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The Write Stuff - Mina Agossi, QEH, 13 Nov 2005Reviewer - Fiona Nehama Abrahami
The slight, exotically dressed figure alone in the center-stage spotlight exuded warmth and charisma. She bobbed and weaved, ducked and dived, and screwed up her face expressively as she sang her first number a cappella. Mina Agossi loves to perform, but she wants, nay demurely demands, something in return, and she gets it: her audience loves her. Ms Agossi puts on a unique and entertaining show, but is she really as good as the hype? For the second number she was joined on stage by Remy Chaudagne on bass and Ichiro Onoe, who played his first number with just the palms of his hands, on drums. Despite the minimalist line-up, the band delivers. In interview, Mina has said she performs better live than in the studio, however, the live version of Hendrix's Third Stone From The Sun fell short of the performance on her CD Zaboum! - on stage, she played safe, barely venturing away from the written melody. There's no doubt she can sing and she's an excellent mimic, one moment imitating Hendrix's guitar, another sax or trumpet, even Satchmo's distinctive growl. Her fourth song, Laundromat, was a blues sung slightly behind the beat, suggestive of Billie Holiday's style. The voice and bass combination is stark, and the subsequent lack of harmonic development suggests much of Mina's potential may yet be unexplored. At times the bassist thickened the harmonic texture by creating ostinatos with a sampler and playing over them, but that only served to whet the appetite for greater harmonic depth. And one is left feeling not quite satiated. Mina Agossi loves to perform and she performs well, she clearly enjoys herself and the enjoyment is infectious. Despite this writer's reservation about the sound, few people will fail to be entertained at a Mina Agossi show. Go, see, enjoy! Fiona Nehama Abrahami
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