Jazz Library - Early Ellington Recordings
Duke Ellington's biographer Harvey Cohen joins Alyn Shipton to select highlights from the 1920s and 30s recordings.
From the Cotton Club to national icon, author Harvey Cohen traces Ellington's finest output from the decade starting in 1928. He guides Alyn Shipton through jungle music, the first extended works and the finest Ducal small groups, as well as offering insights from his recent book 'Duke Ellington's America'.
Jazz Top 100 Bio
(1899 - 1974)
Edward Kennedy 'Duke' Ellington was born in Washington at the end of the nineteenth century during the height of the ragtime era. His piano teacher, the aptly-named Miss Clinkscales, may have disapproved, but at sixteen he had written his own Soda Fountain Rag, the start of a sixty-year career as a composer.
He had also acquired his nickname 'Duke', from his dapper appearance as he worked as a soda-jerk at Washington's Poodle Dog Cafe. In 1927, Ellington got his big break and moved into the Cotton Club in Harlem.
Run by gangsters, featuring a dazzling floor show built around a jungle theme, and attended by well-to-do white audiences seeking some exotic night life, the Cotton Club offered a platform for Ellington to develop his career, and broadcasts, films and discs for several labels followed in profusion.
By 1931, Ellington's Cotton Club orchestra had become the leading big band in the USA. In the mid-1930s, Ellington began to experiment with large scale compositions, such as Reminiscing in Tempo and Creole Rhapsody.
At the end of the decade he had assembled his finest band, featuring Ben Webster's tough and lyrical tenor sax, and the tragically short-lived bassist Jimmy Blanton, who introduced a new rhythmic freedom. In 1939, pianist and composer Billy Strayhorn joined Ellington, and the two men found they had a natural talent for writing music together, continuing. until Strayhorn's death in 1967.
Strayhorn wrote the band's theme Take The A-Train. In 1943, at Carnegie Hall Ellington premiered his 45-minute Black Brown and Beige, and although its lukewarm critical reaction briefly deterred him, he began a sequence of further long pieces with the Deep South Suite in 1946.
From the 1950s, Ellington toured internationally, wrote many long suites, and also composed for films and the stage. His best-known film score was Anatomy of a Murder (1959). In his last years, Ellington wrote much sacred music, which he performed in churches and cathedrals round the world. His other extended suites were inspired by ideas as different as New Orleans music, Shakespeare and visits to Asia.
Ellington, Edward Kennedy 'Duke'. Music Is My Mistress. New York, Da Capo 1976
Hasse, John Edward. Beyond Category, the Life and Genius of Duke Ellington. New York, Simon and Schuster, 1993
Tucker, Mark. The Duke Ellington Reader. New York, Oxford University Press, 1993
The Blanton-Webster Band (1939-42) - Bluebird 13181 (also RCA 5659-2) (3 CD set).
Black, Brown and Beige (1944-46) - RCA Bluebird 86641 (3 CD set).
Ellington At Newport 1956 (Complete) - Columbia C2K 64932 (2CD set).
The Ellington Suites (1959-72) - Original Jazz Classics OJC 446.
The Far East Suite (1966) - Bluebird ND 87640.
This is the podcast version of the original programme with music lengths adjusted for archive rights. Listen to the programme from this page or follow the links to download and keep the programme as a podcast.
Available since: Thu 17 Mar 2011