What the papers said:
The clarinettist Kari Kriikku is a magician on his instrument. He produces sounds higher than you’d think possible, but with a delicate expressivity so that it seems musical rather than like a party trick. Semyon Bychkov, conducting the BBC Symphony Orchestra, is not known as a new music enthusiast; romantic music is more his line. But he seemed to be relishing every moment, and the orchestra were on brilliant form.

THE DAILY TELEGRAPH
...despite its enticing expanded harmony and the luxuriance of its orchestral textures, the concerto feels on the long side. The same is sometimes said of the main work in the programme, Rachmaninov's Second Symphony, though only in a bad performance. Bychkov's outstanding interpretation rose above the excitement and heady nostalgia of the piece to uncover an underlying tragic nobility. With the BBC musicians playing for him like angels, this was one of the highlights of the season so far.

THE GUARDIAN
With its fluttering solo line (full of multiphonics and other special effects), elfin fanfares, birdlike woodwind textures and shimmering strings, the piece (Lindberg Concerto) seems to fly us giddily through an enchanted forest of bewitching sounds. But it also goes from A to Z cogently and transparently. The simple folk-like phrases of the opening grow to a “big tune”, before melting, like Prospero’s magic isle, into thin air. A perfect concerto, perfectly performed.

THE TIMES