met debut as Rosina and Margaret Juntwait presents Rossini's masterpiece, described by Verdi as "the most beautiful comic opera of all."

This evening's broadcast will include the legendary Met Opera Quiz (click on the link for information on how to send in your questions) hosted by the soprano Roberta Peters who made her debut at the Met at the age of 20 and sang there for 35 years in 361 performances of 23 roles.


3 hours 30 minutes


Count Almaviva comes in disguise to the house of Dr. Bartolo to serenade Rosina ("Ecco ridente in ciel"). Dr. Bartolo keeps Rosina confined to the house. Almaviva pays the musicians and decides to wait until daylight in the hope of seeing her. Figaro the barber, who has access to the houses in Seville and knows the town's secrets and scandals, arrives and describes his busy life ("Largo al factotum"). The Count sings another serenade to Rosina, calling himself Lindoro, a poor student. Figaro devises a plan: the Count will disguise himself as a drunken soldier quartered at Dr. Bartolo's house to gain access to Rosina, whom Dr. Bartolo intends to marry. The Count is excited about this plan while Figaro looks forward to a nice cash pay-off from the grateful Count (Duet: "All'idea di quel metallo").

Rosina reflects on the voice that has enchanted her heart and resolves to use her considerable wiles to meet Lindoro ("Una voce poco fa"). Dr. Bartolo appears with Rosina's music master, Don Basilio, who warns him that Count Almaviva, Rosina's admirer, has been seen in Seville. Dr. Bartolo decides to marry Rosina immediately. Basilio praises slander as the most effective means of getting rid of Almaviva ("La calunnia"). Figaro overhears the plot, warns Rosina, and promises to deliver a letter from her to Lindoro (Duet: "Dunque io son"). Suspicious of Rosina, Dr. Bartolo tries to prove that she has written a letter, but she outwits him at every turn. Dr. Bartolo is angry at her defiance and warns her not to trifle with him ("A un dottor della mia sorte").
Disguised as a drunken soldier, Almaviva arrives and passes Rosina a note, which she manages to hide from Dr. Bartolo. The old man argues that he has exemption from billeting soldiers. Figaro announces that a crowd has gathered in the street, curious about all the noise coming from inside the house. The civil guard burst in to arrest the drunken soldier. The Count reveals his true identity to the captain and is instantly released. Everyone except Figaro is amazed by this turn of events, and all comment on the crazy events of the morning.

ACT II. Dr. Bartolo suspects that the "drunken soldier" was a spy planted by Almaviva. The Count returns, this time disguised as Don Alonso, a music teacher and student of Don Basilio (Duet: "Pace e gioia sia con voi"). He has come to give Rosina her music lesson in place of Basilio, who, he says, is ill at home. "Don Alonso" also tells Dr. Bartolo that he is staying at the same inn as Almaviva and has found the letter from Rosina. He offers to tell Rosina that it was given to him by another woman, proving that Lindoro is toying with her on Almaviva's behalf. This convinces Dr. Bartolo that "Don Alonso" is a true student of Don Basilio, and he allows him to give Rosina her music lesson ("Contro un cor").

Figaro arrives to give Dr. Bartolo his shave and manages to snatch the key that opens the balcony shutters. The shaving is about to begin when Basilio shows up looking perfectly healthy. Everyone convinces Basilio, with repeated assurances and a quick bribe, that he is sick with scarlet fever (Quintet: "Buona sera, mio signore"). Basilio leaves for home, confused but richer. The shaving begins, sufficiently distracting Dr. Bartolo from hearing Almaviva plotting with Rosina to elope that night. But Dr. Bartolo hears the phrase "my disguise" and furiously realizes he has been tricked again. Everyone leaves.

The maid Berta comments on the crazy household ("Il vecchiotto cerca moglie").

Basilio is summoned and told to bring a notary so Dr. Bartolo can marry Rosina that very evening. Dr. Bartolo then shows Rosina her letter to Lindoro. Heartbroken and convinced that she has been deceived, she agrees to marry Dr. Bartolo and tells him of the plan to elope with Lindoro. A storm passes. Figaro and the Count climb over the wall. Rosina is furious until Almaviva reveals his true identity. Basilio arrives with the notary. Bribed with a valuable ring and threatened with a couple of bullets in the head, Basilio agrees to be a witness to the marriage of Rosina and Almaviva. Dr. Bartolo arrives with soldiers, but it is too late. Count Almaviva explains to Dr. Bartolo that it is useless to protest ("Cessa di piu resistere"), and Dr. Bartolo accepts that he has been beaten. Figaro, Rosina, and the Count celebrate their good fortune.

Courtesy of The Metropolitan Opera


Rosina: Elina Garanca (mezzo-soprano)
Count Almaviva:Jose Manuel Zapata (tenor)
Figaro: Franco Vassallo
Dr. Bartolo: Bruno Pratico
Don Basilio: Peter Rose
Berta: Jennifer Check
Sergeant: Mark Schowalter
Fiorello: John Moore
Ambrogio: Rob Besserer

Frederic Chaslin(conductor)
Orchestra and Chorus of New York Metropolitan Opera

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