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Bob Dylan on BBC 6 Music
THE BOB DYLAN CHRONICLES

Fridays from 1 June 2115-2130

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Sean Penn reads an eight part abridgement of Bob Dylan's Chronicles.

To compliment Theme Time Radio Hour With Bob Dylan which you can hear on Radio 2 on Bank Holiday Monday and weekly on BBC 6Music, Radio 2 broadcasts Sean Penn’s reading of Dylan’s autobiography Chronicles Volume 1 - adapted for Radio 2 in eight parts.

This is a fascinating insight into the man’s mind as we follow him through his struggle to get a record deal, his battle to write songs, recording sessions, influences both literary and musical, his accidents, his traumas and his highs and lows as he becomes probably the greatest singer songwriter of his generation. To read this classic autobiography we have not only one of America’s greatest contemporary actors but also a friend and neighbour of Bob Dylan’s Sean Penn, punctuated of course by snatches of some great music from Dylan, Robert Johnson, Woody Guthrie, Jack Elliott, Joan Baez and of course Dave Van Ronk.

Dylan’s voice is quintessentially American: generous, engaged, fanciful and rhythmic with a great turn of phrase as one would expect from someone who has written some of the greatest lyrics of our time. It is a poignant reflection on his life, the people whom he has met, the places he has played in, and his many influences all shaping the character of the man and his art.

    Bob Dylan

    EPISODE ONE: DYLAN SIGNS

    Episode one does not commence with the beginning of Bob Dylan’s career (we come to that later) but at the start of his recording career as he signs to both Columbia Records for recording and to Leeds Music for his song-writing, the latter for an advance of one hundred dollars! We meet Lou Levy the top man at Leeds Music who was married to one of The Andrews Sisters and had been recommended to Bob by Columbia Records.

    Lou who had dealt with Al Martino and Nat King Cole could never quite get to grips with Dylan’s songs and later at the advice of his new manager Al Grossman Dylan bought himself out of the contract for one thousand dollars. We meet Bob Hammond the man who signed him to Columbia Records.

    Hammond was a great talent scout and had been responsible for signing great artistes like Billie Holliday, Benny Goodman, Count Basie, Lionel Hampton and had recently brought Pete Seeger to Columbia. And we meet the great blues artiste Robert Johnson whose record Hammond had given him on the day of the signing.

    “From the first note the vibrations from the loudspeaker made my hair stand up. The stabbing sounds from the guitar could almost break a window. When Johnson started singing, he seemed like a guy who could have sprung from the head of Zeus in full armour…. I copied Johnson’s words down on scraps of paper so I could more closely examine the lyrics and patterns, the construction of his old-style lines and the free association that he used, the sparkling allegories, big-ass truths wrapped in the hard shell of nonsensical abstraction—themes that flew through the air with the greatest of ease. I didn’t have any of these dreams or thoughts but I was going to acquire them.”

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