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BBC Proms - 18 July-13 Sept 2008 - The World's Greatest Classical Music Festival

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Prom 41: Handel's Belshazzar

Sir Charles Mackerras

Sir Charles Mackerras returns to the Proms with one of his greatest loves, the music of George Frideric Handel. Dating from 1744, when Handel's creativity was at its peak, Belshazzar was written simultaneously with another oratorio, Hercules - and at colossal speed (he finished the work in a month).

It's based on the famous Old Testament story telling of the downfall of the Babylonian king. But Handel's libretto, by Charles Jennens, was considerably expanded with numerous incidents imported from other sources. The work was first heard at the King's Theatre in London in March 1745 (though the indisposition of one of its star performers meant that various of the solos had to be redistributed among other members of the cast, apparently rather unsatisfactorily).

Belshazzar is a work of consummate dramatic unity, wonderfully structured and perfectly paced, in which Handel skilfully characterises the three peoples portrayed - the Babylonians , the Jews and the Persians.

  • Handel Belshazzar (172 mins)

There will be one interval

Paul Groves Belshazzar
Rosemary Joshua Nitocris
Bejun Mehta Cyrus
Iestyn Davies Daniel
Robert Gleadow Gobrias
Choir of the Enlightenment
Orchestra of the Age of Enlightenment
Sir Charles Mackerras conductor

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Your Reviews

Stephen O'Sullivan, Galway, Ireland
This was more than a concert, it was an experience. Performances of Handel oratorios are rare events and it was great to be there to hear it. From the opening overture to the final 'Amen' of the chorus this was a top class production. The soloists were all very good but a special mention must go to the countertenor Bejun Mehta who sang the part of Cyrus. His technique seemed impeccable and could possibly rival that of Andreas Scholl.

The O.A.E. and the choir were excellent and it was also great to watch Mackerras, a legendary veteran conductor and Handelian, in full flow. This was a special night I won't forget. I would be surprised if there is not serious thought about releasing this concert on commercial CD. I would buy it and I'm sure it would be critically acclaimed and over time could be considered a classic recording of a great Handel oratorio.

Robert Barnes, South Shields UK
The essence of a great Prom concert - impeccable orchestra (OAE), as fine a conductor as one could wish for, a c50-strong chorus of the world's best choral singers, 5 superb soloists, 3 hours of drama, and Mr Handel's marvellous music. No wonder the audience gave them such a full accolade at the end. It was a privilege to attend. Please BBC, ensure that a recording is made available, it's too good just for a week of iPlayer. Could we have Mr Handel's Hercules next year?

Arthur Holroyd
Being present for this concert I felt that the performance got off to a tentative, even uncertain start; but that impression could have been a consequence of me growing accustomed to the acoustics of the Hall. However it gradually became increasingly dramatic, helped by a welcome lack of pauses between movements. Rosemary Joshua and the two counter-tenors were particularly expressive in reflecting their different roles, and the choir was equally excellent. I remain uncertain about the Albert Hall's suitability for the performance of baroque music - it was almost certainly far from Handel's mind when composing - but in the event this concert was unmissable.

Linda Little
This was a truely wonderful evening of music. Although I love Handel, I was a little daunted at the prospect of a three and a half hour preformance. However, I could have sat through it all again. Sir Charles Mackerras is a wonderful conductor in many areas - it must be a joy to work with somebody with his wealth of experience and talent.



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