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iForward,Russia!
Radio 1 spends a year in the band's back pockets as they start their own label.
Primal Scream
Twenty years on and no sign of stopping.
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AN Albatross
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Antony & the Johnsons
Antony Hegarty on the Mercurys, recording with Boy George, and meeting your heroes
Art Brut
Band on the pull - the weird and wonderful ways they met
Athlete
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Brought together by the talent contests they hate
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Chords, fans and bad jokes
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Caroline Martin
The singer/songwriter profiled on OneMusic
Cooper Temple Clause
Revealing the secrets to writing a great second album
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The story behind their new album
Decoration
Coming from the classic indie tradition and the North-South divide
The Departure
The band talk about getting signed in under a year
Dirty Pretty Things
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Dogs Die In Hot Cars
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Elbow
Guy Garvey on how to get a deal after you've been dropped.
Electrelane
The Brighton four-piece talk about recording their new album
Exist
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Fink
The singer/songwriter who is changing the direction of Ninjatune
The Flaming Lips
Are they the world's most experimental band?
Fleeingnewyork
How they recorded their debut in a shed!
iForward,Russia!
Follow the band as they start their own label Dance To The Radio
Funeral For A Friend
Welsh rockers talk success and being on Radio 1
The Futureheads
Sunderland's finest on fame, footwork and future plans
Golden Virgins
How to get the most from lo-fi home recording
Gruff Rhys
The Super Furry Animals frontman on their next album and his solo project
Guitarded
Brian May, Graham Coxon, Slipknot's Mick #7 and many more give tips on playing guitar
Hell Is For Heroes
On how to make the most of your website
Hey Colossus
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The Hives
How personality clashes inspire their creativity
Hope Of The States
How They Became Britain's bright new things
Idlewild
On funding themselves and getting on Radio 1
InMe
The Essex trio on angst management and the bigger picture
Jawbone
OneMusic's favourite one-man band interviewed at SXSW
Jegsy Dodd
Once upon a time in the Wirral with the Liverpool poet
Jetplane Landing
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Kasabian
Web chat Q&A live from the In New Music We Trust tour bus
Kaiser Chiefs
From bedsits to mega-stardom, a look back at their incredible year
Keane
Britains new musical heroes. They come from Battle and don't do guitars
Kings Of Leon
Caleb and Nathan answer your questions from the Zane Lowe tour
Laura Cantrell
The New York singer on her approach to songwriting
Lostprophets
How they took their songwriting up a notch
Low
The band discuss the making of their latest album
Marissa Nadler
How the New York singer-songwriter found her style
Melt Banana
Touring Europe from a Japanese band's perspective
Melys
Why they never want to be fashionable
Mystery Jets
Meet the founders of Thamesbeat
New Order
Mylo presents the history of one of the UK's most influential bands
Ordinary Boys
Brighton's indie darlings on why hype doesn't bother them
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Beth's tips on dealing with nerves and writing songs
The Others
Singer Dominic Masters on his top 5 guerilla gigs!
Part Chimp
Glaswegian noisiks champion on upping the volume
The Pixies
Queens of the Stone Age frontman and Pixies fan Josh Homme charts the return of the band
Primal Scream
Twenty years on and no sign of stopping
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Razorlight
Q&A session live from the Zane Lowe tour
Reigns
Post-rock sensibilities from Somerset
Snow Patrol
Dreams and tears and as we go behind the scenes on their new album.
Soledad Brothers
Their connections with the White Stripes.
Solex
Elisabeth Esselink on how she approaches sampling
Stuffy & The Fuses
Stuffy and Jen on getting close and personal at gigs
Supergrass
Gaz Coombes on the difference a producer can make
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Swansea guitar heroes on spontaneity and sci-fi
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Sunderland's finest export of fame and fancy footwork
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Someone told them that image was important
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Brigton's polka dot fashion gurus on gigs and groupies
Thee More Shallows
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Tunng
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Catch up with former Unsigned List band
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On the importance of being credible
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Warren Suicide
How dark characters and disturbing visuals helped them create
We Rock Like Girls Don't
Putting girl bands back on the map
Your Code Name Is: Milo
Why signing to a major label is not a compromise
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