What's On / Proms by Day

A programme typical of the ever-questing Pierre-Laurent Aimard, blending music from different periods.

Schumann's last piano work looks forward with its harmonically advanced language. Its mood is taken up by Elliott Carter's classic Night Fantasies of 1980, a work described by its composer as 'a piano piece of continuously changing moods, suggesting the fleeting thoughts and feelings that pass through the mind during a period of wakefulness at night'.

The ever modern-sounding Bartók is represented by his Out of Doors suite, written very much with himself in mind as performer. It exploits the piano's percussive qualities to winning effect. And as a leading exponent of Messiaen's piano music, Aimard offers a sketch of a night bird, 'L'alouette lulu' (The Woodlark).

A double opportunity to celebrate Olivier Messiaen's instrument, the organ. Olivier Latry, who teaches at the Paris Conservatoire (as did Messiaen), presents two faces of the French organ tradition - solo Messiaen and Saint-Saëns's much-loved 'Organ' Symphony, a work written for London.

Between the two organ works comes Messiaen's Et exspecto resurrectionem mortuorum, a magnificent memorial to the dead of two world wars, and a haunting exploration of instrumental colour. A leading interpreter of Messiaen's music, tonight's conductor took part in the first performance of Messiaen's posthumously completed Concert à quatre (see Prom 45), of which he is the dedicatee.