Such is the baritone's highly responsive and emotive way of singing that each of Mahler's songs took on the weight of a miniature operatic scene ... most affecting of all was 'Urlicht', 'Primal Light', where Goerne, a singer more used to communicating to select hundreds at Wigmore Hall rather than thousands at the Proms, filled the RAH's cavernous space with a series of remarkable floating pianissimos.
THE DAILY TELEGRAPH
Arranging is a tricky business. Even if it is usually impossible to improve on the original, the aim has to be to get somewhere near its quality. Schoenberg doesn't. Brahms's emotional stresses and strains are perfectly articulated by the forces at his disposal. In Schoenberg's version - scored for large orchestra including a substantial percussion section - they simply sound overblown.
THE GUARDIAN
Listening to Paavo Järvi conduct the Frankfurt Radio Symphony Orchestra ... was a bit like a ride in a brand new Volvo: comfortable, secure and just a little bit predictable. Aside from one heavenly oboe solo – Kalev Kuljus, shining as much as Goerne in Urlicht – the Mahler was well-balanced but lacked bite.
THE TIMES
What you said:
Alejandro Rutkauskas I think this concert was the best I ever heard in my entire life. Period.
Anne Hart I thought Matthias Goerne's performance of Des Knaben Wunderhorn was a delight. I hope any aspiring young singer watched and heard him. What a beautiful quality of voice he possesses allied to a fantastic technique. Bless you BBC for relaying this and all the other Proms on TV.
Nick Jowett Why do we keep getting Schoenberg's stupid version of the Brahms G Minor Quartet? Brahms wrote in a completely different way in chamber music, and to blow it up with an orchestra just sounds silly - nothing like the more expansive, cushioned writing that Brahms did when writing for orchestra. I'm sure he'd loathe it. Schoenberg may have had some fun with it, but to my ears it's just irritating. I'd a thousand times rather have the original - yes, in the Albert Hall!
Thoroughly Good It didn't take long to appreciate what appeared to be an entirely different sound produced by the Frankfurt Radio Symphony last night. The string sound was brighter and sweeter than many orchestral sounds we've heard this season, a real eye opener as to how a different sound really can represent a different part of western musical tradition.
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